This book discusses “culture” and the origins of the Anglo-American special relationship (the AASR). The bitter dispute between ethnic groups in the US from 1914–17—a period of time characterized as the “culture wars”—laid the groundwork both for US intervention in the European balance of power in 1917 and for the creation of what would eventually become a lasting Anglo-American alliance. Specifically, the vigorous assault on English “civilization” launched by two large ethnic groups in America (the Irish-Americans and the German-Americans) had the unintended effect of causing America’s demographic majority at the time (the English-descended Americans) to regard the prospect of an Anglo-American alliance in an entirely new manner. The author contemplates why the Anglo-American “great rapprochement” of 1898 failed to generate the desired “Anglo-Saxon” alliance in Britain, and in so doing features theoretically informed inquiries into debates surrounding both the origins of the war in 1914 and the origins of the American intervention decision nearly three years later.

This book explores the origin and propagation of myths in international relations. The 16 contributions demonstrate how formative historical events are often transformed into handy cliche s which are subsequently drawn on by politicians and journalists who apply these simplistic patterns to current events. Myths discussed include the Spanish Civil War, Yalta, British difference, and the German Sonderweg. The book focuses on the relationship of these myths to current policy-making. Annotation copyrighted by Book News, Inc., Portland, OR

"From one of its keenest observers, a brilliant, witty journey through the "special relationship" between England and America which has done so much to shape the world, from World War 2 to Brexit, through the lens of the fateful bonds between President and Prime Minister"--

Written in tribute to the work of Professor Alan Dobson, this collection of essays brings diplomacy and the Anglo-American relationship together, considering politics and foreign policy in tandem with cultural interactions. Uniquely placed to define exactly what transatlanticism is, and to explore the ways in which this idea has evolved in the last 150 years, this book asks to what extent can it be argued that there was a transatlantic world, how can it be defined and what was unique about it? With contributions from leading scholars it offers an overview of the field as well as a comparative exploration of Anglo-American relations. From emotion in foreign policy decision making, to the RAF in the Vietnam War, as well as leader personalities and transatlantic reactions to women's rights in China, Transatlanticism and Transnationalism since the First World War explores this 'special relationship' at many levels and from many angles. It further asks how this relationship has evolved over the years, and considers how it might survive in a globalized, post-industrial world.

In the wake of a bitter presidential campaign and in the face of numerous divisive policy questions, many Americans wonder if their country has split in two. Is America divided so clearly? Two of America's leading authorities on political culture lead a provocative and thoughtful investigation of this question and its ramifications.

Too often, scholarship on Anglo-American political relations has focused on mutual social and economic interests between Britain and the United States as the basis for cooperation. Breaking new ground, Anglo-American Relations and the Transmission of Ideas instead explores how ideas, on either side of the Atlantic have mutually influenced each other. In those transnational interactions, there forms a shared tradition of political ideas, facilitating “a common cast of mind” that has served as the basis for transatlantic relations and socio-political values for decades.

"Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the court-room drama based on the trial of Hungary's Cardinal Mindszenty, The Prisoner; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's classic novel Animal Farm. The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'."--BOOK JACKET.

This book examines how intangible aspects of international relations – including identity, memory, representation, and symbolic perception – have helped to shape the development and contribute to the endurance of the Anglo-American special relationship. Challenging traditional interpretations of US-UK relations and breaking new ground with fresh analyses of cultural symbols, discourses, and ideologies, this volume fills important gaps in our collective understanding of the special relationship’s operation and exposes new analytical spaces in which we can re-evaluate its strengths and weaknesses. Designed to breathe new life into old debates about the relationship’s purported specialness, this book offers a multidisciplinary exploration of literary representations, screen representations, political representations, representations in memory, and the influence of cultural connections and constructs which have historically animated Anglo-American interaction.

"Irene Taviss Thomson gives us a nuanced portrait of American social politics that helps explain both why we are drawn to the idea of a 'culture war' and why that misrepresents what is actually going on." ---Rhys H. Williams, Professor and Chair, Department of Sociology, Loyola University Chicago "An important work showing---beneath surface conflict---a deep consensus on a number of ideals by social elites." ---John H. Evans, Department of Sociology, University of California, San Diego The idea of a culture war, or wars, has existed in America since the 1960s---an underlying ideological schism in our country that is responsible for the polarizing debates on everything from the separation of church and state, to abortion, to gay marriage, to affirmative action. Irene Taviss Thomson explores this notion by analyzing hundreds of articles addressing hot-button issues over two decades from four magazines: National Review, Time, The New Republic, and The Nation, as well as a wide array of other writings and statements from a substantial number of public intellectuals. What Thomson finds might surprise you: based on her research, there is no single cultural divide or cultural source that can account for the positions that have been adopted. While issues such as religion, homosexuality, sexual conduct, and abortion have figured prominently in public discussion, in fact there is no single thread that unifies responses to each of these cultural dilemmas for any of the writers. Irene Taviss Thomson is Professor Emeritus of Sociology, having taught in the Department of Social Sciences and History at Fairleigh Dickinson University for more than 30 years. Previously, she taught in the Department of Sociology at Harvard University.

"Bringing the tale right up to the current era of globalization, when British architects are gaining much work in the USA, this book makes for a lively and well-written account. Structured as a series of 7 thematic chapters, it blends the detailed study of key buildings with a wider analysis of socio-economic and cultural trends. Never before has such a synoptic view been taken of this subject."--BOOK JACKET.