Printmaker/anthropologist Laura B. DeLind and poet Anita Skeen never set out to produce a book at all when they began exchanging prints and poems, but as they began to appreciate at a deeper level the skill involved in each other's work, they began to find meaning in small things--a pattern, a memory, a carefully chosen word. The twenty-two fantastic and formerly undiscovered avian delights in this book illuminate the human world of love and loss, grief and joy, politics and play.

The Resurrection of the Animals explores the trinity of the natural world, the humans adrift in it, and the animals that accompany them. Although each of the five sections centers on a particular theme, motifs of change, loss, cycles, and transformation thread through the collection, weaving the parts into a unified whole. Individual sections focus on: the seasons of the year, and by extension, people’s lives; the power of memory and its limitations; the theory that what is magical often resides within; and, the mysteries of love. The Resurrection of the Animals culminates in the title section, revealing the lessons of kinship with animals and how epiphanies occur in the simplest actions—taking a walk with dogs or catching sight of a bird on the wing. These poems suggest that memory, association, and interaction with the tangible world can revive a part of the self that has slipped below the depths of consciousness.

Audubon Wildlife Report 1987 covers important events that highlighted wildlife conservation in 1986. This book is an attempt by the National Audubon Society to gather together much of the diverse data about federal wildlife-policy administration, providing a vast array of data on federal wildlife management and comparative tables on the budgeting process. This text also examines many federal wildlife programs, from the migratory bird protection program, which in a sense gave birth to the federal role in wildlife conservation, to the endangered species program, called as the most important wildlife conservation effort in the world. This publication is valuable to conservationists and individuals interested in federal and state wildlife management.

Even the Least of These is a collaboration between two talented friends—award-winning poet Anita Skeen and renown printmaker Laura B. DeLind. Seeking to navigate the isolation and uncertainty of the covid-19 pandemic, they challenged each other’s ability to see the small things often neglected and unnoticed. The result is a thoughtful and often joyful collection of poetry and prints that celebrate an awareness of the world around us and reflect on past experiences, lessons learned (or not). This collaboration includes a collection of prints that evoke the feeling of the poems, ranging from humorous to heart-rendering.

Creative Writing in the Community is the firstbook to focus on the practical side of creative writing. Connecting classroomexperiences to community-based projects, it prepares creative writing studentsfor teaching in schools, homeless centres, youth clubs and care homes. Each chapteris packed with easy-to-use resources including: specific lesson plans; case studies of students working with community groups; lists of suitable writing examples; "how to..." sections; examples and theoretical applications of creative writing pedagogy and techniques; reflection questions; writings by workshop participants. Enhanced by contributions from directors,students and teachers at successful public programs, Creative Writing in the Community is more than an essential guidefor students on creative writing courses and leaders of community-basedlearning programs; it is practical demonstration of the value of art insociety.

In this kaleidoscopic, episodic joy ride, Jory Post treats us to thirty interviews that may or may not be real, with an array of “ordinary” people who turn out to be anything but, all of them in conversation with an interviewer who is herself a mystery. As one encounter follows another, we realize that “Smith” is a convenient alias for a range of voices, including: a traveling nurse from Saipan, a Vietnam-war vet who lives in his truck, a woman who can only tell her own story through fairy tales, a young man more comfortable talking to animals than people, an army brat, a poker prodigy, a pool shark. Some of these Smiths offer themselves openly to the interviewer, while others reveal as much in their resistance as they do in their narratives. Through it all, the stories, distinct and musical as jazz solos, give voice to what we want, what thrills us, what we’ve been most hurt or touched by, and what we will never forget — secrets any one of us might spill if only someone would listen. Jory Post has.

This work offers buyers, sellers, and collectors an easy-to-use, one-volume source of information for these bird and quadruped prints of John James Audubon. It contains obscure references, where the author, Bill Steiner, has surveyed the contemporary market-place. Addressing one of the more complex aspects of print collection, the text clarifies the task of distinguishing the octavio prints of the successive editions of Audubon's Birds of America (1840-1871) and Quadrupeds of North America (1849-1870). It describes the publication histories of each edition since the first, offers information about printers, engravers, and subscribers, and provides practical information on price histories, accessibility, and preservation.