The Western Ideology brings together for the first time Andrew Gamble’s writings on political ideas and ideologies, which illustrate the main themes of his writing in intellectual history and the history of ideas, including economic liberalism and neoliberalism, and critiques from both social democratic and conservative perspectives.

‘Capitalism may be teetering once again on the edge of a terminal crisis, but there are no gravediggers in sight. This time around not only are there no gravediggers there are no longer any rival economic systems either ...’ In ‘The Western Ideology’ Andrew Gamble demonstrates the contradictions and the resilience of the doctrines that define liberal modernity, and examines the contemporary possibilities for dissent and change. This volume brings together for the first time this seminal essay with a collection of Andrew Gamble’s writings on political ideas and ideologies, which have been chosen by the author to illustrate the main themes of his writing in intellectual history and the history of ideas. Themes include the character of economic liberalism and neoliberalism, especially as expressed in the work of Friedrich Hayek, as well as critiques from both social democratic and conservative perspectives and from critics as varied as Karl Marx, Michael Oakeshott and Bob Dylan. The collection includes a new autobiographical introduction, notes on the essays and an epilogue putting the essays into the context of today’s society. Andrew Gamble provides a unique exploration of the debates and the ideas that have shaped our politics and Western ideology. A companion volume of Andrew Gamble’s essays, After Brexit and Other Essays, focusing on political economy and British politics, is also available from Bristol University Press.

Louis Althusser has tackled a wide variety of subjects, including philosophy, economics, psychology, aesthetics and political science. This book contains a selection of his writings.

After Brexit brings together Gamble’s most influential writings on British politics and political economy from the last 40 years, reflecting on issues that animate British politics, from the decline of the economy and reshaping the welfare state to the transformation of political parties and devolution to Wales, Scotland and Northern Ireland.

This timely volume focuses on the period of decolonization and the Cold War as the backdrop to the emergence of new and diverse literary aesthetics that accompanied anti-imperialist commitments and Afro-Asian solidarity. Competing internationalist frameworks produced a flurry of writings that made Asian, African and other world literatures visible to each other for the first time. The book’s essays examine a host of print culture formats (magazines, newspapers, manifestos, conference proceedings, ephemera, etc.) and modes of cultural mediation and transnational exchange that enabled the construction of a variously inflected Third-World culture which played a determining role throughout the Cold War. The essays in this collection focus on locations as diverse as Morocco, Tunisia, South Asia, China, Spain, and Italy, and on texts in Arabic, English, French, Hindi, Italian, and Spanish. In doing so, they highlight the combination of local debates and struggles, and internationalist networks and aspirations that found expression in essays, novels, travelogues, translations, reviews, reportages and other literary forms. With its comparative study of print cultures with a focus on decolonization and the Cold War, the volume makes a major contribution both to studies of postcolonial literary and print cultures, and to cultural Cold War studies in multilingual and non-Western contexts, and will be of interest to historians and literary scholars alike.

Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.

With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays offers evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and culture.

Louis Dumont's Essays on Individualism is an ambitious attempt to place the modern ideology of individualism in a broad anthropological perspective. The result of twenty years of scholarship and inquiry, the interrelated essays gathered here not only trace the genesis and growth of individualism as the dominant force in Western philosophy, but also analyze the differences between this modern system of thought and those of other, nonmodern cultures. The collection represents an important contribution to Western society's understanding of itself and its place in the world.

James Burnham’s 1964 classic, Suicide of the West, remains a startling account on the nature of the modern era. It offers a profound, in depth analysis of what is happening in the world today by putting into focus the intangible, often vague doctrine of American liberalism. It parallels the loosely defined liberal ideology rampant in American government and institutions, with the flow, ebb, growth, climax and the eventual decline and death of both ancient and modern civilizations. Its author maintains that western suicidal tendencies lie not so much in the lack of resources or military power, but through an erosion of intellectual, moral, and spiritual factors abundant in modern western society and the mainstay of liberal psychology. Devastating in its relentless dissection of the liberal syndrome, this book will lead many liberals to painful self-examination, buttress the thinking conservative’s viewpoint, and incite others, no doubt, to infuriation. None can ignore it.