The extraordinary character of Ben Jonson has only recently been brought into the light. Critics traditionally exalted Shakespeare, at Jonson’s expense. In this biography, first published in 1986, the author presents a full and accurate account of Jonson’s life in modern times. Rosalind Miles follows Jonson from his obscure beginnings to his burial in Westminster Abbey, as the first Poet Laureate, in 1637. Her Jonson is vivid and vigorous, equally alive in his life and in his work. This title will be of interest to students of history, English literature and Renaissance drama.

THE greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the stock that was centuries after to give to the world Thomas Carlyle; for Jonson's grandfather was of Annandale, over the Solway, whence he migrated to England. Jonson's father lost his estate under Queen Mary, "having been cast into prison and forfeited." He entered the church, but died a month before his illustrious son was born, leaving his widow and child in poverty. Jonson's birthplace was Westminster, and the time of his birth early in 1573. He was thus nearly ten years Shakespeare's junior, and less well off, if a trifle better born. But Jonson did not profit even by this slight advantage. His mother married beneath her, a wright or bricklayer, and Jonson was for a time apprenticed to the trade.

Friend and rival of Shakespeare, Ben Jonson was one of the most learned and interesting men of his age. Throughout his fascinating life, he served not only as a bricklayer but also a soldier, an adventurer, an actor, a poet, and a playwright. The breadth of his experiences, acquaintances, friends, and enemies was legendary, and his literary canon is equally as diverse. The Ben Jonson Encyclopedia covers in detail the works, life, and times of this seminal figure of the English Renaissance. The cross-referenced entries include summaries of all Jonson’s plays, masques, and entertainments, as well as sketches of Jonson’s friends, enemies, patrons, disciples, actors, and fellow writers. In addition, the book identifies historical figures, mythological characters, and classical authors, as well as Jonson’s contemporaries and London place names mentioned in the works. Individuals who danced or participated in the masques and entertainments or tournaments for which Jonson wrote speeches are noted, as are the main actors known to have acted in the plays. All major scholars—from Jonson’s own day until the twenty-first century—who have commented on Jonson or his works are also included. An extensive bibliography completes this invaluable scholarly reference tool. Because of Jonson’s centrality to—and influence in and beyond—his age, this encyclopedia provides a dynamic, unparalleled vision of the English Renaissance literary scene. Capturing the depth and breadth of Jonson’s understanding of early Modern England, The Ben Jonson Encyclopedia will be especially useful for students, librarians, and academics interested in the literary and cultural scene from 1500 to 1650.

Ben Jonson's contemporaries admired him above all other playwrights and poets of the English Renaissance. He was the “great refiner” who alchemized the bleakest aspects of everyday life into brilliant images of folly and deceit. He was also a celebrated reprobate and an ambitious entrepreneur. David Riggs illuminates every facet of this extraordinary career, giving us the first major biography of Jonson in over sixty years. The story of Jonson's life provides a broad view of the literary procession in early modern England and the milieu in which Elizabethan drama was produced. Beginning as a journeyman actor, Jonson was soon a novice playwright; his first important play was staged in 1598, with Shakespeare in the cast. He was by turns the self-styled leader of a literary elite, a writer of court masques, the first dramatist to publish his own Works, a royal pensioner, and a genteel poet. As Jonson transformed himself from an artisan into a gentleman, his need to transcend his class origins led him to murder, to his notorious quarrels with Thomas Dekker, John Marston, and Inigo Jones, and to his lifelong rivalry with Shakespeare. Riggs traces the roots of Jonson's aggressiveness back to the turmoil of his childhood and adolescence. He offers new and convincing accounts of Jonson's latent hostility toward his bricklayer stepfather, his reckless marriage to Anne Lewis, and his conflicted relationships with his children. This vivid portrait synthesizes six decades of scholarship and new historical evidence. Sixty halftones beautifully illustrate the story and capture the spirit of the age. With Riggs' original interpretations of Jonson's masterpieces and lesser known works, Ben Jonson: A Life will prove the standard account of this complex man's life and works for many years to come.

Bringing together leading Jonson scholars, Ben Jonson and Posterity provides new insights into this remarkable writer's reception and legacy over four centuries. Jonson was recognised as the outstanding English writer of his day and has had a powerful influence on later generations, yet his reputation is one of the most multifaceted and conflicted for any writer of the early modern period. The volume brings together multiple critical perspectives, addressing book history, the practice of reading, theatrical influence and adaptation, the history of performance, cultural representation in portraiture, film, fiction, and anecdotes to interrogate Jonson's 'myth'. The collection will be of great interest to all Jonson scholars, as well as having a wider appeal among early modern literary scholars, theatre historians, and scholars interested in intertextuality and reception from the Renaissance to the present day.

Jonson's Every Man Out of His Humour is a comical satire about envy and aspiration among the ambitious middle classes, who seek happiness in fame and material fortune. This first critical edition of the play conveys early modern obsessions with wealth and self-display through historical contexts. The book offers an intriguing look at the course of urban comedy, and a wealth of information about social relationships and colloquial language at the end of the Elizabethan period.