An explorer searches the Peruvian Andes for a lost ruin in “a gem of a book [that] transcends the travel writing genre” with fascinating Inca history (Los Angeles Times). A New York Times Notable Book With the backdrop of the ever-intriguing Andes mountains, Hugh Thomson explores the intoxicating history of the Inca people and their heartland. The author, an acclaimed documentary filmmaker and explorer, expertly weaves accounts of his own discoveries and brushes with danger with the history of those who preceded him—including the explorer Hiram Bingham, who discovered Machu Picchu; the twentieth century South American photographer, Martín Chambi; the poet Pablo Neruda; and the Spanish conquistadores who destroyed the Inca civilization—and the eccentric characters he meets on his travels. Following in the footsteps of the explorers Gene Savoy and Hiram Bingham, Thomson set off into the jungle to find the lost city of Llactapat. This is the story of his journey to discover it via the interconnecting paths the Incas laid across the Andes.

In 1909, Dallas city leaders approved the damming of White Rock Creek to create a new water source for the increasing needs of a growing city. As a result, so much of the life and history of Dallas has echoed through the life and history of White Rock Lake. In the early decades, the lake was home to many private summer homes and boat houses, as well as hunting and fishing clubs. Soon thereafter, a bathing beach, sailing clubs, public boathouses, and picnic facilities were added. The Civilian Conservation Corps and the Works Progress Administration transformed the lake with more recreational and leisure amenities. World War II brought increased military uses that included a POW camp for German officers. Those early city leaders could hardly know that the lake they were creating 10 miles outside of Dallas would become an urban oasis enjoyed by over two million visitors a year.

FROM THE BESTSELLING AUTHOR OF THE BALLROOM AND EXPECTATION They are separating, she and her husband, after two decades together. This fact is new. There are many ways of telling the tale ... There are many different sides to every story ... A minibus journeys through rural Mexico. Inside it are twelve strangers on a pilgrimage to the White Rock, which stands, ancient and sacred, off the Pacific coast. Like many before them, over centuries and from across continents, they find themselves irresistibly drawn here, for answers, to give thanks, to seek protection. One of them is a writer. She is travelling with her husband and young daughter, as her faith in her marriage, and the future itself, is foundering. She has come to the White Rock in the hope of excavating a beginning from the rubble of many different endings. Here she will find the echoes of many stories: of conquest and resistance, of betrayal and belief, of the many different forms of violence and love. Stories that have already unravelled, and stories that might yet illuminate a passage through these uncertain times ... 'An eco-novel you actually want to read' The Times 'Its narrative sweep is capacious . . . It has ambition to match, musing on freedom and reciprocity [and] the redemptive power of storytelling. Impressive' Observer 'Deeply moving' The i

By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.

The annual Great Quest announced by the wizard Zyll requires Marcus and the other village boys who are coming of age to find the Rock of Invanore without knowing what it is or where it can be found, but unless they develop new powers of magic and find the strength to survive wild lands and fierce enemies, they will lose their honor and live menial lives of shame.

Winner of the 2016 Miles Franklin Literary Award A powerful debut novel about two refugees starting over after losing everything Jovan and Suzana have fled war-torn Sarajevo. They have lost their children, their standing as public intellectuals, and their connection to each other. Now working as cleaners in a suburb of Melbourne, they struggle to rebuild their lives under the painful hardships of immigrant life. During a hot Melbourne summer Jovan's janitorial work at a hospital is disrupted by mysterious acts of vandalism. But as the attacks become more violent and racially charged, he feels increasingly targeted, and taunted to interpret their meaning. Under tremendous pressure the couple struggle to keep their marriage together, but fear that they may never find peace from the ravages of war . . . Black Rock White City is an essential story of displacement and immediate threat—the new reality of suburban life—and the deeply personal responses of two refugees seeking redemption.

Twelve-year-old Hope lives in a post-World War III town called White Rock where everyone must participate in Inventions Day, though Hope's inventions always fail. Her unique skill set comes in handy after a group of bandits after valuable antibiotics invades the town.

From the Clash to Los Crudos, skinheads to afro-punks, the punk rock movement has been obsessed by race. And yet the connections have never been traced in a comprehensive way. White Riot is the definitive study of the subject, collecting first-person writing, lyrics, letters to zines, and analyses of punk history from across the globe. This book brings together writing from leading critics such as Greil Marcus and Dick Hebdige, personal reflections from punk pioneers such as Jimmy Pursey, Darryl Jenifer and Mimi Nguyen, and reports on punk scenes from Toronto to Jakarta.

Folded plate (1 leaf, 39 x 61 cm, folded to 19 x 16 cm) in pocket.