The 6 stories in this collection add a new dimension to the fictional portrayal of New England life. The author's apparently simple, declarative prose moves the reader convincingly into a world where ghosts dwell and evil is real. These stories contain buried comments on the life of women at the turn of the century. By the author of Pembroke.

The Presented here book is a collection of psychological horror stories typical of the Victorian era. The collection contains the stories: "The Wind in the Rose-Bush," "The Shadows on the Wall," "Luella Miller," "The Southwest Chamber," "The Vacant Lot," "The Lost Ghost."

This collection of original and classic essays examines the contributions that female authors have made to the short story. The introductory chapter discusses why genre critics have ignored works by women and why feminist scholars have ignored the short story genre. Subsequent chapters discuss early stories by such authors as Lydia Maria Child and Rose Terry Cooke. Others are devoted to the influences (race, class, sexual orientation, education) that have shaped women's short fiction through the years. Women's special stylistic, formal and thematic concerns are also discussed in this study. The final essay addresses the ways our contemporary creative-writing classes are stifling the voices of emerging young female authors. The collection includes an extensive five-part bibliography.

Whether writing about supernatural phenomena or applying the techniques of magic realism, allegory, and surrealism, the diverse talents represented in the 25 stories contained here focus on female characters and treat a variety of traditional themes in inventive and provocative ways.