Leonard Bernstein's Norton Lectures on the future course of music drew cheers from his Harvard audiences and television viewers. In the re-creation of his talks, the author considers music ranging from Hindu ragas through Mozart and Ravel to Copland, Shoenberg, and Stravinsky.

It's 340 years in the future. Humanity's darkest secret is reawakening, and the only thing that can stop it is to find the Members of the legendary Council. The problem? They're all teenagers.With no memories of how she got there, Nikki stumbles into the small rural region of North Cordell, with nothing by her name and only a glowing green Stone. She intends to listen to the Stone's instructions to stay safe and out of sight, but a light blinking in the mountain calls to her. Winding up trapped in the woods during a storm with five other teens, they're attacked by people in capes and supernatural abilities. Saved by the mysterious Defending Sergeant, and accused of a ridiculous crime, they have on chance to prove their innocence. With everyone against them, the six reluctant friends must put their differences aside and embrace the truth of their destiny against the very nature of which they know.

(Amadeus). With style, wit, and expertise, Leonard Bernstein shares his love and appreciation for music in all its varied forms in The Infinite Variety of Music , illuminating the deep pleasure and sometimes subtle beauty it offers. He begins with an "imaginary conversation" with George Washington entitled "The Muzak Muse," in which he argues the values of actively listening to music by learning how to read notes, as opposed to simply hearing music in a concert hall. The book also features the reproduction of five television scripts from Bernstein on the influence of jazz, the timeless appeal of Mozart, musical romanticism, and the complexities of rhythmic innovation. Also included are Bernstein's analyses of symphonies by Dvorak, Tchaikovsky, Beethoven, and Brahms, a rare reproduction of a 1957 lecture on the nature of composing, and a report on the musical scene written for the New York Times after his sabbatical leave from directorship of the New York Philharmonic during the 1964-65 season.

"Unanswered Questions" chronicles the families' of 9/11 victims search for answers to learn why their nations' defenses completely collapsed. It details government stonewalling their efforts, Bush's reluctant establishment of the 9/11 Commission; and a Report that left over 70% of the families' questions unanswered. The book uncovers a series of efforts by families for a new inquiry up to 2021.--Publisher.

"Heidegger's Being and Time" is one of the most influential and important books in the history of philosophy, but it was left unfinished. The parts we have of it, Divisions I and II of Part One, were meant to be merely preparatory for the unwritten Division III, which was to have formed the point of the entire book when it turned to the topic of being itself. In this book, leading Heidegger scholars and philosophers influenced by Heidegger take up the unanswered questions in Heidegger's masterpiece, speculating on what Division III would have said, and why Heidegger never published it. The contributors' task--to produce a secondary literature on a nonexistent primary work--seems one out of fiction by Borges or Umberto Eco. Why did Heidegger never complete Being and Time? Did he become dissatisfied with it? Did he judge it too subjectivistic, not historical enough, too individualistic, too existential? Was abandoning it part of Heidegger's "Kehre", his supposed turning from his early work to his later work? Might Division III have offered a bridge between the two phases, if a division exists between them? And what does being mean, after all? The contributors, in search of lost Being and Time, consider these and other topics, shedding new light on Heidegger's thought.

Discover the universe's last unknowns—here are the unanswered questions that obsess "the world's finest minds" (The Guardian) Featuring a foreword by DANIEL KAHNEMAN, Nobel Prize-winning author of Thinking, Fast and Slow This is a little book of profound questions (only questions!)—unknowns that address the secrets of our world, our civilization, the meaning of life. Here are the deepest riddles that have fascinated, obsessed, and haunted the greatest thinkers of our time, including Nobel laureates, cosmologists, philosophers, economists, prize-winning novelists, religious scholars, and more than 250 leading scientists, artists, and theorists. In The Last Unknowns, John Brockman, publisher of Edge.org, asks "a mind-blowing gathering of innovative thinkers" (Booklist): "What is ‘The Last Question,’ your last question, the question for which you will be remembered?" Featuring the Pulitzer Prize–winning author of Guns, Germs, and Steel JARED DIAMOND • Nobel Prize-winning University of Chicago economist RICHARD THALER • Harvard psychologist STEVEN PINKER • religion scholar ELAINE PAGELS • author of Seven Brief Lessons on Physics CARLO ROVELLI • Booker Prize–winning novelist IAN McEWAN • neuroscientist SAM HARRIS • philosopher DANIEL C. DENNETT • MIT theorist SHERRY TURKLE • decoder of the human genome J. CRAIG VENTER • The Coddling of the American Mind author JONATHAN HAIDT • Nobel Prize-winning physicist FRANK WILCZEK • UC Berkeley psychologist ALISON GOPNICK • philosopher REBECCA NEWBERGER GOLDSTEIN • New York Times columnist CARL ZIMMER • MIT cosmologist MAX TEGMARK • Whole Earth founder STEWART BRAND • "Marginal Revolution" economist TYLER COWEN • Anatomy of Love author HELEN FISHER • Noble Prize-winning NASA physicist JOHN C. MATHER • psychologist JUDITH RICH HARRIS • Princeton physicist FREEMAN DYSON • musician BRIAN ENO • environmental scientist JENNIFER JACQUET • Duke economist DAN ARIELY • Oxford philosopher A. C. GRAYLING • Harvard cosmologist LISA RANDALL • anthropologist MARY CATHERINE BATESON • Emotional Intelligence author DANIEL GOLEMAN • Harvard genticist GEORGE CHURCH • Blueprint author NICHOLAS A. CHRISTAKIS • Stanford political scientist MARGARET LEVI • economist ALAN S. BLINDER • publisher TIM O'REILLY • theoretical cosmologist JANNA LEVIN • Serpentine Gallery owner HANS ULRICH OBRIST • Wired founding editor KEVIN KELLY • Cambridge astrophysicist MARTIN REES, and more than 200 others.

A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”

We live in a radically skeptical age. Tough questions are being asked about Christianity. And most believers are ill-equipped to provide the answers our culture and communities desperately need. Many in today’s church do not know the Bible as well as they should and they struggle with their own “big questions” about the faith. After receiving more than four thousand questions at his Christian Thinkers Society events over the span of six years, Dr. Jeremiah Johnston began to recognize six categories of recurring, trending questions that dominated the rest. In Unanswered, he tackles these tough issues that plague the minds of believers but are rarely addressed in church, such as… Why is it that God often seems to remain silent? How can we trust in the bodily resurrection of Jesus, and what does it mean for us today? What do Christians need to understand about suicide and mental illness? How should Christians respond to spiritual darkness and the obsession with paranormal activity? Why is biblical illiteracy so dangerous for Christians and the church? Why do we experience suffering and pain? Unanswered will leave you enriched, characterized by a thinking faith, capable to communicate confidently, and committed to escape the tendency to offer trite answers to a skeptical world.