The Wombles is the first ever Wombles book and introduces the stern but kindly Great Uncle Bulgaria; Orinoco, who is particularly fond of his food and a subsequent forty winks; general handyman extraordinaire Tobermory, who can turn almost anything that the Wombles retrieve from Wimbledon Common into something useful; Madame Cholet, who cooks the most delicious and natural foods to keep the Wombles happy and contented; and last but not least, Bungo, one of the youngest and cheekiest Wombles of all, who has much to learn and is due to venture out on to the Common on his own for the very first time . . .

The Wombles have just gratefully returned to their burrow on Wimbledon Common. They had had to leave because heavy lorries thundering up and down the nearby road threatened to make the roof of the burrow cave in. However, now that the Wombles are safely back, there is another problem they have to contend with. It seems that the humans have realised they have an energy crisis and are throwing much less away. The Wombles' supplies begin to run low. What can the Wombles do? It is time for EMERGENCY SPECIAL PROJECTS - with DIY king Tobermory in charge.

Meet the original recyclers, the Wombles of Wimbledon Common, as they make good use of the rubbish humans throw away. For the first time, read all the Wombles stories in one. Follow the young Wombles as they take their first steps outside the Womble burrow to collect rubbish in the big wide world. Marvel at Tobermory's incredible inventions from what humans would consider 'trash'. And discover a whole Womble community as they head off around the world for even more adventures. This collection contains all six of the Wombles books, beautifully illustrated by Nick Price: The Wombles The Wandering Wombles The Wombles at Work The Invisible Womble and Other Stories The Wombles to the Rescue The Wombles Go Round the World

Great Uncle Bulgaria loves telling the ancient and revered history of the Womble clans to the younger Wombles. But to his great sadness he notices that the young Wombles are not nearly as interested in the history as he is. So Great Uncle Bulgaria decides to take action and show these young Wombles how wonderful - and international - the history of the Wombles is. Tobermory invents some very eco-friendly clockwork air balloons to travel in and Orinoco, Bungo, Tomsk and Wellington are sent variously to America, Tibet and Australia. In these interesting and far-flung places the young Wombles get quite as much excitement as they could wish for!

There has been a huge festival and no end of rubbish has been left behind - everything from umbrellas to shoes, drinks cans and bottles. Who would have thought humans could leave so much behind, not bothering to recycle? The Wombles have their work cut out for them . . .

This is the extraordinary story of Elisabeth Beresford, creator of The Wombles, the furry, fun-loving recyclers of rubbish which became a children’s publishing and television sensation in the 1970s. What drove this imaginative and prolific writer of children’s books to invent The Wombles? From her birth in Paris in 1926 to her death in the Channel Islands in 2010, Beresford’s working life was led to the full, driven by the fear of debt. Married to the TV and radio sports commentator, Max Robertson, and with two children, Elisabeth’s life was never dull but always uncertain. In addition to writing over 140 children’s books, she wrote romantic fiction for women’s magazines, became a regular contributor to the Today program, Woman’s Hour (BBC) and Woman’s World (Central Office of Information). As a journalist she interviewed a fascinating range of people from politicians and film stars to children in the remote Australian Outback. With the publication of The Wombles, and subsequently the enchanting BBC films, Elisabeth found fame and for a very brief moment, fortune. This is the first biography of ‘Mrs Womble’ as Elisabeth was known by millions of fans. Written by her daughter with insider knowledge and access to private family archives - diaries, letters, photographs and family memories - this book relates the remarkable and often hilarious life of one of the 20th century’s most successful children’s authors.

Compiled by acclaimed television scriptwriter and novelist Dean Wilkinson, The Classic Children's Television Quiz Book is packed with fascinating facts about the shows you loved as a child as well as those programmes currently capturing the imagination of today's young audiences. From timeless classics like Thunderbirds, Blue Peter and Dr Who to the thoroughly up-to-date Sponge Bob, the 1,000 questions in this book will not only test your memory of the characters you grew up with but your family’s knowledge of their current favourites. With a fitting foreword by popular family TV presenters Ant and Dec this book is sure to prove a hit with television lovers of all ages and, in particular, those members of the older generation who have remained young at heart.

'Fabulously readable' STEPHEN FRY 'Brilliantly told, the fascinating life of one of Britain's greatest songwriters' MATT LUCAS 'A brilliant, funny, emotional book' DAVID QUANTICK Described variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures. For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent. After starting out in the music business as a teenager, Batt shot to fame in the early 1970s for his part in the creation of the Wombles pop group. But this success proved to be just the beginning as he then went on to work with various artists as a songwriter, composer and producer, including Art Garfunkel, George Harrison, Cliff Richard, Andrew Lloyd-Webber and Katie Melua. Featuring cameos from some of the biggest stars in the business from Paul McCartney to Prince, The Closest Thing to Crazy takes us not only on the rocky (and classical) journey of Mike Batt's life but also on a tour around the inside of his mind.

Using an innovative auto-ethnographic approach to investigate the otherness of the places that make up the childhood home and its neighbourhood in relation to memory-derived and memory-imbued cultural geographies, Remembering the Cultural Geographies of a Childhood Home is concerned with childhood spaces and children's perspectives of those spaces and, consequentially, with the personalised locations that make up the childhood family home and its immediate surroundings (such as the garden, the street, etc.). Whilst this book is primarily structured by the author's memories of living in his own Welsh childhood home during the 1970s - that is, the auto-ethnographic framework - it is as much about living anywhere amid the remembered cultural remnants of the past as it is immersing oneself in cultural geographies of the here-and-now. As a result, Remembering the Cultural Geographies of a Childhood Home is part of the ongoing pursuit by cultural geographers to provide a personal exploration of the pluralities of shared landscapes, whereby such an engagement with space and place aid our construction of cognitive maps of meaning that, in turn, manifest themselves as both individual and collective cultural experiences. Furthermore, touching upon our co-habiting of ghost topologies, Remembering the Cultural Geographies of a Childhood Home also encourages a critical exploration of children’s spirituality amid the haunted cultural and geographical spaces and places of a house and its neighbourhood: the cellar, hallway, parlour, stairs, bedroom, attic, shops, cemeteries, and so on.

This collection of essays highlights the variety of 1970s culture, and shows how it responded to the transformations that were taking place in that most elusive of decades. The 1970s was a period of extraordinary change on the social, sexual and political fronts. Moreover, the culture of the period was revolutionary in a number of ways; it was sometimes florid, innovatory, risk-taking and occasionally awkward and inconsistent. The essays collected here reflect this diversity and analyse many cultural forms of the 1970s. The book includes articles on literature, politics, drama, architecture, film, television, youth cultures, interior design, journalism, and contercultural “happenings”. Its coverage ranges across phenomena as diverse as the Wombles and Woman’s Own. The volume offers an interdisciplinary account of a fascinating period in British cultural history. This book makes an important intervention in the field of 1970s history. It is edited and introduced by Laurel Forster and Sue Harper, both experienced writers, and the book comprises work by both established and emerging scholars. Overall it makes an exciting interpretation of a momentous and colourful period in recent culture.