This book explores the writings of Herman Melville across his career and examines the distinctive qualities of his style.

In The Value of Herman Melville, Geoffrey Sanborn presents Melville to us neither as a somber purveyor of dark truths nor as an ironist who has outthought us in advance but as a quasi-maternal provider, a writer who wants more than anything else to supply us with the means of enriching our experiences. In twelve brief chapters, Sanborn examines the distinctive qualities of Melville's style - its dynamism, its improvisatoriness, its intimacy with remembered or imagined events - and shows how those qualities, once they have become a part of our equipment for living, enable us to sink deeper roots into the world. Ranging across his career, but focusing in particular on Moby-Dick, 'Bartleby, the Scrivener', 'Benito Cereno', and Billy Budd, Sanborn shows us a Melville who is animating rather than overawing, who encourages us to bring more of ourselves to the present and to care more about the life that we share with others.

A detailed account of Herman Melville's life during the Civil War, as well as study of his war epic, Battle-Pieces.

A “brilliant and provocative” (The New Yorker) celebration of Melville’s masterpiece—from the bestselling author of In the Heart of the Sea, Valiant Ambition, and In the Hurricane's Eye One of the greatest American novels finds its perfect contemporary champion in Why Read Moby-Dick?, Nathaniel Philbrick’s enlightening and entertaining tour through Melville’s classic. As he did in his National Book Award–winning bestseller In the Heart of the Sea, Philbrick brings a sailor’s eye and an adventurer’s passion to unfolding the story behind an epic American journey. He skillfully navigates Melville’s world and illuminates the book’s humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. An ideal match between author and subject, Why Read Moby-Dick? will start conversations, inspire arguments, and make a powerful case that this classic tale waits to be discovered anew. “Gracefully written [with an] infectious enthusiasm…”—New York Times Book Review

Melville's long poem Clarel: A Poem and Pilgrimage in the Holy Land (1876) was the last full-length book he published. Until the mid-twentieth century even the most partisan of Melville's advocates hesitated to endure a four-part poem of 150 cantos of almost 18,000 lines, about a naïve American named Clarel, on pilgrimage through the Palestinian ruins with a provocative cluster of companions. But modern critics have found Clarel a much better poem than was ever realized. Robert Penn Warren called it a precursor of The Waste Land. It abounds with revelations of Melville's inner life. Most strikingly, it is argued that the character Vine is a portrait of Melville's friend Hawthorne. Based on the only edition published during Melville's lifetime, this scholarly edition adopts thirty-nine corrections from a copy marked by Melville and incorporates 154 emendations by the present editors, an also includes a section of related documents and extensive discussions. This scholarly edition is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).

A new account of Herman Melville and the writing of Moby-Dick, written by a Pulitzer Prize finalist in Biography and based on fresh archival research, which reveals that the anarchic spirit animating Melville’s canonical work was inspired by his great love affair with a shockingly unconventional married woman. Herman Melville’s epic novel, Moby-Dick, was a spectacular failure when it was published in 1851, effectively ending its author’s rise to literary fame. Because he was neglected by academics for so long, and because he made little effort to preserve his legacy, we know very little about Melville, and even less about what he called his “wicked book.” Scholars still puzzle over what drove Melville to invent Captain Ahab's mad pursuit of the great white whale. In Melville in Love Pulitzer Prize-finalist Michael Shelden sheds light on this literary mystery to tell a story of Melville’s passionate, obsessive, and clandestine affair with a married woman named Sarah Morewood, whose libertine impulses encouraged and sustained Melville’s own. In his research, Shelden discovered unexplored documents suggesting that, in their shared resistance to the “iron rule” of social conformity, Sarah and Melville had forged an illicit and enduring romantic and intellectual bond. Emboldened by the thrill of courting Sarah in secret, the pleasure of falling in love, and the excitement of spending time with literary luminaries—like Dr. Oliver Wendell Holmes and Nathaniel Hawthorne—Melville found the courage to take the leap from light works of adventure to the hugely brilliant, utterly subversive Moby-Dick. Filled with the rich detail and immense drama of Melville’s secret life, Melville in Love tells the gripping story of how one of our greatest novelists found his muse.

One Foot in the Finite inspires a radical shift in our view of Melville’s project in Moby-Dick, for its guiding notion is that Melville uses his book to call into question the naturalism that distinguishes the early modern period in Europe. Naturalism is not only the idea that reality is exhausted by nature, or that there exists a domain of physical entities subject to autonomous laws and unaffected by human ingenuity; it also implies a counterpart, a world of pretense and deception, a domain of mental entities ontologically distinct from physical entities and therefore constituting a different realm. To naturalists, whales are part of the background of existing objects against which man assembles his various, subjective, rather arbitrary interpretations. But in Moby-Dick Melville casts upon the world a more ingenious eye, one free of the dualist veil. He confronts a basic misconception: that the contents of consciousness comprise a different order from physical life. He rubs out the dividing line modernity has drawn between the human world of names or concepts and the nonhuman world of plants, creatures, geological features, and natural forces. Melville’s philosophizing, carried by fiction, has dramatic consequence. It overturns our view of language as a system of mental representations that might turn out to represent falsely.

Sailor Ishmael tells the story of the obsessive quest of Ahab, captain of the whaler the Pequod, for revenge on Moby Dick, the white whale that on the previous whaling voyage bit off Ahab's leg at the knee. This is a special collector's edition, limited print run.

In this adaptation of Melville's masterpiece, McCaughrean recounts the tale of the obsessed Captain Ahab, as he pursues the great white whale--a creature as vast and dangerous as the sea itself. 55 illustrations, 25 in color.