Using such models as Joseph Cornell’s box constructions, crazy quilts, and specimen displays, Joni Tevis places fragments in relationship to each other in order to puzzle out lost histories, particularly those of women. Navigating the peril and excitement of outward journeys complicated by an inward longing for home, The Wet Collection follows Tevis through several adventures that coalesce into a narrative imbued with the light of Tevis’s Southern upbringing. Written with a poet’s lyricism, a scientist’s precision, and a theologian’s understanding of the world as it shifts around us, The Wet Collection is the exciting debut of a distinctive voice. "Tevis’s writing, a showcase for her interests in religion, memoir, natural study and women’s history, is precise and unique, and in this collection of musings, she builds big ideas out of small fragments...Far from the typical memoir or essay collection, this volume showcases a unique, meticulous and inviting voice.” — Publishers Weekly

This “magnificently compelling” essay collection explores obsession, anxiety, and Existential dread from the Book of Revelation to the Liberace Museum (Minneapolis Star Tribune). The sermons of Joni Tevis’ youth filled her with dread, a sense “that an even worse story—one you hadn’t read yet—could likewise come true.” In this revelatory collection, she reckons with her childhood fears by exploring the uniquely American fascination with apocalypse. From a haunted widow’s wildly expanding mansion, to atomic test sites in the Nevada desert, her settings are often places of destruction and loss. And yet Tevis transforms these eerie destinations into sites of creation as well, uncovering powerful points of connection. Whether she’s relating her experience of motherhood or describing the timbre of Freddy Mercury’s voice in “Somebody to Love,” she relies on the same reverence for detail and sense of awe. And by anchoring her attention to the raw materials of our world—nails and beams, dirt and stone, bones and blood—she discovers grandeur in the seemingly mundane. Winner of the 2016 Firecracker Award for Creative Nonfiction Finalist for the 2016 Pat Conroy Southern Book Prize

Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor's writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor's own progress as a critic. Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor's most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism's fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle's depiction of women, Wet is a fascinating and informative collection. Complemented by over twenty illustrations, the essays in Wet reveal Schor's remarkable ability to see and to make others see art in a radically new light.

Selected as a Top Ten Book of the Year by Dwight Garner, New York Times A “fearlessly honest account” (Financial Times) of man’s love of drink, and an insightful meditation on the meaning of alcohol consumption across cultures worldwide Drinking alcohol: a beloved tradition, a dangerous addiction, even “a sickness of the soul” (as once described by a group of young Muslim men in Bali). In his wide-ranging travels, Lawrence Osborne—a veritable connoisseur himself—has witnessed opposing views of alcohol across cultures worldwide, compelling him to wonder: is drinking alcohol a sign of civilization and sanity, or the very reverse? Where do societies fall on the spectrum between indulgence and restraint? An immersing, controversial, and often irreverent travel narrative, The Wet and the Dry offers provocative, sometimes unsettling insights into the deeply embedded conflicts between East and West, and the surprising influence of drinking on the contemporary world today. Now with an excerpt from Lawrence Osborne's latest novel, The Ballad of a Small Player.

Hen and her eggs are wet. Luckily her friend Ben is there to help! This fun photographic easy-to-read story features the short"e" vowel sound. Kane Press's new series of super simple easy readers, Bright Owl Books, launches with Molly Coxe's five photographic stories, which feature the short vowel sounds and are each only around 100 words. These irresistibly silly stories help kids learn to read through repetition and by teaching the basic building blocks of reading—vowel sounds—giving kids the perfect start on educational success.

Who says words need to be concrete? This collection shapes poems in surprising and delightful ways. Concrete poetry is a perennially popular poetic form because they are fun to look at. But by using the arrangement of the words on the page to convey the meaning of the poem, concrete or shape poems are also easy to write! From the author of the incredibly inventive Lemonade: And Other Poems Squeezed from a Single Word comes another clever collection that shows kids how to look at words and poetry in a whole new way.

In this hilarious tale of blame, compassion, and forgiveness, a very embarrassed bear is reminded that accidents can happen--but with the support of good friends, life goes on. Reuben the bear's got donuts for everyone in his scout troop, but his friends are all staring at something else: there's a wet spot on Reuben's pants, and it's in a specific area. "WHO WET MY PANTS?" he shouts, and a blame game starts. His buddies try to reassure him there was no crime. Just an accident. It could happen to anyone! But as all the clues begin to point in Reuben's own direction as the culprit, Reuben must come to terms with the truth. Who Wet My Pants? isn't a potty-training book. It's a witty and wise story about embarrassment and anger, empathy and acceptance, and ultimately...forgiveness.

Poetry. LGBT Studies. Latino/Latina Studies. "Lucas de Lima's stunning book affected me so profoundly at all the stages of reading it, encountering it before it was a book and afterwards, when it was. In the work of this extraordinary writer, the fragment is not an activity of form. It's an activity of evisceration." Bhanu Kapil "These poems lurch from the murky waters of our collective unconscious and side-swipe us with a lyric invocation of the dark forces of... what? Nature? History? The alien life- force that drives planetary evolution? A primal being raises itself from the swamp of human consciousness, animated by the archaic and archetypal Sobek, the Egyptian god in crocodile form. The two voices that alternate in this narrative of trauma the quotidian voice of the poet and a ritual voice of invocation queer the story in the most profound way. Together with de Lima we call forth the god who will transform the narrative. As queers, we are the incarnation of countless shamans, medicine men, magicians and priests. The poet places himself in this tradition through his invocation." AA Bronson"

An adorable and hilarious collection of dog photographs. Every dog owner knows too well the fun and misery of bath time: the wriggles, the poignant looks, the playful splashes. Wet Dog, by photographer Sophie Gamand, is a stunning and touching capture of this intimate moment. Elevating dog photography to the status of art, these expressive portraits of our canine friends mirror our very own human emotions.