In 2016, award-winning Minnesota-based photographer R. J. Kern made portraits of youth contestants at Minnesota county fairs. Each participant—some as young as four years old—had spent a year raising an animal, which they had then entered into a 4-H livestock competition. None of the youths who sat for him had succeeded in winning an award, despite the obvious care they had given to their animals. The Unchosen Ones depicts the bloom of youth and the mettle of the kids who grow up on farms, reminding us how resilient children can be when confronted with life's inevitable disappointments. The formal qualities of the lighting and setting endow these young people with a gravitas beyond their years, revealing self-directed dedication in some, and in others, perhaps, the pressures of traditions imposed upon them. Kern's beautiful portraits capture a particular America, a rural world, and a time in life when the layered emotions of youth are laid bare. Four years later, in 2020, Kern returned to photograph his young subjects. The most recent photographs show how the children have grown into adolescence or young adulthood: some of them have continued to pursue animal husbandry, while others have developed other interests. It is likely that some of these kids will not choose to continue running their family farms—an unpredictable and demanding way to make a living. These diptychs are punctuated by lush landscapes of the farms that are their homes. As Kern made the second group of photographs, he asked his young subjects what they had carried forward from their previous experience. What were their thoughts, their dreams, and their goals for the future? How would they fit into the future of agricultural America?

The Unchosen Ones takes place on the sidelines of county fair animal contests in Minnesota in 2016. One isn't born a winner or loser, but a chooser. This theme is explored in this photographic series.The project consists of over 60 portraits made at 10 Minnesota county fairs in 2016. The photographs showcase the subject facing the camera, allowing the viewer to decide what connects and distinguishes these subjects.

This “fascinating, original, well-researched, and persuasively argued work” examines the phenomenon of co-ethnic migration in Israel and Germany (Sebastian Conrad, author of What Is Global History?). Co-ethnic migration happens when migrants seek admission to a country based on their purported ethnicity or nationality being the same as the country of destination. In The Unchosen Ones, social historian Jannis Panagiotidis looks at legislation and implementation regarding co-ethnic migration in Germany and Israel. This study focuses on individual cases ranging from after the Second World War to after the fall of the Berlin Wall where migrants were not allowed to enter the country they sought to make their home. These rejections confound notions of an “open door” or a “return to the homeland” and present contrasting ideas of descent, culture, blood, and race. Questions of historical origins, immigrant selection and screening, and national belonging are deeply ambiguous, complicating migration even in nations that are purported to be ethnically homogenous. Through highly original and illuminating analysis, Panagiotidis shows that migration is never a simple matter of moving from place to place.

A revisionist account of interwar EuropeÕs largest Jewish community that upends histories of Jewish agency to rediscover reckonings with nationalismÕs pathologies, diasporaÕs fragility, ZionismÕs promises, and the necessity of choice. What did the future hold for interwar EuropeÕs largest Jewish community, the font of global Jewish hopes? When intrepid analysts asked these questions on the cusp of the 1930s, they discovered a Polish Jewry reckoning with Òno tomorrow.Ó Assailed by antisemitism and witnessing liberalismÕs collapse, some Polish Jews looked past progressive hopes or religious certainties to investigate what the nation-state was becoming, what powers minority communities really possessed, and where a future might be foundÑand for whom. The story of modern Jewry is often told as one of creativity and contestation. Kenneth B. Moss traces instead a late Jewish reckoning with diasporic vulnerability, nationalismÕs terrible potencies, ZionismÕs promises, and the necessity of choice. Moss examines the works of Polish JewryÕs most searching thinkers as they confronted political irrationality, state crisis, and the limits of resistance. He reconstructs the desperate creativity of activists seeking to counter despair where they could not redress its causes. And he recovers a lost grassroots history of critical thought and political searching among ordinary Jews, young and powerless, as they struggled to find a viable future for themselvesÑin Palestine if not in Poland, individually if not communally. Focusing not on ideals but on a search for realism, Moss recasts the history of modern Jewish political thought. Where much scholarship seeks Jewish agency over a collective future, An Unchosen People recovers a darker tradition characterized by painful tradeoffs amid a harrowing political reality, making Polish Jewry a paradigmatic example of the minority experience endemic to the nation-state.

Katharyn Blair crafts a fiercely feminist fantasy with a horrifying curse, swoon-worthy sea captains, and the power of one girl to choose her own fate in this contemporary standalone adventure that's perfect for fans of The Fifth Wave and Seafire, and for anyone who has ever felt unchosen. For Charlotte Holloway, the world ended twice. The first was when her childhood crush, Dean, fell in love—with her older sister. The second was when the Crimson, a curse spread through eye contact, turned the majority of humanity into flesh-eating monsters. Neither end of the world changed Charlotte. She’s still in the shadows of her siblings. Her popular older sister, Harlow, now commands forces of survivors. And her talented younger sister, Vanessa, is the Chosen One—who, legend has it, can end the curse. When their settlement is raided by those seeking the Chosen One, Charlotte makes a reckless decision to save Vanessa: she takes her place as prisoner. The word spreads across the seven seas—the Chosen One has been found. But when Dean’s life is threatened and a resistance looms on the horizon, the lie keeping Charlotte alive begins to unravel. She’ll have to break free, forge new bonds, and choose her own destiny if she has any hope of saving her sisters, her love, and maybe even the world. Because sometimes the end is just a new beginning.

Racial and gender inequities persist among college students, despite ongoing efforts to combat them. Students of color face alienation, stereotyping, low expectations, and lingering racism even as they actively engage in the academic and social worlds of college life. The Unchosen Me examines the experiences of African American collegiate women and the identity-related pressures they encounter both on and off campus. Rachelle Winkle-Wagner finds that the predominantly white college environment often denies African American students the chance to determine their own sense of self. Even the very programs and policies developed to promote racial equality may effectively impose “unchosen” identities on underrepresented students. She offers clear evidence of this interactive process, showing how race, gender, and identity are created through interactions among one’s self, others, and society. At the heart of this book are the voices of women who struggle to define and maintain their identities during college. In a unique series of focus groups called “sister circles,” these women could speak freely and openly about the pressures and tensions they faced in school. The Unchosen Me is a rich examination of the underrepresented student experience, offering a new approach to studying identity, race, and gender in higher education.

An exploration of Hasidic Jews struggling to live within their restrictive communities—and, in some cases, to carve out a new life beyond them When Hella Winston began talking with Hasidic Jews in Brooklyn for her doctoral dissertation in sociology, she was surprised to be covertly introduced to Hasidim unhappy with their highly restrictive way of life and sometimes desperately struggling to escape it. Unchosen tells the stories of these “rebel” Hasidim, serious questioners who long for greater personal and intellectual freedom than their communities allow. She meets is Malky Schwartz, who grew up in a Lubavith sect in Brooklyn, and started Footsteps, Inc., an organization that helps ultra-Orthodox Jews who are considering or have already left their community. There is Yossi, a young man who, though deeply attached to the Hasidic culture in which he was raised, longed for a life with fewer restrictions and more tolerance. Yossi's efforts at making such a life, however, were being severely hampered by his fourth grade English and math skills, his profound ignorance of the ways of the outside world, and the looming threat that pursuing his desires would almost certainly lead to rejection by his family and friends. Then she met Dini, a young wife and mother whose decision to deviate even slightly from Hasidic standards of modesty led to threatening phone calls from anonymous men, warning her that she needed to watch the way she was dressing if she wanted to remain a part of the community. Someone else introduced Winston to Steinmetz, a closet bibliophile worked in a small Judaica store in his community and spent his days off anxiously evading discovery in the library of the Conservative Jewish Theological Seminary, whose shelves contain non-Hasidic books he is forbidden to read but nonetheless devours, often several at a sitting. There were others still who had actually made the wrenching decision to leave their communities altogether. In her new Preface, Winston discusses the passionate reactions the book has elicited among Hasidim and non-Hasidim alike. Named one of Publishers Weekly's Ten Best Religion Books of 2005. Honorable Mention in the 2012 Casey Medals for Meritorious Journalism

Everyone believes he's the Chosen One. They've made a horrible mistake. Cynical farmhand Nathelion Nightshadow could use a change of scenery. So when a madman claiming to be a wizard mistakenly identifies him as a hero foretold in prophecy, he eagerly plays along for a free and adventurous journey. But he would have stayed home if he'd known the flattering title came with such deadly baggage. Joined by a ragtag band of followers with more lofty ideals than common sense, Nathelion marches toward a noble destiny he borrowed for personal gain. But as they draw ever closer to the Chosen One's fate, the skeptical imposter begins believing in something bigger than himself. Especially when that bigger thing is an ancient evil that wants to sever his limbs. Will Nathelion's little white lie get his party killed and destroy the world? The Unchosen is the witty first novel in the Queen Beyond epic fantasy series. If you enjoy unlikely heroes, sweeping storylines, and madcap comedy, you'll love Simon Markusson's satirical tale. Buy The Unchosen to watch a peasant outsmart fortune today!

Winner of the 2011 RBY Scott Award from the Canadian Society of Biblical Studies/Société canadienne des études bibliques The God of the Bible favors a national people, Israel, and this is at the cost of the other nations. In fact, not being Israel usually means humiliation or destruction or simply being ignored by God. Reading the text “with the grain” or placing oneself within the chosen’s perspective may seem very well until one considers the unchosen. There is much regarding the unchosen that has not been explored in scholarly research, but in this important work, Lohr attempts to make sense of the question of election and nonelection in the OT as a Christian interpreter and with a concern for the history of interpretation and Jewish-Christian dialogue. He also corrects a Christian tendency to read election and nonelection as love and damnation, respectively, a perception that is altogether foreign to the OT itself. The unchosen are important to the overall world view of Scripture and, although election entails exclusion, and God’s love for the one people Israel is a love in contrast to others, it does not follow that the unchosen fall outside of the economy of God’s purposes, his workings, or his ways. The unchosen often face important tests of their own and have a responsibility to God and the chosen, however much this idea defies modern-day notions of fairness. It is a central idea of Scripture that already appears in the original call of and promises made to Abram and something that, if ignored, places our larger understanding of God at risk. Equally important, if contemporary faith communities (both Jewish and Christian) form their understanding of “the other” on a faulty reading of Scripture regarding the unchosen, chaos and hatred can ensue. The political and religious climate of our contemporary world has never presented a more important time to get this matter right. Scholars and students alike are finding Chosen and Unchosen to be an indispensable resource as they mull over these difficult questions.

R.J. Kerns animal portraits offer perspective on the meaning of pastoral in contemporary time.