Hold on tight when we go down through Babson's comic excavations as she dredges up her White Trash Pantheon with mock heroic characters. Babson eviscerates the Deep South deeply for its foibles and fun. These edgy, hilarious poems made me toe-tap with delight. And don't miss Bubba-Apollo-Joe in this thoroughly unexpurgated romp! Peter Cooley, Senior Mellon Professor of the Humanities, Director, Creative Writing, Tulane University.

This book connects the aging woman to the image of God in the work of Flannery O’Connor, Joyce Carol Oates, Alicia Ostriker, Lucille Clifton, Mary Szybist, and Anne Babson. It introduces a canon of contemporary American women’s spiritual literature with the goal of showing how this literature treats aging and spirituality as major, connected themes. It demonstrates that such literature interacts meaningfully with feminist theology, social science research on aging and body image, attachment theory, and narrative identity theory. The book provides an interdisciplinary context for the relationship between aging and spirituality in order to confirm that US women’s writing provides unique illustrations of the interconnections between aging and spirituality signaled by other fields. This book demonstrates that relationships between the human and divine remain a consistent and valuable feature of contemporary women’s literature and that the divine–human relationship is under constant literary revision.

Making sociological sense of the idea of whiteness, this book skilfully argues how this concept can help us understand contemporary societies, bringing an emphasis on empirical work to a heavily theorized area.

What does it mean to be white? This remains the question at large in the continued effort to examine how white racial identity is constructed and how systems of white privilege operate in everyday life. White Out brings together the original work of leading scholars across the disciplines of sociology, philosophy, history, and anthropology to give readers an important and cutting-edge study of "whiteness".

"Acts as a concise introduction to the study of both contemporary and historical stardom and celebrity. Collecting together in one source companion an easily accessible range of readings surrounding stardom and celebrity culture, this book is a worthwhile addition to any library." - Kerry Gough, Birmingham City University "Absolutely wonderful. The inclusion of seminal works and more recent works makes this a very valuable read." - Beschara Karam, University of South Africa "An engaging and often insightful book." - Media International Australia This book brings together some of the seminal interventions which have structured the development of stardom and celebrity studies, while crucially combining and situating these within the context of new essays which address the contemporary, cross-media and international landscape of today's fame culture. From Max Weber, Walter Benjamin and Roland Barthes to Catherine Lumby, Chris Rojek and Graeme Turner. At the core of the collection is a desire to map out a unique historical trajectory - both in terms of the development of fame, as well as the historical development of the field.

"Even though we lived a few blocks away in our neighborhood or sat a seat or two away in elementary school, a vast chasm of class and racial difference separated us from them."—From the Introduction What is it like to be white, poor, and socially marginalized while, at the same time, surrounded by the glowing assumption of racial privilege? Kirby Moss, an African American anthropologist and journalist, goes back to his hometown in the Midwest to examine ironies of social class in the lives of poor whites. He purposely moves beyond the most stereotypical image of white poverty in the U.S.—rural Appalachian culture—to illustrate how poor whites carve out their existence within more complex cultural and social meanings of whiteness. Moss interacts with people from a variety of backgrounds over the course of his fieldwork, ranging from high school students to housewives. His research simultaneously reveals fundamental fault lines of American culture and the limits of prevailing conceptions of social order and establishes a basis for reconceptualizing the categories of color and class. Ultimately Moss seeks to write an ethnography not only of whiteness but of blackness as well. For in struggling with the elusive question of class difference in U.S. society, Moss finds that he must also deal with the paradoxical nature of his own fragile and contested position as an unassumed privileged black man suspended in the midst of assumed white privilege.

As a way to comment on a person’s style or taste, the word “tacky” has distinctly southern origins, with its roots tracing back to the so-called “tackies” who tacked horses on South Carolina farms prior to the Civil War. The Tacky South presents eighteen fun, insightful essays that examine connections between tackiness and the American South, ranging from nineteenth-century local color fiction and the television series Murder, She Wrote to red velvet cake and the ubiquitous influence of Dolly Parton. Charting the gender, race, and class constructions at work in regional aesthetics, The Tacky South explores what shifting notions of tackiness reveal about US culture as a whole and the role that region plays in addressing national and global issues of culture and identity.

"Proud to be an Okie is a fresh, well-researched, wonderfully insightful, and imaginative book. Throughout, La Chapelle's keen attention to shifting geographies and urban and suburban spaces is one of the work's real strengths. Another strength is the book's focus on dress, ethnicity, and the manufacturing of style. When all of these angles and insights are pulled together, La Chapelle delivers a fascinating rendering of Okie life and American culture."--Bryant Simon, author of Boardwalk of Dreams: Atlantic City and the Fate of Urban America

Canadian, American, and British scholars explore the mutually determining relationship of modernism and modern celebrity culture in this innovative collection. Illuminating case studies of subjects both predictable (Virginia Woolf and F. Scott Fitzgerald) and surprising (Elvis and Hitler) are balanced by attention to broader issues related to modernist aesthetics, such as celebrity's relationship to identity, commodification, print culture, personality, visual cultures, and theatricality.

In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface superco