This collection of poems is an absolutely unique approach to poetry. Each poem has an image to match the poem's mood or the words, and all the images have been captured by the author or his spouse. An atheist turned spiritualist, the influence of Osho, Bob Dylan, Sadhguru, the author's pilgrimage to Mount Kailash and frequent sojourns in the Himalayas and Rishikesh – the spiritual capital of the world, reflect in this collection which combines nature and spirituality. A truly path breaking maiden attempt at poetic imagery.

“Sin is crouching at the door, ready to pounce. You must master it before it masters you!" Kayin is The Wanderer: A legend shrouded in a curse. A man untouchable, unable to farm or settle. Centuries after the horrendous act that defines his life, Kayin recounts his soul-stirring chronicle, exposing the far-reaching fallout of his parents' expulsion from Eden and revisiting the moments that shattered his youthful faith. Then came forbidden love and rejection, driving a wedge irrevocably between Kayin and his brother, with tragic consequences. Why did God scorn Kayin’s sacrifice? What transpired during that final, fateful encounter in the field? The Wanderer Scorned is the first instalment in The Wanderer Biblical Historical fiction series, immersing readers in the ancient Genesis 4 epoch. A profound exploration of the first murder, it brings the Bible to life in a fresh way, delving into the character of the Creator Yahweh and His earliest interactions with humankind.

In his philosophic verse, Woodsworth identifies the history of poetry and geometrical thought as the two chief treasures of the mind and as main sources of his poetic inspiration. He assigns transcendental value to geometry and indicates that he attempts to apply its proportions to the laws of nature. In this book, Professor Johnson demonstrates how Wordsworth also employed geometrical patterns in the metrical construction of his verse and how the character of those patterns can be related to the poet's major philosophical values. Johnson shows how Wordsworth, when writing about the nature and significance of geometrical thought in The Prelude and The Excursion, designs his verse paragraphs in accordance with simple geometrical proportions which are thereby associated with the metaphysical value he attributes to geometry. Wordsworth finds geometrical forms to be hidden in the natural landscape and inherent in the structures of perception itself. This book is the first to make a sustained description of Wordsworth's symbolic patterns and metrical forms in his philosophic verse, with major examples drawn from Tintern Abbey, The Prelude, The Excursion, and the Immortality Ode. Although it presents an approach which differs radically from any in the established criticism of the poet, it is basically at one with the large body of work that concerns the nature of Wordsworth's imagination.