Here is a heartwarming collection of a country boys stories of life lived way back before technology so dramatically changed our world. You will be taken back to a time when you had to work really hard just to live, especially when you were living on a farm. Without high-tech tools or gadgets, and without todays modern conveniences, life was more free and loving. In those days, hard work meant something that people today will never understand. The Way It Was Back Then showcases that beautiful past and the real value of hard work that the modern world has long forgotten.

That's the Way It "Wuz" Back Then is an overview about a particular period and a particular people in history with limited recorded information about their experiences. The information, gathered from interviews with others and my own experiences, provides a brief depiction of the hardship and suffering of black families during the early twentieth century, segregated schools in the south, and the unrest experienced in the south during the desegregation of schools. The main purpose for writing this book is record bits and pieces of history concerning African Americans in Lonoke County, Arkansas, to be placed in the Lonoke County Library. In keeping with that purpose, That's the Way It "Wuz" Back Then has chapters that relate to the lives of people who persevered and overcame the difficulties placed upon them and became productive citizens in their communities. The book contains abstracts or clippings of the The Lonoke Democrat newspaper articles relate the physical, cultural, and spiritual existence of African Americans in Lonoke County, Arkansas, during the late nineteenth and mid-twentieth centuries. The Lonoke Democrat newspaper articles demonstrate the experiences of people and their rich cultural identity and family. I wanted to sustain the language or speech of that period in time; therefore, limited editing of this section of the book was done. It is the cultural identity of our ancestors that we all long to reminisce in family gatherings.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

'Aynhoe Village Life, The Way it Was- Then - Before and Beyond' is a social commentry on village life in a small Northants village. This book covers the background history of the village, villagers, with stories from family members, local characters, and herself. Then; is from 1940 to 1948, the war years, and afterwards as seen through the eyes of a child. Before; is from 1880 to 1940 with many humerous village stories. Beyond; is from 1949 to 1956 with a heartbreaking move to Oxford, and the many visits back to Aynhoe. While living in Oxford, the author and her siblings had the unique experience of being an unofficial part of a rehab hospital for the war headinjured. These men were their playmates and partners in all manners of fun. This is the first of at least three books. The others will cover nursing at the Horton Hospital in Banbury, when care to the local people really mattered. The last, about life and nursing in America from 1965, until 2005 when the author returned to her homeland.

Today we hear renewed calls for a dialogue between science and religion: why has the old question of the relations between science and religion now returned to the public domain and what is at stake in this debate? To answer these questions, historian and sociologist of science Yves Gingras retraces the long history of the troubled relationship between science and religion, from the condemnation of Galileo for heresy in 1633 until his rehabilitation by John Paul II in 1992. He reconstructs the process of the gradual separation of science from theology and religion, showing how God and natural theology became marginalized in the scientific field in the eighteenth and nineteenth centuries. In contrast to the dominant trend among historians of science, Gingras argues that science and religion are social institutions that give rise to incompatible ways of knowing, rooted in different methodologies and forms of knowledge, and that there never was, and cannot be, a genuine dialogue between them. Wide-ranging and authoritative, this new book on one of the fundamental questions of Western thought will be of great interest to students and scholars of the history of science and of religion as well as to general readers who are intrigued by the new and much-publicized conversations about the alleged links between science and religion.

Adrienne Fox is a retired musician who began her literary career reviewing concerts. This is her fifth novel. The other novels are the following: The Retirement, Starstruck, Tit for Tat, and IQ. Adrienne Fox writes about life in Britain from 19411963, when old traditions came head-to-head with new ideas as wartime austerity gave way to the Swinging Sixties. She colorfully describes growing up in a constant conflict of the morals, views, and opinions at a time when material goods were in short supply, conversation took the place of electronic entertainment, and serious communication was restricted to letter writing. Through wry humor, she tells of her efforts to understand family conflicts and of her own ill-formed ambitions. Desperately wanting to please in order to keep the peace but frequently appearing to fall short, Cant do right for doing wrong aptly describes periods of her progress. Her story paints a tragic-comic picture of the incidents and attitudes within the time frame beginning in a northern industrial town, where the ration books vied with the hymn books in the family home, to college life in London and trying to find a job.

No writer captured the urban blight that befell postwar America in all its grime and commotion as well as noir legend John D. MacDonald. The Neon Jungle depicts a world in which the bright lights belie the turbulent lives of a lost generation. Introduction by Dean Koontz The smell of warm gin hovers over a whole section of town. The threat of violence hangs in the air. And the neighborhood kids know all about drugs, knives, and back-alley beatings long before they’re pushed into high school by weary truant officers. This is simply reality for the family that runs Varaki Quality Market. Its patriarch, Gus Varaki, is doing all he can to keep his business afloat after his beloved middle child, Henry, is killed in action. But his oldest son is at a crossroads, his teenage daughter has been seduced by a rough crowd, and one of his employees is running a racket of his own. Only Henry’s despondent widow, Bonny, sees the awful truth—and the deadly plot hanging over all of their heads. Praise for John D. MacDonald “John D. MacDonald was the great entertainer of our age, and a mesmerizing storyteller.”—Stephen King “My favorite novelist of all time . . . No price could be placed on the enormous pleasure that his books have given me.”—Dean Koontz “John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark