The Viper of Milan depicts 14th century Italy as a place of danger and fractious warfare, as disparate groups of nobles fought to achieve and maintain supremacy. A novel steeped in darkness and conflict, we are plunged into the rivalries which rend the province of Lombardy in the early Renaissance. That the reader be immersed, Marjorie Bowen researched the period extensively, noting the rise of the Visconti family who would dominate Milan for decades. Although this novel is not historically accurate, its general depiction of Italian society and nobility of the time - of its priorities, cruelties and caprices - is founded in factual incidents. Marjorie Bowen specialized in historical romances, publishing over a hundred fictional works set in a variety of time periods and locales, together with several biographies of famous figures of yore. Often they contain a romantic element, alongside a gothic or dark aspect; such idiosyncrasy made Bowen a favorite of authors such as Graham Greene. The Viper of Milan, which appeared in 1906, is her earliest published work, the warm reception spurring the young author to further writing.

PRE-ORDER THE NEW MASTER OF WAR NOVEL BY DAVID GILMAN, TO KILL A KING – COMING IN FEBRUARY 2024 'A gripping chronicle of pitched battle, treachery and cruelty' Robert Fabbri Provoked by the Dauphin's refusal to honour the terms of his father's surrender, Edward III has invaded France with the greatest army England has ever assembled. But the English lion's attempts to claw the French crown from its master are futile. After defeats at Crècy and Poitiers, the Dauphin will no longer meet the English in the field. Mired down in costly sieges and facing a stalemate, Edward's great army is forced to argee a treaty. But peace comes at a price. The French request that Blackstone escort their King's daughter to Italy to see her married to one of the two brothers who rule Milan – the same brothers who killed Blackstone's family to revenge the defeats they suffered at his hand. Blackstone, the French are certain, will never leave Milan alive...

In this lucid book a distinguished scholar and critic measures British fiction from World War I through the convulsive effects of the Depression and World War II, and the importance of the writing that has been done since Finnegan's Wake. Webster presents a moving account of the shattering impact of the Great War upon British writers, particularly Rose Macaulay, Aldous Huxley, Evelyn Waugh, and Ivy Compton-Burnett. The cynicism and despair which afflicted them also bore heavily on the novelists of the thirties and forties—Graham Greene, Joyce Cary, L. P. Hartley, C. P. Snow, who endured the disorder and violence of the Depression and World War II. Though all of these writers spoke with individual voices ranging from pessimism to joyful affirmation, they were all marked ineradicably by the turmoil of the period. The book closes with an overview of the writers who have developed since World War II. Penetrating, fresh, affirmative in its values, the book is an important assessment of this protean group of writers.