Armchair Fiction presents classic mystery-suspense double novels. The first novel is E. Howard Hunt's, "The Violent Ones." It was a red fury that drove Paul Cameron to Paris, into a maelstrom of intrigue and violence. In the center of that whirlpool he found a flaming nightclub singer, a fortune in illegal gold--and quick death on every side. Here is a novel that carries you with breathless speed into an exciting adventure that will leave you breathless by story's end. The author of "The Violent Ones" is Watergate burglar E. Howard Hunt. Before his involvement in national intelligence, Hunt was a writer for many years, right up into the 1950s. But it is his involvement with the CIA and the Nixon Administration that he will always be remembered for. Yet, it is clear that Hunt was a very skilled fiction writer. In reading "The Violent Ones" it is fascinating to examine the fictional machinations of Howard Hunt's mind. Machinations that would eventually carry over into his real life profession as a CIA operative. This double novel's second tale is a terrific murder thriller, "High Heel Homicide" by Frederick C. Davis. The first time Trex encountered the killer it was in the glare of headlights and the blood was dripping from the killer's hand. His boss had gotten the axe...literally. The second time Trex met the killer, he got a bullet through his arm. Then a studio writer was beaten to death with a fire poker... Three people also had identical gunshot wounds. So by the third time Trex and the killer were ready to meet, it was obvious to him that he was being set up for the morgue. But this time Trex would meet the killer face to face with a leveled pistol. Provided, that is, that he could find out exactly who the killer was beforehand.

Presents an analysis of the phenomenon of the aesthetics of sexual and political violence, a central theme in European culture of the early 20th century.

In 2005, after considerable campaigning by women’s groups, the Indian government brought in an important new law, the Protection of Women from Domestic Violence Act (PWDVA). A civil law, the PWDVA was meant to combat violence against women in familial and intimate spaces. In The Violent Domestic, the authors ask: how effective has this law been? Have there been any changes in institutional regimes and their politics as a result of this legislation? They look at seven districts of West Bengal and interrogate, through the testimonies of survivors, whether the law reshapes the domestic, or whether the embeddedness of violence in the domestic is so complete that change through law must necessarily be partial and imperfect. Importantly, the questions the authors ask go beyond the heteronormative approach that centres only the married woman in the discourse around domestic violence. They include the voices of lesbian and transgender women, as well as women with physical and psycho-social disabilities. Given these unique insights, The Violent Domestic will be a welcome addition to legal and gender studies.

From a New York Times–bestselling author and the “Joseph Wambaugh of the judicial system,” comes the first three legal thrillers in the long-running series (San Diego Tribune). A successful trial lawyer and “one hell of a writer,” Robert Tanenbaum crafts his legal thrillers with authenticity and breath-taking suspense. In these first three books of the series, he introduces Manhattan assistant district attorney Roger “Butch” Karp, who struggles to remain true to himself in an often corrupt judicial system. But with the help of assistant DA Marlene Ciampi, he fights the good fight with energy, wit, and a passion for the truth (New York Post). No Lesser Plea: A brutal murderer hopes feigning insanity will keep him out of the courtroom. But Butch and Marlene aren’t about to let him get away with it. “A page-turner.” —San Diego Tribune Depraved Indifference: Butch is ready to prosecute a group of Croatian terrorists in what should be a slam-dunk case, but everyone from the FBI to the CIA—and even the Catholic Church—is prepared to stop him. “A novel full of whirlwind action . . . Very good.” —New York Times Book Review Immoral Certainty: A remorseless monster is stalking the city’s children, forcing Butch and Marlene to descend into the darkest corners of New York’s underworld where a benign face can hide an evil soul. “Intricate plotting . . . A rousing finale . . . Frightening.” —Los Angeles Times Book Review

Albuquerque analyzes the use of violence in Latin American theatre from the 1950s through the 1980s. He argues that in the face of repression and torture, some playwrights counter victimization with art as urgent as street confrontation. A study from both Spanish and Portuguese-speaking countries. Annotation copyrighted by Book News, Inc., Portland, OR

“ … the strength of the volume lies in its ability to mesh its diverse theoretical concerns with rich empirical data from all across India …” — Seminar This timely volume brings together the work of some of India’s leading feminist economists, historians, political scientists, journalists and anthropologists to investigate the contemporary situation of women in India. It focuses on four broad domains: the cultural, the social, the political and the economic. The writers argue that despite apparently positive indicators of progress in education and paid employment, women’s status has not improved.

In Trafficking Hector Amaya examines how the dramatic escalation of drug violence in Mexico in 2008 prompted new forms of participation in public culture in Mexico and the United States. He contends that, by becoming a site of national and transnational debate about the role of the state, this violence altered the modes publicness could take, transforming assumptions about freedom of expression and the rules of public participation. Amaya examines the practices of narcocorrido musicians who take advantage of digital production and distribution technologies to escape Mexican censors and to share music across the US-Mexico border, as well as anonymous bloggers whose coverage of trafficking and violence from a place of relative safety made them public heroes. These new forms of being in the public sphere, Amaya demonstrates, evolved to exceed the bounds of the state and traditional media sources, signaling the inadequacy of democratic theories of freedom and publicness to understand how violence shapes public discourse.

The Violence and Addiction Equation is an empirically based book that bridges the relationship between violence and substance addiction with a focus on the overlap of issues. It is a groundbreaking collection of contributions by prominent clinicians in the field, and the timely chapter's include clinical commentary that identifies and elaborates on points of transfer from theory to clinical practice.

"Thought-provoking and insightful, this book encourages readers to question assumptions, evaluate information, formulate hypotheses, and design solutions to problems of family violence in the United States. Using an ecological framework, the authors engage readers in an informative discussion on the most well recognized forms of maltreatment in families, as well as on less understood and more controversial forms, such as maltreatment of male partners, of parents, and within LGBT relationships. Rich in useful scholarly references and practical case materials, the book also reviews and evaluates major efforts at intervention and prevention."--

"A passionate quest for the historical James refigures Christian origins, … can be enjoyed as a thrilling essay in historical detection." —The Guardian James was a vegetarian, wore only linen clothing, bathed daily at dawn in cold water, and was a life-long Nazirite. In this profound and provocative work of scholarly detection, eminent biblical scholar Robert Eisenman introduces a startling theory about the identity of James—the brother of Jesus, who was almost entirely marginalized in the New Testament.Drawing on long-overlooked early Church texts and the Dead Sea Scrolls, Eisenman reveals in this groundbreaking exploration that James, not Peter, was the real successor to the movement we now call "Christianity." In an argument with enormous implications, Eisenman identifies Paul as deeply compromised by Roman contacts. James is presented as not simply the leader of Christianity of his day, but the popular Jewish leader of his time, whose death triggered the Uprising against Rome—a fact that creative rewriting of early Church documents has obscured. Eisenman reveals that characters such as "Judas Iscariot" and "the Apostle James" did not exist as such. In delineating the deliberate falsifications in New Testament dcouments, Eisenman shows how—as James was written out—anti-Semitism was written in. By rescuing James from the oblivion into which he was cast, the final conclusion of James the Brother of Jesus is, in the words of The Jerusalem Post, "apocalyptic" —who and whatever James was, so was Jesus.