Sometime around 1500, in Hungary, a merchant traveling home one night is attacked by werewolves and transformed into one. Generations of his family are cursed by this one act. This classic story of a werewolf and his descendants was inspired by a comment by H.P. Lovecraft suggesting a story written from the werewolf’s point of view. The Werewolf of Ponkert was expanded with two more stories and the trio became the series, “The Tales of the Master.” Later, three more stories were added that became the second series, “Tales of the Werewolf Clan.” The complete set of both series is included in this book. The Werewolf of Ponkert (1925) – They Flayed Him Alive and Wrote His Story on His Tanned Skin. –A five chapter novelette including Prologue. The Return of the Master (1927) – The Werewolf of Ponkert returns from the pit of Hell to thwart the sinister Master who has wrought his downfall. A Voice from the Dead The Man on the Train Pursuit Regina’s Story Surprizes A Night at an Inn Shadows All! Vengeance at Last The Werewolf’s Daughter (1928) – A romantic story of the weird adventures that befell the daughter of the Werewolf of Ponkert Child of Wo Dmitri Tells the Truth The Singer and the Song Lovers—and a Lunatic The Gathering Storm While the Master Watched Part 2 The Coming of the Curse How Two Men Came to Ponkert Rapier Versus Saber Part 3 Dmitri Holds the Narrow Way Blois at Last Epilogue Tales of the Werewolf Clan 1. The Master Strikes (1930) – The first of a series of stories narrating the adventures of the progeny of the Werewolf of Ponkert The Cat Organ Hau! Hau! Huguenots! Tales of the Werewolf Clan 2. The Master Fights (1930) – Occult forces were behind the disaster that over took the Invincible Armada sent by the Spanish king against the power of England The Wreck of the Santa Ysabel The Bug-Wolves of Castle Manglana In the Tomb of the Bishop Tales of the Werewolf Clan 3. The Master Has a Narrow Escape (1931) – A tale of the Thirty Years War and the first case of witchcraft in New England The Leather Cannon Achsah Young—of Windsor

"The Werewolf of Ponkert" first appeared in Weird Tales magazine and H. Warner Munn remembers that the idea stemmed from a query of H. P. Lovecraft's which asked why someone did not attempt a werewolf story as narrated by the werewolf himself. The story is placed in fifteenth century Hungary, where its central character is forced to join a werewolf pack through the power of a creature known simply as the "master" - a creature patterned in the tradition and manner of Melmoth the Wanderer. This book contains a second story, "The Werewolf's Daughter". In it, the daughter of the narrator has grown to young womanhood, and is confronted with the hates and fears and superstitions of the towns-people, all of whom know the history of her werewolf father. And always in the background looms the shadow of the immortal "master".

H. Warner Munn was a New England Native and was born in Athol, Massachusetts to parents who were both writers and artists. He finished his career in Tacoma, Washington where he wrote his stories and poetry in the attic above his home. The Werewolf Clan saga began with a letter written by H.P. Lovecraft to Weird Tales Magazine. "Take a werewolf story, for instance-Who ever wrote a story from the point of view of the wolf, and sympathizing strong with the devil to whom he had sold himself?" This epic story, sprawling over the centuries, begins with Wladislaw Brenryk of Ponkert, Poland and culminates with tales told by what could be the last descendant of the Werewolf Clan. Discover the first Werewolf story written from the wolf's point of view in this collected volume of Tales of the Werewolf Clan, including the original stories published in Weird Tales, The Werewolf of Ponkert, The Werewolf's Daughter and Ten Tales of the Werewolf Clan (Volumes One & Two). It's a journey you will never forget.

*Winner of the Chicago Review of Books Award for Fiction* A Heartland Booksellers Award Nominee An NPR Best Book of the Year A BookPage Best Book of the Year A Library Journal Best Winter/Spring Debut of 2020 A Most Anticipated Book of 2020 from the Boston Globe and The Millions A Best Book of February 2020 at Salon, The Millions, LitHub and Vol 1. Brooklyn “A stunner—equal parts epic and intimate, thrilling and elegiac.”—Laura Van den Berg, author of The Third Hotel The mesmerizing story of a Latin American science fiction writer and the lives her lost manuscript unites decades later in post-Katrina New Orleans In 1929 in New Orleans, a Dominican immigrant named Adana Moreau writes a science fiction novel. The novel earns rave reviews, and Adana begins a sequel. Then she falls gravely ill. Just before she dies, she destroys the only copy of the manuscript. Decades later in Chicago, Saul Drower is cleaning out his dead grandfather’s home when he discovers a mysterious manuscript written by none other than Adana Moreau. With the help of his friend Javier, Saul tracks down an address for Adana’s son in New Orleans, but as Hurricane Katrina strikes they must head to the storm-ravaged city for answers. What results is a brilliantly layered masterpiece—an ode to home, storytelling and the possibility of parallel worlds.

In this fascinating book, Brian J. Frost presents the first full-scale survey of werewolf literature covering both fiction and nonfiction works. He identifies principal elements in the werewolf myth, considers various theories of the phenomenon of shapeshifting, surveys nonfiction books, and traces the myth from its origins in ancient superstitions to its modern representations in fantasy and horror fiction. Frost's analysis encompasses fanciful medieval beliefs, popular works by Victorian authors, scholarly treatises and medical papers, and short stories from pulp magazines of the 1930s and 1940s. Revealing the complex nature of the werewolf phenomenon and its tremendous and continuing influence, The Essential Guide to Werewolf Literature is destined to become a standard reference on the subject.

H. P. Lovecraft was one of the greatest horror writers of all time. His seminal work appeared in the pages of legendary Weird Tales and has influenced countless writer of the macabre. This is one of those stories.

Master spy, Nazi hunter—and werewolf on the prowl—in occupied Paris: A classic of dark fantasy from a Bram Stoker Award—winning author. Allied Intelligence has been warned: A Nazi strategy designed to thwart the D-Day invasion is underway. A Russian émigré turned operative for the British Secret Service, Michael Gallatin has been brought out of retirement as a personal courier. His mission: Parachute into Nazi-occupied France, search out the informant under close watch by the Gestapo, and recover the vital information necessary to subvert the mysterious Nazi plan called Iron Fist. Fearlessly devoted to the challenge, Gallatin is the one agent uniquely qualified to meet it—he’s a werewolf. Now, as shifting as the shadows on the dangerous streets of Paris, a master spy is on the scent of unimaginable evil. But with the Normandy landings only hours away, it’s going to be a race against time. For Gallatin, caught in the dark heart of the Third Reich’s twisted death machine, there is only one way to succeed. He must unleash his own internal demons and redefine the meaning of the horror of war. From the award-winning author of Swan Song and Boy’s Life, this is a “powerful novel [that] fuses WWII espionage thriller and dark fantasy. Richly detailed, intricately plotted, fast-paced historical suspense is enhanced by McCammon’s unique take on the werewolf myth” (Publishers Weekly).

Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.

Half-man-half-myth, the werewolf has over the years infiltrated popular culture in many strange and varied shapes, from Gothic horror to the 'body horror' films of the 1980s and today's graphic novels. Yet despite enormous critical interest in myths and in monsters, from vampires to cyborgs, the figure of the werewolf has been strangely overlooked. Embodying our primal fears - of anguished masculinity, of 'the beast within' - the werewolf, argues Bourgault du Coudray, has revealed in its various lupine guises radically shifting attitudes to the human psyche. Tracing the werewolf's 'use' by anthropologists and criminologists and shifting interpretations of the figure - from the 'scientific' to the mythological and psychological - Bourgault du Coudray also sees the werewolf in Freud's 'wolf-man' case and the sinister use of wolf imagery in Nazism. "The Curse of the Werewolf" looks finally at the werewolf's revival in contemporary fantasy, finding in this supposedly conservative genre a fascinating new model of the human's relationship to nature. It is a required reading for students of fantasy, myth and monsters. No self-respecting werewolf should be without it.