The Year's Work in Medievalism, volume XXV, is based upon but not restricted to the 2010 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for the International Society for the Study of Medievalism, Gwendolyn Morgan, and, for 2009, Dr. Pam Clements. The Year's Work in Medievalism also publishes bibliographies, book reviews, and announcements for conferences and other events. Richard Utz, Pi(o)us Medievalism vs. Catholic Modernism: The Case Of George Tyrell Martha Oberle, The Legacy of the Medieval Mendicant Orders Chelsea Gunter, Mysticism and Messianism in the Poetry of Paul Celan William Calin, Postcolonialism and Medievalism: How French Regional Cultures/Literatures Reshape Their Past and Present Jana K. Schulman, Retelling Old Tales: Germanic Myth and Language in Christopher Paolini's Eragon Arthur Russell, From English Stage to American Page: The Transatlantic Dissemination of Leonard MacNally's Robin Hood; or, Sherwood Forest Gwendolyn Morgan, The Battle of Maldon in Imitative Translation Edward L. Risden, The Battle of Maldon: A One-act Play for Readers' Theater T.S. Miller, A Look at Some New Lays of Beowulf: The Misunderstood Monsters of Contemporary Popular Music Aspen Hougen, Debilitating Dracula: Vampire as Illness Metaphor from the Middle Ages to the Present Day Peter Johnsson, Purged by Fire: The Influence of Medieval Visionary Literature on Post-Apocalyptic Science Fiction Gerald Nachtwey, Unburied Corpses: The Violence of the Past in William Morris's Froissartian Poems Karl Fugelso, Dante as Surfer Medievalism: Sandow Birk's Commedia Illustrations

Since the end of the Cold War, the Middle Ages has returned to debates about history, culture, and politics in Northern and Eastern Europe. This volume explores political medievalism in two language areas that are crucial to understanding global medievalism but are, due to language barriers, often inaccessible to the majority of Western scholars and students. The importance of Russian medievalism has been acknowledged, but little analysed until now. Medievalism in Finland and Russia offers a selection of chapters by Russian, Finnish and American scholars covering historiography, presidential speeches, participatory online discussions and the neo-pagan revival in Russia. Finland is currently even more poorly understood than Russia in the discussions about global medievalism. It is usually mentioned only as of the birthplace of the Soldiers of Odin. The street patrol is, however, a marginal phenomenon in Finnish medievalism as this volume demonstrates. Instead of merely adopting the medievalist interpretation of the international alt-right, even the right-wing populists in Finland refer more to the nationalistic medievalist tradition, where crusades do not mark a Western Christian victory over the Muslim East, but a Swedish occupation of Finnish lands. In addition to presenting particular cases of medievalism, the chapters here on Finland challenge and diversify today's prevailing interpretation of shared online medievalism of European and American right-wing populists. This book reveals that while medievalisms in Finland and Russia share many features with the contemporary Anglo-American medievalist imaginations, they also display many original characteristics due to particular political situations and indigenous medievalist traditions. They have their own meta-medievalisms, cumulative core ideas and interpretations about the medieval past that are thoroughly examined here in English for the very first time.

This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.

Bringing together neo-Victorian and medievalism scholars in dialogue with each other for the first time, this collection of essays foregrounds issues common to both fields. The Victorians reimagined the medieval era and post-Victorian medievalism repurposes received nineteenth century tropes, as do neo-Victorian texts. For example, aesthetic movements such as Arts and Crafts, which looked for inspiration in the medieval era, are echoed by steampunk in its return to Victorian dress and technology. Issues of gender identity, sexuality, imperialism and nostalgia arise in both neo-Victorianism and medievalism, and analysis of such texts is enriched and expanded by the interconnections between the two fields represented in this groundbreaking collection.

This interdisciplinary collection, written by experts in their fields, addresses how models from ancient Greece and Rome have permeated Irish political discourse in the century since 1916. Topics covered include the reception and rejection of classical culture in Ireland; and the politics of Irish language engagement with Greek and Roman models.

This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.

In The Militant Middle Ages, historian Tommaso di Carpegna Falconieri delves into common perceptions of the Middle Ages and how these views shape contemporary political contexts. Today more than ever, the medieval era is mined from across the political spectrum for symbols, examples, allegories, and models to represent and interpret the present. From “new crusades” to fantasy literature and cosplay, from Catholic Traditionalism to environmentalism, from neo-Vikings to medieval tourism and festivals, Carpegna Falconieri leads us in an impassioned and often disquieting journey through the “Modern Middle Ages.” The first book-length study dedicated to the broad phenomenon of political medievalism, The Militant Middle Ages offers a new lens for scrutinizing contemporary society through its instrumentalization of the medieval past. First published in Italian as Medioevo militante. La politica di oggi alle prese con barbari e crociati - © 2011 Giulio Einaudi editore s.p.a., Torino.

This is an extensive listing of almost everything published about the fourteenth century Spanish "Libro de buen amor" by Juan Ruiz, Archpriest of Hita. It is essentially the same as the online bibliography at http: //my-lba.com but it also contains a history of this project starting in the 1970's and a listing of other bibliographies on this work of literature. In addition, it can be used in conjunction with the e-book version (which has a search engine) "A Bibliography for the Book of Good Love, Third Edition" found at Lulu.com.

Between 2002 and 2014 MOLA Northampton carried out evaluation and excavation work at the Manor Pit, Baston, Lincolnshire. The site saw significant occupation in the late Bronze Age and Roman periods, with evidence of enclosures in Medieval and Post-Medieval times.

A follow-up publication to the Handbook of Medieval Studies, this new reference work turns to a different focus: medieval culture. Medieval research has grown tremendously in depth and breadth over the last decades. Particularly our understanding of medieval culture, of the basic living conditions, and the specific value system prevalent at that time has considerably expanded, to a point where we are in danger of no longer seeing the proverbial forest for the trees. The present, innovative handbook offers compact articles on essential topics, ideals, specific knowledge, and concepts defining the medieval world as comprehensively as possible. The topics covered in this new handbook pertain to issues such as love and marriage, belief in God, hell, and the devil, education, lordship and servitude, Christianity versus Judaism and Islam, health, medicine, the rural world, the rise of the urban class, travel, roads and bridges, entertainment, games, and sport activities, numbers, measuring, the education system, the papacy, saints, the senses, death, and money.