As Josie Belle Gore, daughter of a Louisiana train engineer and Texas seamstress, journeys with her itinerant family through the deserts of the boom-and-bust American West and revolutionary Mexico, she learns that in her life, two things are constant: water is precious, and her role in her family is to save it. When unforeseeable events force the separation of her family, Josie begins an odyssey that takes her from New Mexico’s Jornada del Muerto to Bisbee, Tucson, Los Angeles, and finally post-WWI San Francisco—experiencing betrayal, pandemic, and survivor’s guilt, as well as the compassion and generosity of friends and strangers, along the way. Once she lands in San Francisco, like a river meeting the sea, Josie has nowhere else to run—and she realizes that she must make peace with the past and good on her promise to the family she loves. Inspired by the author’s family lore, The Ways of Water is a lyrical tale of loss, hope, and forgiveness set in the rugged beauty of the turn-of-the-century Southwest that, like Josie, is growing up in fits and starts.

Annotation. For Huastecan Nahuas, water is a symbolic reference. This book describes the multiple values attached to water through the practice of tale telling in this society. It analyzes several local tales about water manifestations such as floodings, thunderstorms, and waterlords, and explores what these mean to Huastecan Nahuas in their present socio-cultural context. The author shows how tales about this element represent and discuss current themes like the village's right to exist, social cohesion among villagers, the need to show respect towards nature, and life and death. The book reveals how the study of tale telling provides a promising angle to address and better understand today's indigenous cultures in Mexico. This title can be previewed in Google Books - http://books.google.com/books?vid=ISBN9789087280109.

Only once did David Foster Wallace give a public talk on his views on life, during a commencement address given in 2005 at Kenyon College. The speech is reprinted for the first time in book form in THIS IS WATER. How does one keep from going through their comfortable, prosperous adult life unconsciously' How do we get ourselves out of the foreground of our thoughts and achieve compassion' The speech captures Wallace's electric intellect as well as his grace in attention to others. After his death, it became a treasured piece of writing reprinted in The Wall Street Journal and the London Times, commented on endlessly in blogs, and emailed from friend to friend. Writing with his one-of-a-kind blend of causal humor, exacting intellect, and practical philosophy, David Foster Wallace probes the challenges of daily living and offers advice that renews us with every reading.

When the Sudanese civil war reaches his village in 1985, 11-year-old Salva becomes separated from his family and must walk with other Dinka tribe members through southern Sudan, Ethiopia and Kenya in search of safe haven. Based on the life of Salva Dut, who, after emigrating to America in 1996, began a project to dig water wells in Sudan. By a Newbery Medal-winning author.

In Open Book in Ways of Water, poet and artist Adam Wolfond explores the synaesthetic quality of autistic perception, the way in which water in its different materializations shapes and channels language. Building on notions such as "wetness," "streams," and "currents," Wolfond constructs a linguistic universe in which writing and perception merge, move, and "pace to gether" - echoing both the togetherness of the senses and the gathering rhythms of water. Open Book in Ways of Water is as much a book of poetry and a book about poetry, a self-reflection in an endlessly moving and transforming element. As the author himself explains: Language is a way to understand each other but it is also reductive in the ways that it is abstracted and non-sensuous, and open writing as movement tends to be ignored as autistics are forced into neurotypical ways of seeing, and the thinking around artistic practices feels of a pace that intensifies the use of forms forming, and similarities with open processes are languaging the way of water, making language about artful relations with the more than human. Water is a game of ways and patterns that wave and ripple and can pull us under, the talk is about surfacing but languaging is about feeling, moving the ways that it makes are having variances moving the thresholds in thinking feeling of a rally that comes from cutting the grammars out and that is the way of perception that is cut by grammar and people need art to dance this dance of relation. A man of autism answers the ways of the body much of the time and that means my body rallies the artful atmospheres that are dancing me and the real feeling can dance the atmospheres as my body presence and pace shifts other bodies to be free. Having a ticcing body is making the dance about disorder but really it is about a different and diverse way of languaging with many feelings and bathing and immersing and I don't have any other way. Adam Wolfond is an autistic poet and artist who uses a device to speak. He is the youngest poet to be published at poets.org and has exhibited his film and installation work in Toronto, Canada. He is the co-founder of dis assembly in Toronto, an arts collective which practices techniques for neurodiversity. Languaging is a way of movement, a continual disassembly, challenging the way of neurotypical grammars for more diversities to come. His work can be viewed at adamwolfond.com and dis-assembly.ca. His chapbooks of poetry In Way of Music Water Answers Toward Questions Other Than What is Autism and There Is Too Music in My Ears are published by Unrestricted Editions. His book The Wanting Way is published by Milkweed Editions' Multiverse series.

This report examines the current system of water abstraction and pollution charges in operation in Brazil. It assesses the Current system’s implementation challenges and provides possible solutions.

For a hundred and fifty years, between the plod of packhorse trains and the arrival of the railways, canals were the high-tech water machine driving the industrial revolution. Amazing feats of engineering, they carried the rural into the city and the urban into the countryside, and changed the lives of everyone. And then, just when their purpose was extinguished by modern transport, they were saved from extinction and repurposed as a 'slow highways' network, a peaceful and countrywide haven from our too-busy age. Today, there are more boats on the canals than in their Victorian heyday. Writer and slow adventurer Jasper Winn spent a year exploring Britain's waterways on foot and by bike, in a kayak and on narrowboats. Along a thousand miles of 'wet roads and water streets' he discovered a world of wildlife corridors, underground adventures, the hardware of heritage and history, new boating communities, endurance kayak races and remote towpaths. He shared journeys with some of the last working boat people and met the anglers, walkers, boaters, activists, volunteers and eccentrics who have made the waterways their home. In Britain most of us live within five miles of a canal, and reading this book we will see them in an entirely new light.

A poet’s memoir of taking an unplanned trip to the Bahamas and meeting a fishing guide who changed his life: “A splendid book.”—Jim Harrison in The New York Times Book Review Chris Dombrowski, a poet and passionate fly-fisher, had a second child on the way and an income hovering perilously close to zero when he received a miraculous email: can’t go, it’s all paid for, just book a flight to Miami. Thus began a journey that would eventually lead to the Bahamas and to David Pinder, a legendary bonefishing guide. Bonefish are prized for their elusiveness and their tenacity. And no one was better at hunting them than Pinder, a Bahamian whose accuracy and patience were virtuosic. He knows what the fish think, said one fisherman, before they think it. By the time Dombrowski meets him, though, Pinder has been abandoned by the industry he helped build. With cataracts from a lifetime of staring at the water and a tiny severance package after forty years of service, he watches as the world of his beloved bonefish is degraded by tourists he himself did so much to attract. But as Pinder’s stories unfold, Dombrowski discovers a profound integrity and wisdom in the bonefishing guide’s life. “A poet and Montana-based fly-fishing guide recounts his trip to the Bahamas, where he met an aging guide who taught him about fish and life…loosely links reflections on his experiences catching and releasing bonefish, the history and geography of the Bahamas, the construction of fishing rods, stories he has told his children, and the difference between fishing or hunting for sport and for dinner.”—Kirkus Reviews “Thematically complex, finely wrought, and profoundly life-affirming.”—Publishers Weekly (starred review)

Naturalist Craig Childs's "utterly memorable and fantastic" study of the desert's dangerous beauty is based on years of adventures in the deserts of the American West (Washington Post). Like the highest mountain peaks, deserts are environments that can be inhospitable even to the most seasoned explorers. Craig Childs, who has spent years in the deserts of the American West as an adventurer, a river guide, and a field instructor in natural history, has developed a keen appreciation for these forbidding landscapes: their beauty, their wonder, and especially their paradoxes. His extraordinary treks through arid lands in search of water are an astonishing revelation of the natural world at its most extreme. "Utterly memorable and fantastic...Certainly no reader will ever see the desert in the same way again." —Suzannah Lessard, Washington Post

Everywhere in the world communities and nations organize themselves in relation to water. We divert water from rivers, lakes, and aquifers to our homes, workplaces, irrigation canals, and hydro-generating stations. We use it for bathing, swimming, recreation, and it functions as a symbol of purity in ritual performances. In order to facilitate and manage our relationship with water, we develop institutions, technologies, and cultural practices entirely devoted to its appropriation and distribution, and through these institutions we construct relations of class, gender, ethnicity, and nationality. Relying on first-hand ethnographic research, the contributors to this volume examine the social life of water in diverse settings and explore the impacts of commodification, urbanization, and technology on the availability and quality of water supplies. Each case study speaks to a local set of issues, but the overall perspective is global, with representation from all continents.