A very striking and curious story, founded on fact, of the West Indies of the early nineteenth century. Robert Rutherford is sent to the Islands to learn the planter’s business from the bottom. He becomes an overseer at Rosehall, the property of a young widow, Mrs Palmer, whose three husbands have all died in curious circumstances. She takes a violent fancy to Rutherford, who is also embarrassed by the attentions of his half-caste housekeeper, Millicent. His housekeeper is urging him, with some success, to fall in with West Indian habits, when Mrs Palmer arrives. Millicent defies her and threatens her with the powers of Takoo, an Obeah man. Mrs Palmer, herself skilled in Obeah magic, puts a spell on the girl, which Takoo’s rites, shattered by the white woman’s stronger magic, are powerless to remove. “de Lisser utilizes the conventions of a romantic entanglement to investigate and debate the wider socio-political issues within the novel that relate to colonialism, Jamaican identity and culture... The White Witch of Rosehall is a delightful read, written by an author who sought not only to entertain, but also to educate.”—Donna-Marie Tuck, Society for Caribbean Studies Newsletter

In 'The White Witch of Rosehall,' Herbert G. de Lisser spins a bewitching tale of love, power, and the supernatural set against the backdrop of 19th-century Jamaica. Drawing on the rich tapestry of Jamaican folklore and colonial history, de Lisser weaves a story that is both captivating and eerie, rooted in the prototypical plantation narrative and infused with gothic elements. His prose style marries the lush descriptions of the Caribbean landscape with the haunting aura of Rosehall, the reputedly haunted great house at the story's center. The novel's exploration of complex themes such as racism, slavery, and the cultural mysticism of obeah—an Afro-Caribbean spiritual practice—places it in the larger conversation of postcolonial literature and the legacy of the British Empire. Herbert G. de Lisser (1878–1944), a preeminent Jamaican journalist and author, was a seminal figure in his homeland's literary scene. His proximity to the sociopolitical developments of his time, including the stark racial and class divisions in post-emancipation Jamaica, profoundly influenced his writing. 'The White Witch of Rosehall' is perhaps his most famous work, arising from the legendary lore surrounding the real Annie Palmer, the alleged 'White Witch' who reigned with infamy over the Rosehall plantation. De Lisser's narrative is not only an unveiling of the deep-seated superstitions of the time but also a reflection on the complexities of colonial power dynamics. Recommended for aficionados of historical fiction and gothic romance, 'The White Witch of Rosehall' invites readers to delve into the dense underbrush of Jamaica's past. De Lisser's novel is an essential entry for those intrigued by the intersection of history and myth, and it provides a critical lens through which to examine issues of cultural identity and the unseen scars of colonialism. This DigiCat Publishing edition honors de Lisser's remarkable storytelling and ensures that new generations can unearth the chilling, yet telling, chronicle of The White Witch and the hauntingly beautiful land over which she ruled.

The themes of betrayal, romance, love and mystery underpin this epic drama about Annee Palmer, one of the most memorable characters in Jamaica's history who was the bewitching owner of a plantation; Millie, a beautiful and determined slave; and John Rutherford who was caught in the middle of the torrid love story.

"Immensely enjoyable for readers who appreciate historical horror by authors such as Justina Ireland, Tomi Adeyemi, and Tananarive Due." - Booklist "A simply riveting read from start to finish" - Midwest Book Review A leader of the Jamaican Maroons crosses paths with an enigmatic sorceress in this spine-tingling tale of ancient enemies, based on real Jamaican history and legend Deep in the heart of Jamaica, the stories of insatiable bloodthirsty creatures and dark rituals brought over from the old country have been the stuff of legends for centuries. Queen Nanny, the leader of a community of Maroons, is well versed in military leadership and spiritual wisdom. But how do you beat an enemy that possesses the power over life and death? One such figure is the enigmatic White Witch, shrouded in mystery and superstition—some say she was once a wealthy woman who murdered her husbands while others believe she was a powerful sorceress who used dark magic. As the White Witch threatens the safety of Queen Nanny’s home, she must use every weapon at her disposal to protect her people. With action and mystery that brings to life a legendary urban myth, this thrilling novel provides a fresh perspective on Jamaica's rich cultural history and is a must-read for horror and thriller enthusiasts.

A very striking and curious story, founded on fact, of the West Indies of the earlty nineteenth century. Robert Rutherford is sent to the Islands to learn the planter's business from the bottom. He becomes an overseer at Rosehall, the property of a young widow, Mrs Palmer, whose three husbands have all died in curious circumstances. She takes a violent fancy to Rutherford, who is also embarrassed by the attentions of his half-caste housekeeper, Millicent. His housekeeper is urging him, with some sucess, to fall in with West Indian habits, when Mrs Palmer arrives. Millicent defies her and threatens her with the powers of Takoo, an Obeah man. Mrs Palmer, herself skilled in Obeah magic, puts a spell on the girl, which Takoo's rites, shattered by the white woman's stronger magic, are powerless to remove.

For the first time the Dutch-speaking regions of the Caribbean and Suriname are brought into fruitful dialogue with another major American literature, that of the anglophone Caribbean. The results are as stimulating as they are unexpected. The editors have coordinated the work of a distinguished international team of specialists. Read separately or as a set of three volumes, the History of Literature in the Caribbean is designed to serve as the primary reference book in this area. The reader can follow the comparative evolution of a literary genre or plot the development of a set of historical problems under the appropriate heading for the English- or Dutch-speaking region. An extensive index to names and dates of authors and significant historical figures completes the volume. The subeditors bring to their respective specialty areas a wealth of Caribbeanist experience. Vera M. Kutzinski is Professor of English, American, and Afro-American Literature at Yale University. Her book Sugar's Secrets: Race and The Erotics of Cuban Nationalism, 1993, treated a crucial subject in the romance of the Caribbean nation. Ineke Phaf-Rheinberger has been very active in Latin American and Caribbean literary criticism for two decades, first at the Free University in Berlin and later at the University of Maryland. The editor of A History of Literature in the Caribbean, A. James Arnold, is Professor of French at the University of Virginia, where he founded the New World Studies graduate program. Over the past twenty years he has been a pioneer in the historical study of the Négritude movement and its successors in the francophone Caribbean.

Describes paranormal activity at haunted locations from the Ballygally Castle Hotel in Ballgally, Ireland to Hibbing High School in Hibbing, Minnesota.

Discover this laid-back Caribbean island nation with the most incisive and entertaining guidebook on the market. Whether you plan to visit Trench Town towalk in Bob Marley's footsteps, seek out white sand coves and cascading waterfalls or enjoy the best jerk chicken from a roadside stall, The Rough Guide to Jamaica will show you the ideal places to sleep, eat, drink, shop and visit along the way. -Independent, trusted reviews written with Rough Guides' trademark blend of humour, honesty and insight, to help you get the most out of your visit, with options to suit every budget. -Full-colour chapter maps throughout - explore the fishing villages along Treasure Beach or soak up Kingston's legendary nightlife without needing to get online - Stunning images - a rich collection of inspiring colour photography. - Things not to miss - Rough Guides' rundown of the best sights and experiences in Jamaica. - Itineraries - carefully planned routes to help you organize your trip - Detailed coverage - this travel guide has in-depth practical advice for every step of the way. Areas covered include: Kingston, Ocho Rios, Montego Bay, Negril,The Blue Mountains, Port Royal, Cockpit Country, Port Antonio, Treasure Beach,Portland, Bluefields Bay. Attractions include: Dunn's Riverwaterfall, Blue Lagoon, Trench Town Culture Yard, Peter Tosh Museum, National Gallery, Appleton Estate, Rio Grande, Luminous Lagoon. - Basics - essential pre-departure practical information including getting there, local transport, accommodation, food and drink, festivals and events, sports and outdoor activities, culture and etiquette, shopping and more. - Background information - a Contexts chapter devoted to history, the environment, religion, music, language and recommended books. Make the most of your time on Earth with The Rough Guide to Jamaica. About Rough Guides: Escape the every day with Rough Guides. We are a leading travel publisher known for our "tell it like it is" attitude, up-to-date content and great writing. Since 1982, we've published books covering more than 120 destinations around the globe, with an ever-growing series of ebooks, a range of beautiful, inspirational reference titles, and an award-winning website. We pride ourselves on our accurate, honest and informed travel guides.

It is commonly assumed that Caribbean culture is split into elite highbrow culture--which is considered derivative of Europe--and authentic working-class culture, which is often identified with such iconic island activities as salsa, carnival, calypso, and reggae. This book recovers a middle ground, a genuine popular culture in the English-speaking Caribbean that stretches back into the nineteenth century. It shows that popular novels, beauty pageants, and music festivals are examples of Caribbean culture that are mostly created, maintained, and consumed by the Anglophone middle class. Much of middle-class culture is further gendered as "female": women are more apt to be considered recreational readers of fiction, for example, and women's behavior outside the home is often taken as a measure of their community's respectability. The book also highlights the influence of American popular culture, especially African American popular culture, as early as the nineteenth century.