This passionate book documents the legendary grassroots and legal struggle of a determined group of Jewish women from Israel, the United States, and other parts of the world to win the right to pray out loud together as a group at the Western Wall.

Lucy Acosta's mother died when she was three. Growing up in a Victorian mansion in the middle of the woods with her cold, distant father, she explored the dark hallways of the estate with her cousin, Margaret. They're inseparable—a family. When her aunt Penelope, the only mother she's ever known, tragically disappears while walking in the woods surrounding their estate, Lucy finds herself devastated and alone. Margaret has been spending a lot of time in the attic. She claims she can hear her dead mother's voice whispering from the walls. Emotionally shut out by her father, Lucy watches helplessly as her cousin's sanity slowly unravels. But when she begins hearing voices herself, Lucy finds herself confronting an ancient and deadly legacy that has marked the women in her family for generations.

'I am hungry for your presence. I hanker for the great blaze of your glance which when you turn it on me, will burn out the husk of my body and draw my soul to you.' Julia O'Faolian's second novel, first published in 1973, offers a rich, vivid portrait of the political and religious turmoil of sixth-century Gaul, wherein we find Radegunda, wife of King Clotair having been seized by him as a prize of war. Radegunda builds a convent, a refuge for the Brides of Christ, and there becomes renowned for her austerity and mysticism. Her religion, however, is fanatical, and her quest for sainthood will serve to undermine the seeming calm of the retreat she has made. 'Vibrant and strange... [a] journey into a darker, wilder moment of history.' Sarah Dunant, Guardian

Written during World War II and its immediate aftermath, the eighteen stories of The Women on the Wall move from women to war and back again, but it is the women who remain central. There are Alma, a war bride who runs a farm better than the neighbor men; Lucy, a former WAAF, working through college; Tamsen, who keeps her husband drunk so she can do as she pleases; and the women on the wall, who, with nothing to do but wait for their husbands to return from the war, find their private consolations. To these stories Wallace Stegner brings the same skill and thoughtfulness that won him the National Book Award for The Spectator Bird

Women at the Wall is the first ethnographic study of how the arrest, trial, imprisonment, and release of male criminals affects their families, particularly their wives. It relies on first-person accounts by prisoners' wives, providing details about the changing texture of their marital relationships and the accompanying stigmatization. From this book we learn about the effects of enforced spousal separation, and the control husbands maintain even during incarceration. We also learn that wives devise ingenious interpretations and explanations regarding their husbands' criminality, and how they attempt to establish stable, conventional lives for themselves while supporting their husbands through the various stages of the criminal justice system. These women reveal not only their hardships and losses, but also their resourcefulness in coping with their husbands' criminality, their families and friends, and the prison system itself.

Wall Street Women tells the story of the first generation of women to establish themselves as professionals on Wall Street. Since these women, who began their careers in the 1960s, faced blatant discrimination and barriers to advancement, they created formal and informal associations to bolster one another's careers. In this important historical ethnography, Melissa S. Fisher draws on fieldwork, archival research, and extensive interviews with a very successful cohort of first-generation Wall Street women. She describes their professional and political associations, most notably the Financial Women's Association of New York City and the Women's Campaign Fund, a bipartisan group formed to promote the election of pro-choice women. Fisher charts the evolution of the women's careers, the growth of their political and economic clout, changes in their perspectives and the cultural climate on Wall Street, and their experiences of the 2008 financial collapse. While most of the pioneering subjects of Wall Street Women did not participate in the women's movement as it was happening in the 1960s and 1970s, Fisher argues that they did produce a "market feminism" which aligned liberal feminist ideals about meritocracy and gender equity with the logic of the market.

"Wall's writing is lively and exuberant. She passes her enthusiasm for these writers' works on to the reader. She captures the mood of the times and follows through with the writers' evolution -- sometimes to success, other times to isolation.... Women of the Harlem Renaissance is a rare blend of thorough academic research with writing that anyone can appreciate." -- Jason Zappe, Copley News Service "By connecting the women to one another, to the cultural movement in which they worked, and to other early 20th-century women writers, Wall deftly defines their place in American literature. Her biographical and literary analysis surpasses others by following up on diverse careers that often ended far past the end of the movement. Highly recommended... "Â -- Library Journal "Wall offers a wealth of information and insight on their work, lives and interaction with other writers... strong critiques... " -- Publishers Weekly The lives and works of women artists in the Harlem Renaissance -- Jessie Redmon Fauset, Nella Larsen, Zora Neale Hurston, Bessie Smith, and others. Their achievements reflect the struggle of a generation of literary women to depict the lives of Black people, especially Black women, honestly and artfully.

A haunting feminist sci-fi masterpiece and international bestseller that is “as absorbing as Robinson Crusoe” (Doris Lessing) While vacationing in a hunting lodge in the Austrian mountains, a middle-aged woman awakens one morning to find herself separated from the rest of the world by an invisible wall. With a cat, a dog, and a cow as her sole companions, she learns how to survive and cope with her loneliness. Allegorical yet deeply personal and absorbing, The Wall is at once a critique of modern civilization, a nuanced and loving portrait of a relationship between a woman and her animals, a thrilling survival story, a Cold War-era dystopian adventure, and a truly singular feminist classic.

Wall of Wonder celebrates Cornell University alumnae who have made significant impacts on society through science, technology, and engineering. In addition to showcasing the breadth of opportunities a technical education can offer, these women share stories of resilience, leadership, and ardor for all ages.