Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Florence Louisa Barclay (2 December 1862 - 10 March 1921) was an English romance novelist and short story writer. She was born Florence Louisa Charlesworth in Limpsfield, Surrey, England, the daughter of the local Anglican rector. One of three girls, she was a sister to Maud Ballington Booth, the Salvation Army leader and co-founder of the Volunteers of America. When Florence was seven years old, the family moved to Limehouse in the London Borough of Tower Hamlets. In 1881, Florence Charlesworth married the Rev. Charles W. Barclay and honeymooned in the Holy Land, where, in Shechem, they reportedly discovered Jacob's Well, the place where, according to the Gospel of St John, Jesus met the woman of Samaria (John 4-5). Florence Barclay and her husband settled in Hertford Heath, in Hertfordshire, where she fulfilled the duties of a rector's wife. She became the mother of eight children. In her early forties health problems left her bedridden for a time and she passed the hours by writing what became her first romance novel titled The Wheels of Time. Her next novel, The Rosary, a story of undying love, was published in 1909 and its success eventually resulted in its being translated into eight languages and made into five motion pictures, also in several languages. According to the New York Times, the novel was the No.1 bestselling novel of 1910 in the United States. The enduring popularity of the book was such that more than twenty-five years later, Sunday Circle magazine serialized the story and in 1926 the prominent French playwright Alexandre Bisson adapted the book as a three-act play for the Parisian stage. Florence Barclay wrote eleven books in all, including a work of non-fiction. Her novel The Mistress of Shenstone (1910) was made into a silent film of the same title in 1921. Her short story Under the Mulberry Tree appeared in the special issue called "The Spring Romance Number" of the Ladies Home Journal of 11 May 1911. Florence Barclay died in 1921 at the age of fifty-eight. The Life of Florence Barclay: a study in personality was published anonymously that year by G. P. Putnam's Sons "by one of Her Daughters." (wikipedia.org)

Excerpt from The White Ladies of Worcester: A Romance of the Twelfth Century Entering this passage from the crypt in their own clois ters, they walked in darkness below the sunny meadows, passed beneath the Fore-gate, moving in silent procession under the busy streets, until they reached the crypt of the Cathedral. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, and the UK. Blurring the dichotomies of the popular and the literary, the fictional and the factual, the essays assembled here offer new approaches to reading contemporary women fiction writers' reconfigurations of history.

This book presents a wide range of previously unpublished works by Radclyffe Hall. These new materials significantly broaden and complicate critical views of Hall's writings. They demonstrate the stylistic and thematic range of her work and cover diverse topics, including 'outsiderism', gender, sexuality, race, class, religion, the supernatural and the First World War. Together, these texts shed a new light on unrecognised or misunderstood aspects of Hall's intellectual world. The volume also contains a substantial introduction, which situates Hall's unpublished writings in the broader context of her life and work. Overall, the book invites a critical reassessment of Hall's place in early twentieth-century literature and culture and offers rich possibilities for teaching and future research. It will be of interest to scholars and undergraduate and postgraduate students in the fields of English literature, modernism, women's writing, and gender and sexuality studies, and to general readers.