Illustrated with 6 portraits Even before the official entry of the United States of America into the First World War in April 1917, many of its citizens had already crossed over “The Pond” and already had lent their efforts to the Allied cause. The author Edwin Morse set himself a terribly difficult task to record even a handful of these gallant soldiers, doctors, surgeons and aviators; he selected as a sampling of 34 different stories which he set out to tell in brief. Those he selected contributed to the Allied cause in different and diverse ways - some joined the Foreign Legion, some the British Army, others supported the medical services or drove ambulances; still further more joined the French Army aviators and formed the famous Lafayette Escadrille.

The Vivid Air recreates the story of the famed Lafayette Escadrille, the American volunteer unit which fought with the French during World War I. A unique and elite squadron since its inception, the unit was destined for world renown even before it flew its first mission. Their role as the "vanguard of American volunteers" and the remarkably high caliber of the Lafayette Escadrille pilots easily set them apart and ignited the admiration of the world. The idealized glamour of aviation in the Great War, a direct consequence of the grim, heroless contest on the ground, highlighted combat flying and gave pilots a special place in the public imagination. Yet when the war came to its tragic end, widespread appreciation for crusading idealism lay buried in the ruins, and with it the true story of the Lafayette Escadrille. Philip Flammer's clear, fully documented study is the first complete scholarly account of this singular volunteer fighting unit, based on extensive research in Europe and the United States.

Excerpt from The Vanguard of American Volunteers: In the Fighting Lines and in Humanitarian Service, August, 1914 April, 1917 O historian of the future will be able to ignore the important part which that small but heroic band, the Vanguard of Ameri can Volunteers, played in the great war to make the world safe for democracy. For it was they who were the voluntary leaders along the path which the people and the government of the United States, after more than two years and a half of hesitation, were to follow; and it was they who, by the inspiring example of their self-sacrificing devotion to the cause of the Allies, were largely instrumental in creating and in crystallizing public Opinion among their own countrymen in favor of the entrance of the United States into the war. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In the nineteenth century, Latin America was home to the majority of the world's democratic republics. Many historians have dismissed these political experiments as corrupt pantomimes of governments of Western Europe and the United States. Challenging that perspective, James E. Sanders contends that Latin America in this period was a site of genuine political innovation and popular debate reflecting Latin Americans' visions of modernity. Drawing on archival sources in Mexico, Colombia, and Uruguay, Sanders traces the circulation of political discourse and democratic practice among urban elites, rural peasants, European immigrants, slaves, and freed blacks to show how and why ideas of liberty, democracy, and universalism gained widespread purchase across the region, mobilizing political consciousness and solidarity among diverse constituencies. In doing so, Sanders reframes the locus and meaning of political and cultural modernity.

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