This book reconstructs Constantinople's collection of antiquities from its foundation to its fall.

Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.

The last half century has seen an explosion in the study of late antiquity, which has characterised the period between the third and seventh centuries not as one of catastrophic collapse and ‘decline and fall’, but rather as one of dynamic and positive transformation. Yet research on cities in this period has provoked challenges to this positive picture of late antiquity. This study surveys the nature of this debate, examining problems associated with the sources historians use to examine late antique urbanism, and the discourses and methodological approaches they have constructed from them. It aims to set out the difficulties and opportunities presented by the study of cities in late antiquity in terms of transformations of politics, the economy, and religion, and to show that this period witnessed very real upheaval and dislocation alongside continuity and innovation in cities around the Mediterranean.

The collected essays explore late antique and Byzantine Constantinople in matters sacred, political, cultural, and commercial.

Since antiquity, Roman architecture and planning have inspired architects and designers. In this volume, Fikret Yegül and Diane Favro offer a comprehensive history and analysis of the Roman built environment, emphasizing design and planning aspects of buildings and streetscapes. They explore the dynamic evolution and dissemination of architectural ideas, showing how local influences and technologies were incorporated across the vast Roman territory. They also consider how Roman construction and engineering expertise, as well as logistical proficiency, contributed to the making of bold and exceptional spaces and forms. Based on decades of first-hand examinations of ancient sites throughout the Roman world, from Britain to Syria, the authors give close accounts of many sites no longer extant or accessible. Written in a lively and accessible manner, Roman Architecture and Urbanism affirms the enduring attractions of Roman buildings and environments and their relevance to a global view of architecture. It will appeal to readers interested in the classical world and the history of architecture and urban design, as well as a wide range of academic fields. With 835 illustrations, including numerous new plans and drawings, as well as digital renderings.

Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.

This book investigates the nature of 'public space' in Mediterranean cities, A.D. 284-650, meaning places where it was impossible to avoid meeting people from all parts of society, whether different religious confessions or social groups. 0The first volume considers the architectural form and everyday functions of streets, fora / agorai, market buildings, and shops, including a study of processions and everyday street life. 0The second volume analyses archaeological evidence for the construction, repair, use, and abandonment of these urban spaces, based on standardised principles of phasing and dating. The conclusions provide insights into the urban environment of Constantinople, an assessment of urban institutions and citizenship, and a consideration of the impact of Christianity on civic life at this time.

Late Antiquity has attracted a significant amount of attention in recent years. As a historical period it has thus far been defined by the transformation of Roman institutions, the emergence of distinct religious cultures (Jewish, Christian, Islamic), and the transmission of ancient knowledge to medieval and early modern Europe. Despite all this, the study of late antique literary culture is still in its infancy, especially for the Greek and other eastern texts examined in this volume. The contributions here presented make new inroads into a rich literature notable above all for its flexibility and unparalleled creativity in combining multiple languages and literary traditions. The authors and texts discussed include Philostratus, Eusebius of Caesarea, Nonnos of Panopolis, the important St Polyeuktos epigram, and numerous others. The volume makes use of a variety of interdisciplinary approaches in an attempt to provoke discussion on change (Dynamism), literary education (Didacticism), and reception studies (Classicism). The result is a study which highlights the erudition and literary sophistication characteristic of the period and brings questions of contextualization, linguistic association, and artistic imagination to bear on little-known or undervalued texts, without neglecting important evidence from material culture and social practices. With contributions by both established scholars and young innovators in the field of late antique studies, there is no work of comparable authority or scope currently available. This volume will stimulate further interest in a range of untapped texts from Late Antiquity.

Places and spaces are key factors in how individuals and groups construct their identities. Identity theories have emphasised that the construction of an identity does not follow abstract and universal processes but is also deeply rooted in specific historical, cultural, social and material environments. The essays in this volume explore how various groups in Late Antiquity rooted their identity in special places that were imbued with meanings derived from history and tradition. In Part I, essays explore the tension between the Classical heritage in public, especially urban spaces, in the form of ancient artwork and civic celebrations and the Church's appropriation of that space through doctrinal disputes and rival public performances. Parts II and III investigate how particular locations expressed, and formed, the theological and social identities of Christian and Jewish groups by bringing together fresh insights from the archaeological and textual evidence. Together the essays here demonstrate how the use and interpretation of shared spaces contributed to the self-identity of specific groups in Late Antiquity and in so doing issued challenges, and caused conflict, with other social and religious groups.

When Emperor Constantine triggered the rise of a Christian state, he opened a new chapter in the history of Constantinople and Jerusalem. In the centuries that followed, the two cities were formed and transformed into powerful symbols of Empire and Church. For the first time, this book investigates the increasingly dense and complex net of reciprocal dependencies between the imperial center and the navel of the Christian world. Imperial influence, initiatives by the Church, and projects of individuals turned Constantinople and Jerusalem into important realms of identification and spaces of representation. Distinguished international scholars investigate this fascinating development, focusing on aspects of art, ceremony, religion, ideology, and imperial rule. In enriching our understanding of the entangled history of Constantinople and Jerusalem in Late Antiquity, City of Caesar, City of God illuminates the transition between Antiquity, Byzantium, and the Middle Ages.