Vander Laan journeys through Sinai and Israel, a region that is still largely desert but at times filled with lush, bountiful places, in order to show how Jesus called people to live in the Promised land.

(Guitar Chord Songbook). 80 songs arranged with their lyrics and chords for easy strum-along fun: Agnus Dei * As the Deer * Firm Foundation * Give Thanks * God of Wonders * He Is Exalted * The Heart of Worship * I Could Sing of Your Love Forever * Jesus, Lover of My Soul * Lamb of God * Lord, I Lift Your Name on High * More Precious Than Silver * Open the Eyes of My Heart * The Potter's Hand * Shine, Jesus, Shine * We Bow Down * and more.

Introduction -- Israelian Hebrew in the Song of Songs -- Alliteration as a compositional factor in the Song of Songs -- Variation in the poetry of the Song of Songs as a literary device -- The genre of the Song of Songs in the light of Arabic poetic traditions -- Conclusion -- The Songs of Songs : translation and notes

A transporting love story of music, stardom, heartbreak, and a gifted young singer-songwriter who must find her own voice: “In the vein of Daisy Jones and the Six and The Final Revival of Opal and Nev, [this] is an intoxicating chronicle of the music industry, inspired largely by the love affair between artists Joni Mitchell and James Taylor” (Elle)." The year is 1969, and the Bayleen Island Folk Fest is abuzz with one name: Jesse Reid. Tall and soft-spoken, with eyes blue as stone-washed denim, Jesse Reid’s intricate guitar riffs and supple baritone are poised to tip from fame to legend with this one headlining performance. That is, until his motorcycle crashes on the way to the show. Jane Quinn is a Bayleen Island local whose music flows as naturally as her long blond hair. When she and her bandmates are asked to play in Jesse Reid’s place at the festival, it almost doesn’t seem real. But Jane plants her bare feet on the Main Stage and delivers the performance of a lifetime, stopping Jesse’s disappointed fans in their tracks: A star is born. Jesse stays on the island to recover from his near-fatal accident and he strikes up a friendship with Jane, coaching her through the production of her first record. As Jane contends with the music industry’s sexism, Jesse becomes her advocate, and what starts as a shared calling soon becomes a passionate love affair. On tour with Jesse, Jane is so captivated by the giant stadiums, the late nights, the wild parties, and the media attention, that she is blind-sided when she stumbles on the dark secret beneath Jesse’s music. With nowhere to turn, Jane must reckon with the shadows of her own past; what follows is the birth of one of most iconic albums of all time. Shot through with the lyrics, the icons, the lore, the adrenaline of the early 70s music scene, Songs in Ursa Major pulses with romantic longing and asks the question so many female artists must face: What are we willing to sacrifice for our dreams?

What book of the Old or New Testament has generated the most commentaries in the history of the Church? Not John?s Gospel, not Paul?s letter to the Romans, not the prophet Isaiah, no, it is the Song of Songs. It is a book that is unknown to many Catholics, and shocking to those who discover it for the first time because of its descriptions of a lover and his beloved God is only mentioned once and that is at the very end. And yet the greatest of the Fathers have commented on it. Origen?s is the classic and St. Jerome says of it: ?Origen, having surpassed all of the interpreters of all the books of Scripture, surpassed himself in this interpretation of the Canticle.? St. Bernard of Clairvaux, St. Francis de Sales, St. John of the Cross, all have added to the great tradition of interpreting this book for they see it as God?s love for Israel and the Church, Christ?s love for Mary, for the Church, and for each of us. The author draws on all these classics of Catholic tradition to give us a verse by verse reading of the Song of Songs which will deepen the spiritual lives of all of us a deepening rooted in God?s word and the most profound Catholic tradition.

Martha's Vineyard has a rich musical legacy. Vineyarders embrace all things musical, from choral and string ensembles to singers and songwriters. This book tells a melodious history from the early twentieth-century up to the present, exploring the homegrown music scene and the summer stars who keep islanders and visitors moving to the beat

The Bible rap contained in this book is supplemental to the Bible study guides I've written for the Boston Christian Bible Study Resources site (http://www.bcbsr.com). In my opinion, the vast majority of teaching materials available and techniques used in the evangelical community today speak mostly to those of a left-brain analytic mindset, of which I am no doubt a member. But all kinds of people are to be invited to the feast. How to invite someone of an artistic, intuitive nature to feast on the Word? This book is an attempt to minister to one's artistic and intuitive nature while attempting to keep to the accuracy and depth of the Word of God and the meaning of the Christian experience. --back

It's 1911 in Piedmont, Italy. Pietro has at last captured the melody of the harvest on his clarinet, but before he can share his music, a deadly disease sweeps through the countryside, forcing his family to burn their vineyard to stop its spread. The loss is too much for Pietro's grandfather, and by morning, Pietro has lost two of the most precious things in life-his grandfather and the vineyard. Adrift with grief, Pietro travels to America and takes a job in a Pennsylvania coal mine where his musician's hands blister and his days are spent in silence until one day, the beautiful voice and gentle heart of his friend's wife stirs a new song within him. As Pietro draws inspiration from Assunta, his gift for music returns. But when tragedy strikes and Pietro is to blame, he is forced to confront the consequences of his admiration for another man's wife, all while fighting for the love he never thought he'd find. Inspired by true events, From Ashes to Song is a story of unconventional love, hope, and the extraordinary gifts brought to America by ordinary people in the great wave of immigration.

John Wimber wasn't interested in religion -- he was interested in a relationship with Jesus and discovering how that impacted the way he lived his life and the people with whom he shared his life. He viewed community as a great opportunity to put into practice the teachings of Jesus and felt following Jesus wasn't a spectator sport. In Everyone Gets to Play, Wimber's writings and teachings on life together in Christ drives home the importance of one of his favorite sayings and shares some of his ideas on what that can look like. From taking risks to prayer to leading others, Wimber s skillfully penned words from his writings and teachings still resonate powerfully today.

In this masterful new study of the ancient poetry of the Song of Songs, Elaine T. James explores the Song's underlying interest in the natural world. Engaging with the fields of geography, landscape architecture, and literature, James critiques the tendency of scholars to reify a perceived dichotomy between "nature" and "culture" and instead argues that the poetic attention to landscape indicates an awareness of a viewer. Nature is here a poetic device that informs James's close-readings of agrarianism, gardens, cities, social control, and feminism and the gaze in the Song. With this two-fold emphasis on landscape and lyric, Landscape of the Song of Songs shows how the Song persistently envisions a world in which human lovers are embedded in the natural world, complexly enfolded in relationships of fragility and care.