"Paul Brandon is one of my favorites among the newer writers on the stands today and The Wild Reel shows him at the top of his game."--Charles de Lint

Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife. Like the museum and the zoo, the nature film sought to recreate the experience of unspoiled nature while appealing to a popular audience, through a blend of scientific research and commercial promotion, education and entertainment, authenticity and artifice. Travelogue-expedition films, like Teddy Roosevelt's African safari, catered to upper- and middle-class patrons who were intrigued by the exotic and entertained by the thrill of big-game hunting and collecting. The proliferation of nature movies and television shows in the 1950s, such as Disney's True-Life Adventures and Marlin Perkins's Wild Kingdom, made nature familiar and accessible to America's baby-boom generation, fostering the environmental activism of the latter part of the twentieth century. Reel Nature reveals the shifting conventions of nature films and their enormous impact on our perceptions of, and politics about, the environment. Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now reveal much about the yearnings of Americans to be both close to nature and yet distinctly apart.

A compendium of issues 1 - 6 of REEL WILD CINEMA!, the 1990's Australian fanzine devoted to off-beat, cult and exploitation films of all kind, and from all eras, with a particular emphasis on covering genre films which had been released on home video in that country during the previous 15 years. REEL WILD CINEMA! was an A4 photocopied fanzine published by John Harrison out of the outer Melbourne suburban wasteland of Berwick, with six issues appearing between 1997 - 1999. Devoted to all manner of cult and eclectic/off-beat films, REEL WILD CINEMA! rode the tail of the classic wave of cut & paste film fanzines of the 1980s and 90s, before the internet exploded and changed the landscape of fan publishing forever. Contents Include: Vintage & Obscure Exploitation VHS Reviews Interviews (David Lynch, Debbie Rochon, Pat Priest, Steven Jon White, Bill Tung & More) Hong Kong Action Flicks Marjoe Gortner: From Child Evangelist to Psycho Hippy BLESS THE BEASTS & CHILDREN EXCITING CINEMA Magazine Italian Zombie Gut-Munchers BEYOND THE DARKNESS The World for Christ: Inside Pete Walker's Dark House of Horrors Classic XXX Grindhouse Sinema CARNIVAL OF SOULS Ron Haydock Toni Basil Taylor & Burton go BOOM! 80's Teen Sex Comedies PLANET OF THE VAMPIRES & Lots More! Introduction by Michael Helms (FATAL VISIONS Editor) Reprinted in it's Original Old School Format! ADULT READING!!

It is a fly fishing book based on 20 years of guiding clients on the river.

Winner of the History of Science Society's Watson Davis and Helen Miles Davis Prize in the History of Science. From the early exploits of Teddy Roosevelt in Africa to blockbuster films such as March of the Penguins, Gregg Mitman's Reel Nature reveals how changing values, scientific developments, and new technologies have come to shape American encounters with wildlife on and off the big screen. Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now have had an enormous impact on how Americans see, think about, consume, and struggle to protect animals across the globe. For more information about the author go to: http://gmitman.com/

In Casting Forward, naturalist, educator, and writer Steve Ramirez takes the reader on a yearlong journey fly fishing all of the major rivers of the Texas Hill Country. This is a story of the resilience of nature and the best of human nature. It is the story of a living, breathing place where the footprints of dinosaurs, conquistadors, and Comanches have mingled just beneath the clear spring-fed waters. This book is an impassioned plea for the survival of this landscape and its biodiversity, and for a new ethic in how we treat fish, nature, and each other.

Jump aboard as famed New Zealand fisherman Sam Mossman shares tales of adventure from his lifelong fishing OE. Sam takes us on many memorable fishing journeys around New Zealand and the world – Hawaii, the South Pacific Islands, Australia, the US, Canada, South America, Africa, the Middle East and Asia – exploring watery hotspots both exotic and familiar. It's a collection of stories packed with adventure, information, humour, local colour and exciting fishing experiences – Sam really has been there done that, pursuing some of the planet's most outrageous finny species in freshwater and salt. As he says himself says: 'It's a big, wide, wonderful world out there, full of amazing things to see, exotic cultures to experience, interesting people to meet and exciting new fish to catch.'

Idaho's clear flowing rivers are world famous for fly fishing, but finding that elusive perfect spot to land a trophy in the vast wilderness requires a lot of time and knowledge. Fortunately, writer, angler and conservationist Chris Hunt has traveled to some of the state's most idyllic areas to find the best fishing the Gem State has to offer. Adventurous anglers can follow his directions off the beaten path to enjoy excellent scenery and even better fishing. Brimming with expert tips and seasonal strategies for each location, this handy guide will find its place in a dry pocket for every successful excursion.

Examines amateur film, filmmaking, and equipment from the late 1890s to the present, focusing on the emerging and changing discourse of aesthetics, creativity and innovation, and standards of production.