The wonderful picture-poems of Kenneth Patchen, long out of print, are being brought back into one generous volume--cryptic creatures quipping quirky quotes and all.

Guy McPherson was a successful professor by every imperial measure: well-published in all the right places, he taught and mentored students who acquired the best jobs in the field, and performed abundant, exemplary professional service. He earned enough to live on a third of his income and still traveled as much as he desired throughout the industrialized world. In other words, McPherson was the perfect model of all that is wrong with the United States and, by extension, the nations looking to us for an example. Rather than questioning the system, he was raising minor questions within the system.During the decade of his forties, McPherson transformed his academic life from mainstream ecologist to friend of the earth. He became a conservation biologist and social critic, and his speaking and writing increasingly targeted the public beyond the classroom. McPherson began teaching poetry in facilities of incarceration, trying to give voice to wise people long marginalized or ignored by industrial society. Guest commentaries in local newspapers pointed out the absurdities of American life, as well as limits to growth for the world's industrial economy. Increasingly strident essays drew the attention of university administrators who tried to fire him, and, when that failed, tried to muzzle him. Shortly after administrators gave up trying to force McPherson's departure from a major research university, he left the institution on his own terms when, at the age of 49, McPherson finally awakened to the costs of the non-negotiable American way of life: obedience at home and oppression abroad. And then he walked away from all that privilege to pursue a life of principle and even more service while raising goats, gardens and working with his neighbors. It meant hours of physical labor, months of loneliness, and finally, betrayal from those closest to him.

"Now begins the revival of an eccentric virtuoso poet/visual artist whose work was admired by many of the 20th century's most unlikely "bobbysoxers". Like fabrics stitched into a crazy quilt, Patchen's hard-to-find books are gathered in We Meet, introducing a wide range of his work to a whole new generation of readers. It is chock-full of far-out poetry, rhythmic numinous prose, facetious fables, and jazzy drawings. Musician and visual artist Devendra Banhart complements We Meet with a celebratory, quixotic preface. So what are you waiting for? Come meet Kenneth Patchen!"--BOOK JACKET.

Here in these pages the extraordinary rage and power of Patchen's imagination, and the virtuosity of his technique, were never more striking-their impact is indeed breathtaking. His new universe is exciting and spirit-cleansing. the light streaming from the hand and heart of this poet-artist illuminates the darkness, the sordid and confused pettiness of our day-to-day existence.

As a troubled teen, Lauren Manning sought a refuge online in the angry world of black metal music. When she met a recruiter who offered her the acceptance she craved, the doctrine of white supremacy supplanted the values of her middle class upbringing and Lauren traded suburbia for a life of violence and criminality on the streets of Toronto. Told from the perspective of both mother and daughter, Walking Away From Hate chronicles Lauren's descent into extremism, her life within the movement and her ultimate reconnection with the family she once denounced and the mother who refused to give up on her.

“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Ones Who Walk Away from Omelas" is a short story originally published in the collection The Wind's Twelve Quarters.

As heard on BBC Radio 4, the brilliant sequel to Simon Armitage's acclaimed bestseller Walking Home - the story of his travels on Britain's South West coast. Not content with walking the Pennine Way as a modern day troubadour, an experience recounted in his bestseller and prize-wining Walking Home, the restless poet has followed up that journey with a walk of the same distance but through the very opposite terrain and direction far from home. In Walking Away Simon Armitage swaps the moorland uplands of the north for the coastal fringes of Britain's south west, once again giving readings every night, but this time through Somerset, Devon and Cornwall, taking poetry into distant communities and tourist hot-spots, busking his way from start to finsh. From the surreal pleasuredome of Minehead Butlins to a smoke-filled roundhouse on the Penwith Peninsula then out to the Isles of Scilly and beyond, Armitage tackles this personal Odyssey with all the poetic reflection and personal wit we've come to expect of one of Britain's best loved and most popular writers.

Poems of humor, protest, love and wonder, by one of America's most original voices.

To avert a potential underworld mutiny of horrific proportions, these fifty insurrectionists were relocated through a portal from the pit of hell to the dark Eldritch Forest of another world, parallel to our own. Upon their banishment, the condemned were transformed into half-man and half-serpent creatures. Thirteen years ago, William Clay-then a mere child-disappeared from a nearby forest, never to be seen again. Only recently, his younger brother, Dan, acquired information on the forest fables from a questionable source. After analyzing fact and legend, Dan suspects that his brother may have fallen through the portal into the parallel world and is being held captive by the fifty fiends. Join Dan and three friends as they embark on an out-of-this-world journey where they are hunted by savage beasts along the footpath to a demonic castle. Smith's pages within are your passport to A World Away, where the unimaginable becomes reality, the unnatural becomes the norm, and the uninvited become fitting prey.

This accessible new book looks at how and why individuals leave terrorist movements, and considers the lessons and implications that emerge from this process. Focusing on the tipping points for disengagement from groups such as Al Qaeda, the IRA and the UVF, this volume is informed by the dramatic and sometimes extraordinary accounts that the terrorists themselves offered to the author about why they left terrorism behind. The book examines three major issues: what we currently know about de-radicalisation and disengagement how discussions with terrorists about their experiences of disengagement can show how exit routes come about, and how they then fare as ‘ex-terrorists’ away from the structures that protected them what the implications of these findings are for law-enforcement officers, policy-makers and civil society on a global scale. Concluding with a series of thought-provoking yet controversial suggestions for future efforts at controlling terrorist behaviour, Walking Away From Terrorism provides an comprehensive introduction to disengagement and de-radicalisation and offers policymakers a series of considerations for the development of counter-radicalization and de-radicalisation processes. This book will be essential reading for students of terrorism and political violence, war and conflict studies, security studies and political psychology. John Horgan is Director of the International Center for the Study of Terrorism at the Pennsylvania State University. He is one of the world's leading experts on terrorist psychology, and has authored over 50 publications in this field; recent books include the The Psychology of Terrorism (Routledge 2005) and Leaving Terrorism Behind (co-edited, Routledge 2008)