After a prolific life as an author with a European reputation, outselling Dickens, Edward Bulwer Lytton was ennobled and, on his death, buried in Westminster Abbey. Since the First World War, however, his literary reputation has sunk and he is now little read. Bulwer Lytton is the first modern biography of an extraordinary man whose literary output was prodigious. It ranged from novels, such as The Last Days of Pompeii, and poetry to plays, biographies and extensive political commentaries and journalism. A dandy to rival Disraeli, he lived life in London, at Knebworth, his country house, or more frequently abroad, with hectic intensity. Arousing strong emotions in public, his private life was turbulent in the extreme; his acrimonious and bitter divorce from his wife Rosina providing one of the most public and prolonged marital disputes of the period. Despite this, he became Secretary for the Colonies in 1858 and was responsible for the setting up of Queensland. Leslie Mitchell's biography, written to mark the two hundredth anniversary of Bulwer Lytton's birth, is an account of an eminent and very remarkable Victorian.

Edward Bulwer-Lytton was an English novelist, poet, playwright and politician. He wrote in a variety of genres, including historical fiction, mystery, romance, the occult, and science fiction. Bulwer-Lytton's literary works were highly popular and bestselling novels at the time. Excerpt: "You are mistaken, my dear Monkton! Your description of the gaiety of "the season" gives me no emotion. You speak of pleasure; I remember no labour so wearisome; you enlarge upon its changes; no sameness appears to me so monotonous. Keep, then, your pity for those who require it. From the height of my philosophy I compassionate you. No one is so vain as a recluse; and your jests at my hermitship..."

When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations. The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman. Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.