This book was inspired by Wagner's "The Valkyries" which is an operatic drama in the Ring Cycle. Many have heard Wagner’s “Ride of the Valkyries” a wonderful piece of classical music so often used in film to underscore dramatic action scenes. However, not many know, who or what the Valkyries were or how they came to be. This volume seeks to translate Wagner’s operatic prose into a novel, and does remarkably well. The works are based loosely on characters from the Norse sagas, the Volsungs and the Nibelungenlied and is quite often referred to as the Ring Cycle. In the Rheingold the stage is set. In Heaven above, around the rainbow-girt of Valhalla, and in the dark, stir the forces beneath the earth. Alberich and the Niebelungs, enter the arena waiting for the sons of men to assert their rightful lordship over the earth. This drama was originally titled "Siegfried and Sieglinde: The Valkyrie Punished" but was later renamed “The Valkyries.” It is the most performed of all books of the Cycle. It starts with a storm, during which Sieglinde gives shelter to a wounded stranger. They find themselves drawn to each other. He is Siegmund, the twin from whom Sieglinde was separated in childhood. Unknown to them, their father is Wotan, the most powerful of the gods. Through Siegmund, Wotan hopes to retrieve a gold ring of ultimate power that he cannot take himself (sound familiar?) Brother and sister fall in love and flee, taking with them Nothung, a sword destined for a hero. As goddess of marriage, Wotan’s wife Fricka angrily demands Wotan must not protect his incestuous children to serve his own ends. Wotan bitterly concedes. However, Wotan’s daughter Brünnhilde, a Valkyrie, takes it on herself to save Siegmund. Wotan stops her, and Siegmund is killed in battle, his sword shattered. Brünnhilde rescues Sieglinde, whom she knows is pregnant with Siegmund’s son, who is destined to become the hero Wotan desires. Brünnhilde pleads with her sister Valkyries to help save Sieglinde. They try to hide Siegmund but flee at Wotan’s wrath. As punishment for defying him, Wotan incarcerates Brünnhilde in a deep sleep on a mountaintop, protected by magic fire provided by Loge, the demigod of fire. There, on the mountain-top Brunnhilde sleeps, waiting for the coming of he, who she is destined for, to be awakened to the joy of human life. And there, till Siegfried leaps the barrier of flame, we leave her. What happens next? Well you’ll have to keep a lookout for the other books in the Ring Cycle published by Abela Publishing. =============== KEYWORDS/TAGS: Valkyries, Ring Cycle, Norse, Viking, Norse Mythology, legends, Norse Saga, House Of Hunding, The Stranger, Story Of The Stranger, Recognition, Strife, Wotan, Fricka, Siegmund, Lot Cast, cast a lot, Fight, Flight, Brunnhilde, Sentence, Sleep Of Brunnhilde, coming, cry, day, death, earth, eyes, face, father, forest, gods, heart, house, light, love, might, night, shield, Sieglinde, sisters, soul, spring, stood, stranger, sword, voice, Walhalla, Valhalla, wife, woman, wrath, Wagner, Opera, soul, spear, anger, incest, maid, rose, Volsung, Wolsung, sorrow, sweet, hero, heroes, vengeance, shelter, storm, bosom, breast, disobey, sword-hilt, Victory, overcome, shameful, chariot, Grane, Alberich, deliverance, tempest, lovers, Nuthung, destiny,

The Ring of the Niblung by Richard Wagner and illustrated by Arthur Rackham. Translation by Margaret Armour.Some critics mention that The Lord of the Rings was directly and heavily derived from Richard Wagner's opera cycle, Der Ring des Nibelungen.This edition includes:- The Rhinegold- The Valkyrie- Siegfried- Twilight of the GodsDer Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from the Norse sagas and the Nibelungenlied.The cycle is a work of extraordinary scale. Perhaps the most outstanding facet of the monumental work is its sheer length: a full performance of the cycle takes place over four nights at the opera, with a total playing time of about 15 hours, depending on the conductor's pacing. The first and shortest work, Das Rheingold, typically lasts two and a half hours, while the final and longest, G�tterd�mmerung, takes up to five hours, excluding intervals. The cycle is modelled after ancient Greek dramas that were presented as three tragedies and one satyr play. The Ring proper begins with Die Walk�re and ends with G�tterd�mmerung, with Rheingold as a prelude. Wagner called Das Rheingold a Vorabend or "Preliminary Evening", and Die Walk�re, Siegfried and G�tterd�mmerung were subtitled First Day, Second Day and Third Day, respectively, of the trilogy proper.The plot revolves around a magic ring that grants the power to rule the world, forged by the Nibelung dwarf Alberich from gold he stole from the Rhine maidens in the river Rhine. The Ring itself as described by Wagner is a Rune-magic taufr ("tine", or "talisman") intended to rule the feminine multiplicative power by a fearful magical act termed as 'denial of love' ("Liebesverzicht"), which is probably an allusion to ritual circumcision.

The Eisner Award-winning series, finally collected in one volume, presents one of the grandest stories of Western civilisation, one of the most explosive epics in the history of comics. Giants plot against gods, who in turn tear human lovers apart, the lives of great warriors are ruined and countless people are slain in the name of love and gold. This re-telling of the Ring Cycle marks a new high point in the career of this true artist's artist, and features a lavish index of production notes, sketches and commmentaries.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Storytelling is an ancient practice known in all civilizations throughout history. Characters, tales, techniques, oral traditions, motifs, and tale types transcend individual cultures - elements and names change, but the stories are remarkably similar with each rendition, highlighting the values and concerns of the host culture. Examining the stories and the oral traditions associated with different cultures offers a unique view of practices and traditions."Storytelling: An Encyclopedia of Mythology and Folklore" brings past and present cultures of the world to life through their stories, oral traditions, and performance styles. It combines folklore and mythology, traditional arts, history, literature, and festivals to present an overview of world cultures through their liveliest and most fascinating mode of expression. This appealing resource includes specific storytelling techniques as well as retellings of stories from various cultures and traditions.

The music of Richard Wagner can be daunting to beginning pianists, but this collection offers an accessible approach to the famous nineteenth-century composer's works. The arrangements focus on Wagner's melodies and style, presenting manageable excerpts from the more abstract works in simplified keys and with suggested fingerings. Thirty-one musical pieces consist chiefly of selections from Wagner's operas. Highlights include the thrilling "Ride of the Valkyries" from Die Valküre, the second of the four Ring Cycle operas. Other pieces from the epic musical series include "Siegfried the Hero" from Siegfried and "Song of the Rhine Daughters" from Götterdämmerung. The collection also features pieces from Parsifal,Tannhäuser, The Flying Dutchman,Rienzi, Lohengrin, and Tristan und Isolde, as well as other works. Each selection features a brief Introduction that provides historical context and, in some cases, suggestions for performance.

It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.

The Walkyrs, or Walkyra, in Northern Mythology, were the maiden-messengers of Odin. They selected those warriors who were destined to fall in battle, and waited on them after their arrival in Walhalla, presenting them the drink of gods, mead, to quaff.

In the world of Asgard, living among Odin, Thor and Loki are the Valkyries of legend. Norse goddesses, reapers of souls from human battlefields - they have the power to cause death with just one touch. Fourteen-year-old Freya is a Valkyrie - but she has not followed in the footsteps of the legends before her. She has been to the World of Man to befriend humans - and not to reap their souls. Now she must return to the World of Man on a new quest to track down the runaway Valkyrie of legend. There she will discover a dark secret that leads her to the Land of the Frost Giants where she must take on new enemies. But this time she has friends to rely on, and lots more to gain. Enter a new Valkyrie legend ... 'Kate O'Hearn serves up a winning mix of modern adventure and classic fantasy.' Rick Riordan, author of Percy Jackson

’An absolutely masterly work’ Stephen Fry Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.