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Christopher Mulvey has entered the world of travellers writing about their journeys abroad during the eighty years following the end of the 1812-15 War.

A Delicate Arthighlights the paintings and photography of six artists in Alberta who with passion and long moments of observation have made an inspired contribution to wildflower art. Covering a period of one hundred years to the present, the story behind these creators Mary Schäffer Warren, Mary Vaux Walcott, William Copeland McCalla, Annora Brown, Robert Sinclair and Carole Harmon is also told. A blend of biography, botanical and regional art history and commentary by the artists themselves about their treasured subject, A Delicate Artis intended for the lay reader and is accompanied by sumptuous reproductions of the artwork and an alluring overall design that will appeal to anyone interested in art, mountain-life and gardening.

Kipling visited Japan in 1889 and 1892. No other leading English literary figure of his day spent so long in that country or wrote so fully about it. Kipling's newspaper dispatches from Japan were described by the great Japanologist Basil Han Chamberlain as 'the most graphic even penned by a globetrotter'. These vivid pen-pictures, together with Kipling's other writings about Japan, are now collected by Sir Hugh Cortazzi and George Webb, carefully edited with an introduction and Notes. First published in 1988, this title is part of the Bloomsbury Academic Collections series.

Why was Rudyard Kipling so drawn in his fiction to the figure of the foreign-born Briton--what Kipling called the "native-born"? The answer lies in McBratney's "Imperial Subjects, Imperial Space, the first full-length study of a figure central to Kipling's major imperial fiction: the "native-born." In these narratives Kipling sees the native-born fulfilling two important roles: model imperial servant and ideal imperial citizen. The special abilities that allow the native-born to play these roles derive from his identity as neither exclusively British nor simply "native." This study also provides the most thorough analysis of that figure's hybrid, "casteless" selfhood in relation to shifting attitudes toward racial identity during Britain's "New Imperialism." In its endeavor to place the liminal subject within a particular moment in British discourses about race and nation, this book illuminates both the complexities of subject construction in the late Victorian and Edwardian periods and the struggles today over identity formation in the postcolonial world.

Unlike his contemporaries Virginia Woolf and Henry James, Kipling always denied he was a critic. But his letters, speeches, and stories are full of comments on writing and writers. This collection, including many formerly unpublished private letters and papers, details Kipling's response to the commercialisation of literature and the emerging role of the writer as celebrity in the turbulent literary world of the 1890s and beyond. They reveal a mind intensely concerned with questions of literary value, with language and imagination, with truth, realism, and romanticism. Kipling's fame made him a significant spokesperson for important segments of the reading public - the soldiers, engineers, and functionaries central to Britain's imperial expansion. He profoundly influenced English literary language and our perception of English national character. This book offers access to the private and public history of a writer whose continuing influence is still a matter of fierce controversy.