Meghan Shanahan is confident in her Christianity, if not a bit self-righteous . When she moves in with Jeff and Carol, her two unbelieving college roommates, she begins to unravel. Meghan thought she could save Jeff, but in the first three months of college, shes breaking more rules than shes keeping. Even worse, she finds herself falling in love with Jeff. When a young woman in their apartment building is murdered, everything starts changing. Through heartache and despair, tragedy and suspense, Meghan learns what friendship is all about, and more importantly, she discovers the voice shes going to follow.

It was meant to be an adventure—a night alone on a remote Irish island. Archaeologist Sophie Malone never expected to find Celtic treasure or to end up in a fight for her life in a dark, desolate cave. Now, a year later, she's convinced answers to the mysteries of that night lie in Boston. Is the recent violence there connected to her night of terror? Who has the priceless gold artifacts that disappeared from the cave…and who is responsible for the whispers she heard in the dark? Nearly killed in an explosion a month ago, Boston detective Cyrus "Scoop" Wisdom has recovered from his injuries. He's after the bomber—and he thinks it's another cop. But when Sophie unknowingly leads him to a retired officer's body amid symbols of ritual sacrifice, it's clear nobody's safe, and everyone's a suspect. Tough and stubborn, Scoop is the best on the force at detecting lies…except maybe those of Sophie Malone. Together Sophie and Scoop face the greatest challenge of their lives: someone is using ancient rituals to commit modern-day murder—and the killing has only just begun.

An interesting idea, in theory -- Theory matters -- But how do you know? -- You are here : mapping social relations -- The real world : making sense of perceptions -- Nature and culture : the social construction of distinctions -- Making time : clocking social relations -- Conclusion : the politics of social theory

Fake history is not a harmless mistake of fact or interpretation. It is a mistake that conceals prejudice; a mistake that discriminates against certain kinds of people; a mistake held despite a preponderance of evidence; a mistake that harms us. Fake history is like the Zombies we see in mass media, for the fake fact, like the fictional Zombie, lives by turning real events and people into monstrous perversions of fact and interpretation. Its pervasiveness reveals that prejudice remains its chief appeal to those who believe it. Its effect is insidious, because we cannot or will not destroy those mischievous lies. Zombie history is almost impossible to kill. Some Zombie history was and is political, a genre of what Hannah Arendt called “organizational lying” about the past. Its makers designed the Zombie to create a basis in the false past for particular discriminatory policies. Other history Zombies are cultural. They encapsulate and empower prejudice and stereotyping. Still other popular history Zombies do not look disfigured, but like Zombies walk among us without our realizing how devastating their impact can be. Zombie History argues that, whatever their purpose, whatever the venue in which they appear, history Zombies undermine the very foundations of disinterested study of the past.

This book illuminates an important dimension of the work of Max Weber. Weber’s theory of meaning and modernity is articulated through an understanding of his account of the way in which the pursuit of meaning in the modern world has been shaped by the loss of Western religion and how such pursuit gives sense to the phenomena of human suffering and death. Through a close, scholarly reading of Weber’s extensive writings and Vocation Lectures, the author explores the concepts of ’paradox’ and ’brotherliness’ as found in Weber’s work, in order to offer an original exposition of Weber’s actual theory of how meaning and meaninglessness work in the modern world. In addition to making a substantial and highly original contribution to the sociology of modernity, the book applies the theory of meaning extracted from Weber’s thought, addressing the claim that Weber’s work has been rendered out-dated by the supposed re-enchantment of the modern world, as well as discussing the ways this theory can contribute to our understanding of the development of specific forms of modernity. A rigorous examination of the thought of one of the most important figures in classical sociology, this volume will appeal to scholars of sociology, social theory and philosophy with interests in modernity, Weber and the concept of meaning.

This 7th Edition helps students unravel the mysteries of human behavior through its highly readable introduction to the ideas of the most significant personality theorists. Engaging biographical sketches begin each chapter, and unique capsule summaries help students review key concepts. Theories come alive through the inclusion of quotations from the theorists’ writings and numerous applications such as dream interpretation, psychopathology, and psychotherapy. Significant changes in the 7th edition include an extended discussion of the practical applications of personality theory, with an emphasis on guidelines that can help people increase their self-knowledge, make better decisions, and live more fulfilling lives. Fictionalized but true-to-life examples illustrating the perils of inadequate self-knowledge include college students, parents, terrorists, business executives, and politicians, while other examples show the positive outcomes that can result from a better understanding of one’s unconscious. This 7th edition also includes a more extensive discussion of how a lack of self-understanding caused difficulties for such noted theorists as Freud and Erikson, and a new section that explains how behavior can be strongly influenced by the situation as well as by one’s personality. Finally, a new interactive web site provides practice test questions and other topics of interest.

The purpose of this volume is to bring together a number of elements that would be useful in the construction of a coherent and comprehensive theory of biology. Based on the assumption that living systems represent some kind of "organized complexity," the collection discusses meaningful ways of formulating two basic questions: what is the nature of this complexity; and, what are the principles of its organization? The question always asked about biological theory is whether or not it constitutes useful scientific theory. Because many useful biological theories cannot yet be made explicit in terms of conventional physics, Sketching Theoretical Biology illustrates the types of questions in biology that correspond to the types of issues discussed in theoretical physics. This book, originally published in 1969, centers around a vigorous debate on the role played by metaphysical beliefs in determining scientific attitudes. The discussion covers heredity and evolution, cognitive processes and control processes, general property of hierarchies, and the current status of neo-Darwinism. Contributors include theoretical physicists, philosophers, neuroscientists, theoretical chemists, computer scientists, chemical engineers, geneticists and molecular biologists.

Technology companies claim to connect people through touchscreens, but by conflating physical contact with emotional sentiments, they displace the constructed aspects of devices and women and other oppressed individuals’ critiques of how such technologies function. Technology companies and device designers correlate touchscreens and online sites with physical contact and emotional sentiments, promising unmediated experiences in which the screen falls away in favor of visceral materiality and connections. While touchscreens are key elements of most people’s everyday lives, critical frameworks for understanding the embodied experiences of using them are wanting. In Touch Screen Theory, Michele White focuses on the relation between physically touching and emotionally feeling to recenter the bodies and identities that are empowered, produced, and displaced by these digital technologies and settings. Drawing on detailed cases and humanities methods, White shows how and why gender, race, and sexuality should be further analyzed in relation to touchscreen use and design. White delves into such details as how women are informed that their bodies and fingernails are not a fit for iPhones, how cellphone surfaces are correlated with skin and understood as erotic, the ways social networks use heart buttons and icons to seem to physically and emotionally connect with individuals, how online references to feminine and queer feelings are resisted by many men, and how women producers of autonomous sensory meridian response (ASMR) videos use tactile strategies and touch screens to emotionally bond with viewers. Proposing critical methods for studying touchscreens and digital engagement, Touch Screen Theory expands a variety of research areas, including digital and internet cultures, hardware, interfaces, media and screens, and popular culture.