This is the first of two volumes which documents later writing of 'The Silmarillion', Tolkien's epic tale of war. Christopher Tolkien documents the history of 'The Silmarillion', from the time when his father turned again to 'the Matter of the Elder Days'.

Complete integrated indices of History of Middle-earth volumes. For the first time every index from each of the twelve volumes of The History of Middle-earth has been published together in a single volume - to create a supreme index charting the writing of Tolkien's masterpieces The Lord of The Rings and The Silmarillion.

With Christopher Tolkien as your guide, take a tour through this colourful gallery of enchanting art produced by J.R.R. Tolkien and presented in an elegant new slipcased edition. This collection of pictures, with text by Christopher Tolkien, now reissued after almost 30 years confirms J.R.R. Tolkien's considerable talent as an artist. It provides fascinating insight into his visual conception of many of the places and events familiar to readers of The Hobbit, The Lord of the Rings and The Silmarillion. Examples of his art range from delicate watercolours depicting Rivendell, the Forest of Lothlorien, Smaug, and Old Man Willow, to drawings and sketches of Moria Gate and Minas Tirith. Together they form a comprehensive collection of Tolkien's own illustrations for his most popular books. Also included are many of his beautiful designs showing patterns of flowers and trees, friezes, tapestries and heraldic devices associated with the world of Middle-earth. In their variety and scope they provide abundant visual evidence of the richness of his imagination. This enchanting gallery was personally selected by Christopher Tolkien who, through detailed notes on the sources for each picture, provides unique insight into the artistic vision of his father, J.R.R. Tolkien.

Renaissance jewels are among the most alluring manifestations of an age that experienced the widening of horizons, from the Old World to the New. This volume overflows with luxurious imagery expressing the boundless creativity and spirit of the Age of the Renaissance. Yvonne Hackenbroch relates the tales of the jewels, the artists, and the patrons who commissioned them.

In volumes ten and eleven of The History of Middle-earth, Christopher Tolkien recounts from the original texts the evolution of his father's work on The Silmarillion, the legendary history of the Elder Days or First Age, from the completion of the Lord of the Rings in 1949 until J.R.R. Tolkien's death. In volume ten, Morgoth's Ring, the narrative was taken only as far as the natural dividing point in the work, when Morgoth destroyed the Trees of Light and fled from Valinor bearing the stolen Silmarils. In The War of the Jewels, the story returns to Middle-earth and the ruinous conflict of the High Elves and the Men who were their allies with the power of the Dark Lord. With the publication in this book of all of J.R.R. Tolkien's later narrative writing concerned with the last centuries of the First Age, the long history of The Silmarillion, from its beginnings in The Book of Lost Tales, is completed; the enigmatic state of the work at his death can now be understood. A chief element in The War of the Jewels is a major story of Middle-earth, now published for the first time - a continuation of the great "saga" of Turin Turambar and his sister Nienor, the children of Hurin the Steadfast. This is the tale of the disaster that overtook the forest people of Brethil when Hurin came among them after his release from long years of captivity in Angband, the fortress of Morgoth. The uncompleted text of the Grey Annals, the primary record of the War of the Jewels, is given in full; the geography of Beleriand is studied in detail, with redrawings of the final state of the map; and a long essay on the names and relations of all the peoples of Middle-earth shows more clearly than any writing yet published the close connection between the language and history in Tolkien's world. The text also provides new information, including some knowledge of the divine powers, the Valar.

In this book, Christopher Tolkien takes up his account of the later history of 'The Silmarillion', from the point where it was left off in Morgoth's Ring. The book completes the long history of 'The Book of Lost Tales'.

To the west, proud and alone, was the Imperial Country. To the East stood the Freelands, engulfed in civil war since its very birth. Above them was Cecorria, Home of all Sorcery, struggling against its very own downfall. And finally there was Bryre, the keeper of the sinister Blood Jewels, deadly to all who held them too close. But above them all was another country, a country ignored and long gone silent, but just stirring awake. Only myths told of three heroines arising to meet the powers rising from the North, but myths are myths, stories, and nothing more.

From Genesis to Revelation: A Story You Find Yourself In is a book about the journey of the soul and how it's reflected in the esoteric Bible. The book is written as an allegory by animating characters found in the creation and together serve as our hosts during this earthly sojourn. It’s through the unbiased observations made by these characters that we come to better understand ourselves and the purpose of this incarnation. The quality of our relationship with the creation and with other human’s is solely dependent upon the quality of the relationship that we have with our inner man. Becoming aware of awareness is the beginning of this understanding and is perfected through the process of internal observation. The book recognizes that humanity is stressing the creations integrity and its ability to maintain a proper ecosystem in support of our human experience. In response, the creation determines that something must be done, concluding that acquiring a thorough understanding the nature of man’s inner and collective psyche as the first order of business. In this process of discovery, the creation explores the contrasts between the practices of religion and the pursuits of spirituality, while endeavoring to correlate its findings with the symbolisms found in the Bible. What they discover is a revelatory paradox, as their findings suggest that these human practices and pursuits do not align with the spiritual meaning hidden in these sacred texts. The journey of humanity is a story you find yourself in and the only way forward is for each of us to come into a reconciliation with our dual natures. I hope this book can help in that cause as the answers are found within, from Genesis to Revelation.