The time is ten thousand years ago and the place is the shores of Lake Champlain, a land inhabited by Abenaki communities who hunt, gather, and follow the cycles of their unspoiled natural world in relative harmony. Joseph Bruchac, a nationally renowned storyteller and writer of Native American tales, uses this setting not just to spin a compelling adventure yarn but also to re-create with grace, fullness, and clarity the cultural, social, and spiritual systems of these pre-contact Native Americans. In this third novel of his trilogy about the "people of the dawnland," the lake they call Petonbowk -- "the waters between" Vermont's Green Mountains and New York's Adirondacks -- holds both sustenance and danger, and Young Hunter, the "young, broad-shouldered man whose heart was good for all the people," is called upon to confront a dual menace. A "deepseer" or shaman, he must use his full powers first to comprehend the threats and then to defeat them. The lake, it seems, holds a huge water-snake monster that makes it impossible to reap the waters' bountiful harvest of fish and game. And, worse, a tortured outcast, Watches Darkness, has turned against his tribe and is using his deepseer's knowledge to perpetrate horrible acts of senseless evil: he destroys whole villages out of sheer malevolence; he literally eats his victims' hearts to absorb their powers; he kills his own grandmother without remorse. As the tension between hunter and hunted mounts, Bruchac seamlessly weaves stories within the story, the lore that connects the people to each other and to their heritage, so that the novel becomes not just an archetypal battle of good versus evil but a vivid depiction of traditional New England Indian culture in pre-Columbian times. Richly atmospheric, resonant with Native American spirituality, melodious with the rhythms of the Abenaki language, The Waters Between paints both an epic quest and a colorful portrait of "the lives of people living as human beings were told to live by the Talker. Never perfect, often failing, but always growing, always part of something larger than themselves, their varied heartbeats meshing together to make the one great, healthy heartbeat which was the Only People."

A broken heart leads Kevin Patterson to the dock of a sailboat brokerage on Vancouver Island, where he stands contemplating the romance of the sea and his heartfelt desire to get away. By the end of the day, he finds himself the owner of a thirty-seven-foot ketch called Sea Mouse. Although he's never really been on the ocean before (aside from the odd ferry-ride), he feels compelled to sail to Tahiti and back, to burn away his failings in hard miles at sea.

This is the first book to explore the relationship between the people and the environment of Mexico. Featuring a dozen essays by leading scholars, it heralds the arrival of environmental history as a major area of study in the field of Mexican history and introduces a new book series: “Latin American Landscapes.”

Untamed. Unsupervised. Uncontrolled. Boyhood in the 1960s and ‘70s was a time for exploration and mischief. Author Michael Tougias found more than his share of misadventures in the woods and on the water: some life-threatening but others innocently hilarious. Over time – and after reading a multitude of adventure books -- these experiences took shape in his quest to be a mountain man, owning a cabin in the forest and living off the land. Part of that dream would come true, but only after a family tragedy that shook his world and forced changes in his life. This is also a story of a complex and strained relationship between father and son, the efforts at understanding, and ultimately respect and devotion. In The Waters Between Us Tougias channels Bryson’s “A Walk in the Woods” to mix laugh out loud humor with insight into the natural world through the eyes of a curious boy. Tougias is a New York Times Bestselling author and co-author of 31 books, including There’s A Porcupine In My Outhouse (Winner of the Independent Publishers “Best Nature Book of the Year”) and The Finest Hours (inspiration for a 2016 Disney movie). He has received many writing awards.

A “miraculous” (Newsweek) human drama, based on a true story, from the renowned author of The Prince of Tides and The Great Santini The island is nearly deserted, haunting, beautiful. Across a slip of ocean lies South Carolina. But for the handful of families on Yamacraw Island, America is a world away. For years the people here lived proudly from the sea, but now its waters are not safe. Waste from industry threatens their very existence unless, somehow, they can learn a new way. But they will learn nothing without someone to teach them, and their school has no teacher—until one man gives a year of his life to the island and its people. Praise for The Water Is Wide “Miraculous . . . an experience of joy.”—Newsweek “A powerfully moving book . . . You will laugh, you will weep, you will be proud and you will rail . . . and you will learn to love the man.”—Charleston News and Courier “A hell of a good story.”—The New York Times “Few novelists write as well, and none as beautifully.”—Lexington Herald-Leader “[Pat] Conroy cuts through his experiences with a sharp edge of irony. . . . He brings emotion, writing talent and anger to his story.”—Baltimore Sun

This "gorgeously written" National Book Award finalist is a dazzling, heart-rending story of an oil rig worker whose closest friend goes missing, plunging him into isolation and forcing him to confront his past (NPR, One of the Best Books of the Year). One night aboard an oil drilling platform in the Atlantic, Waclaw returns to his cabin to find that his bunkmate and companion, Mátyás, has gone missing. A search of the rig confirms his fear that Mátyás has fallen into the sea. Grief-stricken, he embarks on an epic emotional and physical journey that takes him to Morocco, to Budapest and Mátyás's hometown in Hungary, to Malta, Italy, and finally to the mining town of his childhood in Germany. Waclaw's encounters along the way with other lost and yearning souls—Mátyás's angry, grieving half-sister; lonely rig workers on shore leave; a truck driver who watches the world change from his driver's seat—bring us closer to his origins while also revealing the problems of a globalized economy dependent on waning natural resources. High as the Waters Rise is a stirring exploration of male intimacy, the nature of memory and grief, and the cost of freedom—the story of a man who stands at the margins of a society from which he has profited little, though its functioning depends on his labor.

Between Two Waters expands upon existing studies of transculturation. Spitta not only introduces the question of gender into the debate, but also brings together previously disconnected media: the chronicles of the New World, the writings of the extirpators of idolatries in the sixteenth and seventeenth centuries, the paintings of the Cuzco School, and contemporary U.S. Latino narratives. Between Two Waters brings English-language readers into the post-colonial debate at the heart of Latin American literary criticism.

By the author of A Wrinkle in Time, the follow-up to The Arm of the Starfish has Simon and the O'Keefes trying to find a stolen painting and a murderer, all while trapped aboard a ship. Thirteen-year-old Simon Renier has no idea when he boards the M.S. Orion with his cousin Forsyth Phair that their journey to Venezuela will be a dangerous one. His original plan—to return a family heirloom, a portrait of Simon Bolivar, to its rightful place—is sidetracked when cousin Forsyth is found murdered. When the portrait is stolen, all passengers and crew are suspects. Simon's newfound friends, Poly and Charles O'Keefe, and their scientist father help Simon try to find his painting, and his cousin's murderer. But will they succeed before they land? Or will the murderer and thief escape into the jungles of Venezuela? Books by Madeleine L'Engle A Wrinkle in Time Quintet A Wrinkle in Time A Wind in the Door A Swiftly Tilting Planet Many Waters An Acceptable Time A Wrinkle in Time: The Graphic Novel by Madeleine L'Engle; adapted & illustrated by Hope Larson Intergalactic P.S. 3 by Madeleine L'Engle; illustrated by Hope Larson: A standalone story set in the world of A Wrinkle in Time. The Austin Family Chronicles Meet the Austins (Volume 1) The Moon by Night (Volume 2) The Young Unicorns (Volume 3) A Ring of Endless Light (Volume 4) A Newbery Honor book! Troubling a Star (Volume 5) The Polly O'Keefe books The Arm of the Starfish Dragons in the Waters A House Like a Lotus And Both Were Young Camilla The Joys of Love

"A Jane Austen-ish plot gets a delicious Indian accent in this effervescent novel by former PEOPLE editor Gage . . . in this exotic, mysterious setting, cultures collide, love grows more complicated and Maya finally discovers just whom – and where – she is really meant to be." --People, **** Maya is an accomplished psychiatry resident with a supportive boyfriend, loving family, and bustling New York social life. When her grandmother dies in India, a family squabble over property ignites a curse that drifts across continents and threatens Maya's life. Or so her father says-- Maya (being a modern woman, an American, and a doctor) doesn't believe in curses, Brahman, or otherwise. But then a series of calamities befalls her family, her career and relationship both falter, and Maya starts to worry. She hopes a trip back to India with her best friend, Heidi, will enable her to remove the curse, save her family, and put her own life back in order. Thus begins a journey into Maya's parallel worlds-- New York and an India filled with loving and annoying relatives, vivid colors, and superstitious customs she doesn't, and does, believe in. But her time in India isn't just a visit "home" or a chance to explore the strengthening and suffocating bonds of family, it's also the beginning of a cathartic quest toward forging one identity out of two cultues as Maya learns unexpected lessons about life and love.