Sherlock Holmes isn’t the only detective in London—Andrew Tillet and Sara Wiggins at your service! Andrew Tillet can hardly believe his luck. Only one year ago he landed in London completely unaware of his real name and identity, or that his mother was the beautiful and accomplished actress Verna Tillet. Now that he and Verna have been reunited and Sara and her family are well provided for, it seems like all their dreams are coming true. But no amount of good fortune can spoil Andrew and Sara’s taste for adventure, and when they run across an unusually observant policeman named Constable Wyatt, they have a feeling they’ll be seeing him again. When they do, it’s sooner than expected. The fabulous Denham diamonds have been stolen from Verna Tillet’s own bedroom, and Andrew, Sara, and Constable Wyatt jump on the case. But how did the thief get into the second-floor window without a ladder? When Andrew and Sara find a fresh corpse on their lawn one night, only for it to disappear before the police arrive, can they convince anyone to follow the clues and recover the jewels before it’s too late?

Throughout the centuries, different cultures have established a variety of procedures for handling and disposing of corpses. Often the methods are directly associated with the deceased's position in life, such as a pharaoh's mummification in Egypt or the cremation of a Buddhist. Treatment by the living of the dead over time and across cultures is the focus of this study. Burial arrangements and preparations are detailed, including embalming, the funeral service, storage and transport of the body, and forms of burial. Autopsies and the investigative process of causes of deliberate death are fully covered. Preservation techniques such as cryonic suspension and mummification are discussed, as well as a look at the "recycling" of the corpse through organ donation, donation to medicine, animal scavengers, cannibalism, and, of course, natural decay and decomposition. Mistreatments of a corpse are also covered.

"The Case of the Vanishing Corpse is set in a world of religious fanatics, petty tyrants, spies and nightmares, which explodes with intrigue and danger when a corpse disappears from a sealed tomb. The Case of the Vanishing Corpse is the ultimate locked room mystery." -back cover.

A darkly comic foray into the world of men and women who fake their own deaths, the consultants who help them disappear, and the private investigators who’ll stop at nothing to bring them back to life. “A delightful read for anyone tantalized by the prospect of disappearing without a trace.” —Erik Larson, New York Times bestselling author of Dead Wake “Delivers all the lo-fi spy shenanigans and caught-red-handed schadenfreude you’re hoping for.” —NPR “A lively romp.” —The Boston Globe “Grim fun.” —The New York Times “Brilliant topic, absorbing book.” —The Seattle Times “The most literally escapist summer read you could hope for.” —The Paris Review Is it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out. So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear—but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks. Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he’s not dead—or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you’ll be caught. (Disappearing while hiking, however, is a way great to go.) Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives—and their families—to start again.

The Clueless Dead is written as a vampire story from the perspective of a newly made Vampire. Michael is an ordinary guy, a rock journalist and professional musician (but not a rockstar). He is transformed into a vampire as a result of a series of unlucky accidents. He then must deal with the consequences of having vampire powers whilst to all around him he is still the same Guy. He has to find a way to hide his new state as well as the temptations involved in possessing the ability to mentally manipulate people. In addition he faces the moral quandary of being a vampire and remaining a decent human being. All this without a vampire mentor.

As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era’s cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the “low” cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt—a cinema for the barricades.

During the afternoon of May 18, 1926, and auburn-haired woman whose name was virtually an American household word went for a swim in the Pacific. She was not seen to come out of the water. Thousands of Californians who had thronged to hear the dynamic Aimee Semple McPherson preach at her floodlit Angelos Temple were stunned at the news of her disappearance. Two people died in the attempt to find her body. Services were held for her at the Temple and a memorial fund was collected. Meanwhile, however, letters had begun to come in, demanding $500,000 ransom for the return of Sister Aimee. And five weeks after the vanished, Aimee turned up in a Mexican border town with a circumstantial story of having been kidnapped and then imprisoned in a desert shack, and of having escaped on foot across miles of sandy wastes. The missing shepherd was welcomed back to life with great rejoicing by the Temple flock. But certain skeptics—among them the Los Angeles district attorney—had doubts about her story. Why was no shack to be found that would fit her description? Why was she neither sunburned nor thirsty when she returned? And who was the mysterious “Miss X,” so remarkably like the evangelist, who had occupied, with a “Mr. McIntyre,” a rented honeymoon cottage at Carmel-by-the-Sea while Aimee was gone? These questions led to a grand-jury investigation with sensational surprised of its own, and eventually brought the evangelist and certain others into court, where the disclosures made were as startling—and as hilarious—as anything that had preceded... “The whole story is one of the funniest episodes from the harebrained 1920s....It has been told in great and amusing detail....”—GILBERT HIGHET “It’s more fun than a barrel of—well, Holy Rollers.”—LESLIE HANSCOM, New York Telegram and Sun “It is a story far too fantastic for fiction; nobody would believe it if it appeared between the covers of a novel...”—FREDERIC BABCOCK, Chicago Tribune

Recent events such as the massacres in Dunblane and Arkansas, the deaths of children in terrorist attacks, civil wars and famines, children born with AIDS, and the many abductions and murders of children - including some by children - have placed childhood death firmly in the public consciousness. But how do we understand what it means for a child to die? This book examines the way the deaths of children have been dealt with at different times and in different media. Each contributor has focused on a different way of representing the deaths of children - from superstitions about malign child ghosts through mothers' diaries to horror fiction - and more.