Traces the rise and fall The Village Voice, the country's first alternative newsweekly.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

A short novel by the Nobel Prize-winning Russian author Ivan Bunin, written in 1909 and first published in 1910 by the Saint Petersburg magazine Sovremenny Mir (issues Nos. 3, 10-11) under the title Novelet. The Village caused much controversy at the time, though it was highly praised by Maxim Gorky (who from then on regarded the author as the major figure in Russian literature), among others, and is now generally regarded as Bunin's first masterpiece. Composed of brief episodes set in its author's birthplace at the time of the 1905 Revolution, it tells the story of two peasant brothers, one a brute drunk, the other a gentler, more sympathetic character. Bunin's realistic portrayal of the country life jarred with the idealized picture of "unspoiled" peasants which was common for the mainstream Russian literature, and featured the characters deemed 'offensive' by many, which were "so far below the average in terms of intelligence as to be scarcely human".

In her surprising, entertaining, and persuasive new book, award-winning author and psychologist Susan Pinker shows how face-to-face contact is crucial for learning, happiness, resilience, and longevity. From birth to death, human beings are hardwired to connect to other human beings. Face-to-face contact matters: tight bonds of friendship and love heal us, help children learn, extend our lives, and make us happy. Looser in-person bonds matter, too, combining with our close relationships to form a personal “village” around us, one that exerts unique effects. Not just any social networks will do: we need the real, in-the-flesh encounters that tie human families, groups of friends, and communities together. Marrying the findings of the new field of social neuroscience with gripping human stories, Susan Pinker explores the impact of face-to-face contact from cradle to grave, from city to Sardinian mountain village, from classroom to workplace, from love to marriage to divorce. Her results are enlightening and enlivening, and they challenge many of our assumptions. Most of us have left the literal village behind and don’t want to give up our new technologies to go back there. But, as Pinker writes so compellingly, we need close social bonds and uninterrupted face-time with our friends and families in order to thrive—even to survive. Creating our own “village effect” makes us happier. It can also save our lives. Praise for The Village Effect “The benefits of the digital age have been oversold. Or to put it another way: there is plenty of life left in face-to-face, human interaction. That is the message emerging from this entertaining book by Susan Pinker, a Canadian psychologist. Citing a wealth of research and reinforced with her own arguments, Pinker suggests we should make an effort—at work and in our private lives—to promote greater levels of personal intimacy.”—Financial Times “Drawing on scores of psychological and sociological studies, [Pinker] suggests that living as our ancestors did, steeped in face-to-face contact and physical proximity, is the key to health, while loneliness is ‘less an exalted existential state than a public health risk.’ That her point is fairly obvious doesn’t diminish its importance; smart readers will take the book out to a park to enjoy in the company of others.”—The Boston Globe “A hopeful, warm guide to living more intimately in an disconnected era.”—Publishers Weekly “A terrific book . . . Pinker makes a hardheaded case for a softhearted virtue. Read this book. Then talk about it—in person!—with a friend.”—Daniel H. Pink, New York Times bestselling author of Drive and To Sell Is Human “What do Sardinian men, Trader Joe’s employees, and nuns have in common? Real social networks—though not the kind you’ll find on Facebook or Twitter. Susan Pinker’s delightful book shows why face-to-face interaction at home, school, and work makes us healthier, smarter, and more successful.”—Charles Duhigg, New York Times bestselling author of The Power of Habit: Why We Do What We Do in Life and Business “Provocative and engaging . . . Pinker is a great storyteller and a thoughtful scholar. This is an important book, one that will shape how we think about the increasingly virtual world we all live in.”—Paul Bloom, author of Just Babies: The Origins of Good and Evil From the Hardcover edition.

The long-awaited follow-up to the critically acclaimed, Booker longlisted Gifted, a provocative novel about an experimental open prison in India and the havoc a team of journalists wreaks on the delicate moral code of the inmates. After a long journey from England, Ray Bhullar arrives early on a winter morning at the gates of a remote Indian village called Ashwer which will be her home for the next three months. The door of the hut she will share with Serena, her English co-worker, is a loose sheet of metal, the windows simple holes in the walls. Beyond the lockless door, village life goes on as usual. And yet, the village is anything but normal. Despite the domestic chores being carried out, cooking, fetching water and sewing and laundering linens, Ashwer is a village of murderers, an experimental open prison. And when Ray and her crew take up residence, to observe and to make a documentary, it seems that they are innocent visitors into a violent world, on a mission to hold the place up to viewers as the ultimate example of tolerance. But the longer Ray and her colleagues stay and their need for drama intensifies, the line between innocence and guilt begins to blur and an unexpected and terrifying new kind of cruelty emerges. A mesmerizing and heartfelt tale of manipulation and personal morality, Nikita Lalwani's new novel brilliantly exposes how truly frail our moral judgment can be.

One hundred kilometers from Seville, there is a small village, Marinaleda, that for the last thirty years has been at the center of a long struggle to create a communist utopia. In a story reminiscent of the Asterix books, Dan Hancox explores the reality behind the community where no one has a mortgage, sport is played in the Che Guevara stadium and there are monthly "Red Sundays" where everyone works together to clean up the neighbourhood. In particular he tells the story of the village mayor, Sanchez Gordillo, who in 2012 became a household name in Spain after leading raids on local supermarkets to feed the Andalucian unemployed.

What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.

A Globe and Mail Top 100 Book Shortlisted for the 2021 Toronto Book Awards An Indigo Best Book of 2020 Winner of the Brass Knuckles Award for Best Nonfiction Crime Book (Crime Writers of Canada Awards of Excellence) The tragic and resonant story of the disappearance of eight men--the victims of serial killer Bruce McArthur--from Toronto's queer community. In 2013, the Toronto Police Service announced that the disappearances of three men--Skandaraj Navaratnam, Abdulbasir Faizi, and Majeed Kayhan--from Toronto's gay village were, perhaps, linked. When the leads ran dry, the search was shut down, on paper classified as "open but suspended." By 2015, investigative journalist Justin Ling had begun to retrace investigators' steps, convinced there was evidence of a serial killer. Meanwhile, more men would go missing, and police would continue to deny that there was a threat to the community. In early 2019, landscaper Bruce McArthur was sentenced to life in prison for the murders of eight men. There is so much more to the story than that. Based on more than five years of in-depth reporting, Missing from the Village recounts how a serial killer was allowed to stalk the city, how the community responded, and offers a window into the lives of these eight men and the friends and family left behind. Telling a story that goes well beyond Toronto, and back decades, Justin Ling draws on extensive interviews with those who experienced the investigation first-hand, including the detectives who eventually caught McArthur, and reveals how systemic racism, homophobia, transphobia, and the structures of policing fail queer communities.

Now in its fifth hardcover printing, Deadline Artists celebrates the relevance of the newspaper column through the simple power of excellent writing. It is an inspiration for a new generation of writers— whether their medium is print or digital—looking to learn from the best of their predecessors. Contributors include: Jimmy Breslin, Ernie Pyle, Dorothy Thompson, Thomas L. Friedman, David Brooks, Ernest Hemingway, Will Rogers, Langston Hughes, Woody Guthrie, Ambrose Bierce, Mark Twain, H.L. Mencken, Art Buchwald, William F. Buckley, Dave Barry, Anna Quindlen, George Will, and Pete Hamill.