A NEW YORK TIMES BESTSELLER WINNER OF THE 2019 NATIONAL BOOK AWARD FOR NONFICTION A brilliant, haunting and unforgettable memoir from a stunning new talent about the inexorable pull of home and family, set in a shotgun house in New Orleans East. In 1961, Sarah M. Broom’s mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant—the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah’s father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah’s birth, the Yellow House would become Ivory Mae’s thirteenth and most unruly child. A book of great ambition, Sarah M. Broom’s The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America’s most mythologized cities. This is the story of a mother’s struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the “Big Easy” of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority, and power.

The winner of the prestigious literary award that has launched over a hundred authors - the Australian/Vogel's Literary award Winner of the 2018 The Australian/Vogel's Literary Award Even before I knew anything about Granddad Les, Wally and me sometimes dared each other to see how close to the knackery we could get. It was way out in the bottom paddock, and Dad had banned us from going further than the dam. Wally said it was because the whole paddock was haunted. He said he could see ghosts wisping in the grass like sheets blown from the washing line. But even then I knew for sure that was a lie. Ten-year-old Cub lives with her parents, older brother Cassie, and twin brother Wally on a lonely property bordering an abandoned cattle farm and knackery. Their lives are shadowed by the infamous actions of her Granddad Les in his yellow weatherboard house, just over the fence. Although Les died twelve years ago, his notoriety has grown in Cub's lifetime and the local community have ostracised the whole family. When Cub's estranged aunt Helena and cousin Tilly move next door into the yellow house, the secrets the family want to keep buried begin to bubble to the surface. And having been kept in the dark about her grandfather's crimes, Cub is now forced to come to terms with her family's murky history. The Yellow House is a powerful novel about loyalty and betrayal; about the legacies of violence and the possibilities of redemption.

Essays detailing one Edmonton woman’s experiences moving to a tough neighborhood in the inner city. “Ma’am, you sound like a very reasonable person. Can I advise you to just move?” Carissa Halton and her young family move into a neighbourhood with a tough reputation. As they make their home in one of the oldest parts of the city, she reflects on the revitalization that is slowly changing the view from her little yellow house. While others worry about the area’s bad reputation, she heads out to meet her neighbours, and through them discovers the innate beauty of her community. Halton introduces us to a cast of diverse characters in her Alberta Avenue neighbourhood—including cat rescuers, tragic teens, art evangelists, and crime fighters—and invites us to consider the social and economic forces that shape and reshape our cities. “Halton clearly delights in interacting with people from all walks of life; her interest and empathy sparkle throughout. Her tone is factual, nonjudgmental, and often wryly funny. Little Yellow House is a balanced presentation of a diverse community in transition, complete with faults and growing pains.” —Rachel Jagareski, Foreword Review “It’s books like this that remind us all . . . that community is more than about special events that happen once a year. It’s about connecting to people often and throughout the year. Doing so can and does result in some wonderful experiences.” —Scott Hayes, St. Albert Gazette “An excellent resource for communities wanting to create change. It can also be a starting point for discussion with students.” —Judith Kulig, Alberta Views Magazine “In these stark and endearing personal essays, the author celebrates her life and lives fearlessly and fully with three children and a husband, despite a dystopian backdrop. Halton writes with humour, empathy, and spiritual maturity, and she doesn’t judge the inner city world outside her yellow house.” —Linda Alberta, Prairie Books Now

This chronicle of the two months in 1888 when Paul Gauguin shared a house in France with Vincent Van Gogh describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Includes 60 B&W reproductions of the artists' paintings and drawings from the period.

A little girl's fascination with the yellow house she passes each day leads her into its garden which is full of fantastic surprises.

'The Yellow House' delves into the passion and politics of Northern Ireland at the beginning of the 20th Century. Eileen O'Neill's family is torn apart by religious intolerance and secrets from the past. Determined to reclaim her ancestral home and reunite her family, Eileen begins working at the local mill.

This Life -- The Bird Frau -- Robert Schumann, Or: Musical Genius Begins with Afflication -- Happenstance -- Small Town -- The Snow King -- Sightseeing -- Upon Meeting Don L. Lee In a Dream -- "Teach Us to Number Our Days"--Nigger Song: An Odyssey -- Five Elephants -- Geometry -- Champagne -- Night Watch -- The Secret Garden -- A Suite for Augustus -- 1963 -- D.C. -- Planning the Perfect Evening -- Augustus Observes the Sunset -- Wake -- Back -- Belinda's Petition -- The House Slave -- David Walker (1785-1830) -- The Abduction -- The Transport of Slaves From Maryland to Mississippi -- Pamela -- Someone's Blood -- Cholera -- The Slave's Critique of Pratical Reason -- Kentucky -- Adolescence-I -- Adolescence-II -- Adolescence-III -- The Boast -- The Kadvana Kumbis Devise a Way to Marry for Love -- Spy -- First Kiss -- Then Came Flowers -- Pearls -- Nexus -- Notes from a Tunisian Journal - The Sahara Bus Trip -- For Kazuko -- Beauty and the Beast -- His Shirt -- Great Uncle Beefheart -- The Son -- Corduroy Road -- O.

Finalist for the National Book Award An intimate reckoning with aquifer depletion in America's heartland The Ogallala aquifer has nourished life on the American Great Plains for millennia. But less than a century of unsustainable irrigation farming has taxed much of the aquifer beyond repair. The imminent depletion of the Ogallala and other aquifers around the world is a defining planetary crisis of our times. Running Out offers a uniquely personal account of aquifer depletion and the deeper layers through which it gains meaning and force. Anthropologist Lucas Bessire journeyed back to western Kansas, where five generations of his family lived as irrigation farmers and ranchers, to try to make sense of this vital resource and its loss. His search for water across the drying High Plains brings the reader face to face with the stark realities of industrial agriculture, eroding democratic norms, and surreal interpretations of a looming disaster. Yet the destination is far from predictable, as the book seeks to move beyond the words and genres through which destruction is often known. Instead, this journey into the morass of eradication offers a series of unexpected discoveries about what it means to inherit the troubled legacies of the past and how we can take responsibility for a more inclusive, sustainable future. An urgent and unsettling meditation on environmental change, Running Out is a revelatory account of family, complicity, loss, and what it means to find your way back home.

Lyrical, witty, moving and timely, To Fill a Yellow House is a story of community, friendship and the power of creativity and connection. When Kwasi’s family moves abruptly from one side of London to the other, Kwasi is both excited by the change—the new house is so big—and unsettled by his new school and the pressures placed upon him by his parents and many aunties. One place Kwasi finds refuge and inspiration is the Chest of Small Wonders, an eclectic and run-down charity shop on the high street. Rupert has run the Chest for decades, but since his wife’s death several years before, he has struggled to keep their dreams for the shop alive. These days, fewer people shop second-hand, the Chest has become a depository for unwanted possessions, and Rupert is indulging more and more in herbal and perhaps-not-so-legal teas. As Kwasi spends time in the Chest, an unexpected friendship develops between man and boy, a relationship that gives each a new sense of belonging. But the community and high street are changing, and when local politics threaten to engulf the Chest, both Kwasi and Rupert must decide who their allies are and where their futures lie. To Fill a Yellow House is as vibrant and surprising as the city it is set in and marks the arrival of a bright and bold new talent.

She had lived by delays; she had meant to stop drinking; she had put off the time, and now she had smashed her car. At once harsh and tender, expansive and acutely funny, this is the story of an elderly and self-destructive dipsomaniac in a Western desert town, who finds herself faced with a final, impossible choice. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.