Alfred White, a London park keeper, rules his home with a mixture of rigidity and tenderness that has estranged his three children. For years, Alfred's daughter Shirley and her black partner Elroy have avoided her comically ignorant younger brother Dirk, who admires his father and hates people of colour. But family ties are strong: when Alfred collapses on duty one day, all the children rush to be with him. The scene is set for bloodshed, forcing Alfred to make a climactic choice between justice and kinship. Exploring the roots of racism in British society, The White Family traces what happens when a family reaches breaking point after years of love and hate, violence and polite silence. This twentieth-anniversary edition includes an introduction by Bernardine Evaristo and a note from the author revealing the story behind this contemporary classic. SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION AND THE INTERNATIONAL IMPAC DUBLIN LITERARY AWARD 'In this ground-breaking new novel, Maggie Gee bravely and uniquely explores the nuances of racism from the perspective of the perpetrators, within the context of family relationships. The resulting work is a brilliant depiction of British society at the end of the twentieth century.'-- Bernardine Evaristo, author of Girl, Woman, Other 'Outstanding ... tender, sexy and alarming.' -- Jim Crace 'Courageous, honest, powerfully real'-- The Times 'Gee is unflinching in her exploration of the causes and consequences of racism.'-- The Observer 'The White Family points to new directions in British writing. Full of power and passion as well as some timely warnings ... it deserves the widest possible readership.'-- Literary Review 'A transcendent work.'-- Daily Telegraph 'A triumph of hope over despair, reconciliation over bitterness ... an unashamedly contemporary novel that embraces the ideological and emotional chaos of our time.'-- The Independent 'An audacious, ground-breaking condition-of-England novel that delves for the roots of xenophobic hatred and violence in the English hearth ... The White Family is finely judged and compulsively readable. Its head-on scrutiny of the uglier face of fair Albion is the more impressive for its rarity in British fiction.'-- The Guardian

White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.

Family Theories: An Introduction by James M. White, Todd F. Martin, and new co-author Kari Adamsons provides an incisive, thorough primer to current theories of the family that balances the diversity and richness of a broad scope of scholarly work in a concise manner. This best-selling text draws upon eight major theoretical frameworks developed by key social scientists to explain variation in family life. These frameworks include social exchange and choice, symbolic-interaction, family life course development, systems, conflict, feminist, ecological, and functional theories. This new Fifth Edition includes suggestions for integrating theory to guide a research program and more applications for those going on to careers in the helping professions. With an increased focus on both classical theories as well as contemporary and emerging theories, this text challenges students to think about how families and family theories have changed over the last 70 years as well as where family scholarship is headed.

Barack Obama is the first African American President, but the history of African Americans in the White House long predates him. The building was built by slaves, and African Americans have worked in it ever since, from servants to advisors. In charting the history of African Americans in the White House, Kenneth T. Walsh illuminates the trajectory of racial progress in the US. He looks at Abraham Lincoln and his black seamstress and valet, debates between President Johnson and Martin Luther King over civil rights, and the role of black staff members under Nixon and Reagan. Family of Freedom gives a unique view of US history as seen through the experiences of African Americans in the White House.

In case you've ever wondered, the walls at 1600 Pennsylvania Avenue have eyes and ears -- and, what's more, they don't miss a thing. Now, listen up because the walls have a thing or two to tell you! During President John Tyler's presidency, the White House was such a mess that it was called the "Public Shabby House." President William Howard Taft was so large that he had to have a jumbo-size bathtub installed -- one big enough for four people. President Andrew Jackson's "open door" policy at the White House resulted in 20,000 people showing up for his inauguration party. (The new president escaped to the quiet of a nearby hotel!) President Abraham Lincoln didn't mind at all that his younger sons, Tad and Willie, kept pet goats in their White House bedrooms. Children all across the country sent in their own money to build an indoor swimming pool for wheelchair-bound President Franklin D. Roosevelt so that he could exercise. President Harry S. Truman knew it was time to renovate the White House after a leg on his daughter's piano broke right through the floor. Hear these funny, surprising stories and more about the most famous home in America and the extraordinary families who have lived in it.

As the country enters a new era of conversations around race and the enduring impact of slavery, The Hairstons traces the rise and fall of the largest slaveholding family in the Old South as its descendants—both black and white—grapple with the twisted legacy of their past. Spanning two centuries of one family’s history, The Hairstons tells the extraordinary story of the Hairston clan, once the wealthiest family in the Old South and the largest slaveholder in America. With several thousand black and white members, the Hairstons of today share a complex and compelling history: divided in the time of slavery, they have come to embrace their past as one family. For seven years, journalist Henry Wiencek combed the far-reaching branches of the Hairston family tree to piece together a family history that involves the experiences of both plantation owners and their slaves. Crisscrossing the old plantation country of Virginia, North Carolina, and Mississippi, The Hairstons reconstructs the triumphant rise of the remarkable children, grandchildren, and great-grandchildren of the enslaved as they fought to take their rightful place in mainstream America. It also follows the white descendants through the decline and fall of the Old South, and uncovers the hidden history of slavery's curse—and how that curse followed slaveholders for generations. Expertly weaving stories of horror, tragedy, and heroism, The Hairstons addresses our nation’s attempt to untangle the twisted legacy of the past, and provides a transcendent account of the human power to overcome.

Winner of the Labriola Center American Indian National Book Award. One of the American West’s bloodiest—and least-known—massacres is searingly re-created in this generation-spanning history of native-white intermarriage. At dawn on January 23, 1870, four hundred men of the Second U.S. Cavalry attacked and butchered a Piegan camp near the Marias River in Montana in one of the worst slaughters of Indians by American military forces in U.S. history. Coming to avenge the murder of their father—a former fur-trader named Malcolm Clarke who had been killed four months earlier by their Piegan mother’s cousin—Clarke ’s own two sons joined the cavalry in a slaughter of many of their own relatives. In this groundbreaking work of American history, Andrew R. Graybill places the Marias Massacre within a larger, three-generation saga of the Clarke family, particularly illuminating the complex history of native-white intermarriage in the American Northwest.

The complex issues of race and politics in nineteenth-century Texas may be nowhere more dramatically embodied than in three generations of the family of Norris Wright Cuney, mulatto labor and political leader. Douglas Hales explores the birthright Cuney received from his white plantation-owner father, Philip Cuney, and the way his heritage played out in the life of his daughter Maud Cuney-Hare. This intergenerational study casts light on the experience of race in the South before Emancipation, after Reconstruction, and in the diaspora that eventually led cultural leaders of African American heritage into the cities of the North. Most Texas history books name Norris Wright Cuney as one of the most influential African American politicians in nineteenth-century Texas, but they tell little about him beyond his elected positions. In The Cuneys, Douglas Hales not only fills in the details of Cuney’s life and contributions but places him in the context of his family’s generations. A politically active plantation owner and slaveholder in Austin County, Philip Cuney participated in the annexation of Texas to the United States and supported the role of slavery and cotton in the developing economy of the new state. Wealthy and powerful, he fathered eight slave children whom he later freed and saw educated. Hales explores how and why Cuney differed from other planters of his time and place. He then turns to the better-known Norris Wright Cuney to study how the black elite worked for political and economic opportunity in the reactionary period that followed Reconstruction in the South. Cuney led the Texas Republican Party in those turbulent years and, through his position as collection of customs at Galveston, distributed federal patronage to both white and black Texans. As the most powerful African American in Texas, and arguably in the entire South, Cuney became the focal point of white hostility, from both Democrats and members of the “Lily White” faction of his own party. His effective leadership won not only continued office for him but also a position of power within the Republican Party for Texas blacks at a time when the party of Lincoln repudiated African Americans in many other Southern states. From his position on the Galveston City Council, Cuney worked tirelessly for African American education and challenged the domination of white labor within the growing unions. Norris Wright Cuney’s daughter, Maud, who was graced with a prestigious education, pursued a successful career in the arts as a concert pianist, musicologist, and playwright. A friend of W. E. B. Du Bois, she became actively involved in the racial uplift movement of the early twentieth century. Hales illuminates her role in the intellectual and political “awakening” of black America that culminated in the Harlem Renaissance of the 1920s. He adroitly explores her decision against “passing” as white and her commitment to uplift. Through these three members of a single mixed-race family, Douglas Hales gives insight into the issues, challenges, and strengths of individuals. His work adds an important chapter to the history of Texas and of African Americans more broadly.

Intimate and honest essays on motherhood, marriage, love, and acceptance Brown White Black is a portrait of Nishta J. Mehra's family: her wife, who is white; her adopted child, Shiv, who is black; and their experiences dealing with America's rigid ideas of race, gender, and sexuality. Her clear-eyed and incisive writing on her family's daily struggle to make space for themselves amid racial intolerance and stereotypes personalizes some of America's most fraught issues. Mehra writes candidly about her efforts to protect and shelter Shiv from racial slurs on the playground and from intrusive questions by strangers while educating her child on the realities and dangers of being black in America. In other essays, she discusses growing up in the racially polarized city of Memphis; coming out as queer; being an adoptive mother who is brown; and what it's like to be constantly confronted by people's confusion, concern, and expectations about her child and her family. Above all, Mehra argues passionately for a more nuanced and compassionate understanding of identity and family. Both poignant and challenging, Brown White Black is a remarkable portrait of a loving family on the front lines of some of the most highly charged conversations in our culture.

From the mountains of Algeria to the squats of South London via sectarian Northern Ireland, Ten Thousand Apologies is the sordid and thrilling story of the country's most notorious cult band, Fat White Family. Loved and loathed in equal measure since their formation in 2011, the relentlessly provocative, stunningly dysfunctional "drug band with a rock problem" have dedicated themselves to constant chaos and total creative freedom at all costs. Like a tragicomic penny dreadful dreamed up by a mutant hybrid of Jean Genet, the Dadaists and Mark E. Smith, the Fat Whites' story is a frequently jaw-dropping epic of creative insurrection, narcotic excess, mental illness, wanderlust, self-sabotage, fractured masculinity, and the ruthless pursuit of absolute art. Co-written with lucidity and humour by singer Lias Saoudi and acclaimed author Adelle Stripe, Ten Thousand Apologies is that rare thing: a music book that barely features any music, a biography as literary as any novel, and a confessional that does not seek forgiveness. This is the definitive account of Fat White Family's disgraceful and radiant jihad - a depraved, romantic and furious gesture of refusal to a sanitised era.