In 1843, the Louisiana Supreme Court heard the case of a slave named Sally Miller, who claimed to have been born a free white person in Germany. This text explores this legal case and its reflection on broader questions about race, society, and law in the antebellum South.

A fascinating exploration of slavery and its laws and an unforgettable portrait of a young woman in pursuit of freedom. “Reads like a legal thriller” (The Washington Post). It is a spring morning in New Orleans, 1843. In the Spanish Quarter, on a street lined with flophouses and gambling dens, Madame Carl recognizes a face from her past. It is the face of a German girl, Sally Miller, who disappeared twenty-five years earlier. But the young woman is property, the slave of a nearby cabaret owner. She has no memory of a “white” past. Yet her resemblance to her mother is striking, and she bears two telltale birthmarks. In brilliant novelistic detail, award-winning historian John Bailey reconstructs the exotic sights, sounds, and smells of mid-nineteenth-century New Orleans, as well as the incredible twists and turns of Sally Miller’s celebrated and sensational case. Did Miller, as her relatives sought to prove, arrive from Germany under perilous circumstances as an indentured servant or was she, as her master claimed, part African, and a slave for life? The Lost German Slave Girl is a tour de force of investigative history that reads like a suspense novel. “Bailey keeps us guessing until the end in this page-turning true courtroom drama of 19th-century New Orleans . . . [He] brings to life the fierce legal proceedings with vivid strokes.” —Publishers Weekly, starred review

The author's personal story of life and death and grief and the lessons that the survivors learned. This inspiring work chronicles Sally Miller's thirty-year journey of grief and recovery.

Historical narrative based in 19th century America, about the battle to free an enslaved German girl. In 1843 New Orleans, Madame Carl recognises the daughter of her closest friend who she last saw 25 years ago. The young woman is the slave of a Frenchman owner of a nearby caberet. Narrative examines slavery laws during the 19th century, describes the court room drama surrounding the case, and offers a portrait of a young woman in pursuit of freedom. Includes endnotes. Author is winner of the NSW Premier's Award for History, and the WA Premier's Literary Award for Non-fiction. He has previously written 'The White Divers of Broome'.

New Orleans has always captured our imagination as an exotic city in its racial ambiguity and pursuit of les bons temps. Despite its image as a place apart, the city played a key role in nineteenth-century America as a site for immigration and pluralism, the quest for equality, and the centrality of self-making. In both the literary imagination and the law, creoles of color navigated life on a shifting color line. As they passed among various racial categories and through different social spaces, they filtered for a national audience the meaning of the French Revolution, the Haitian Revolution of 1804, the Civil War and Reconstruction, and de jure segregation. Shirley Thompson offers a moving study of a world defined by racial and cultural double consciousness. In tracing the experiences of creoles of color, she illuminates the role ordinary Americans played in shaping an understanding of identity and belonging.

Nineteenth-century America witnessed some of the most important and fruitful areas of intersection between the law and humanities, as people began to realize that the law, formerly confined to courts and lawyers, might also find expression in a variety of ostensibly non-legal areas such as painting, poetry, fiction, and sculpture. Bringing together leading researchers from law schools and humanities departments, this Companion touches on regulatory, statutory, and common law in nineteenth-century America and encompasses judges, lawyers, legislators, litigants, and the institutions they inhabited (courts, firms, prisons). It will serve as a reference for specific information on a variety of law- and humanities-related topics as well as a guide to understanding how the two disciplines developed in tandem in the long nineteenth century.

I am dangerous to the invisible government of the United States; I am dangerous to the special privileges of the United States; I am dangerous to the white slaver and to the saloonkeeper, and I thank God that at this hour I am dangerous to the war profiteers of this country who rob the people on the one hand, and rob and degrade the government on the other; and then with their pockets and wallets stuffed with the filthy, blood-stained profits of war, wrap the sacred folds of the Stars and Stripes about them and shout their blatant hypocrisy to the world. You can convince the people that I am dangerous to these men; but no jury and no judge can convince them that I am a dangerous woman to the best interests of the United States. With these words, Kate Richards O'Hare defied the court at her 1917 sentencing for violation of the Espionage Act. Her oratory only served to infuriate the judge and land her a five-year prison sentence for publicly opposing America's intervention in World War I. Her opposition to the war was only part of a long history of social criticism by this forty-one-year-old mother of four. From her childhood in Kansas and Missouri until her death in 1948, O'Hare challenged virtually all of society's institutions. In From Prairie to Prison Sally Miller reveals the fascinating story of this colorful and exuberant woman who spent her life fighting for equality and justice.

Contemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others. They are the perfect starting point for essays as well being of suitable length for assigned readings, making this the ideal resource for learning about contemporary photography and theory.

Kidnapping was a lucrative crime in antebellum America, and many American citizens—especially free blacks—were abducted for profit. This book reveals the untold stories of the captured. The story of Solomon Northup, subject of the Academy Award-winning best picture 12 Years a Slave, is representative of the deplorable treatment many African Americans experienced in the period leading up to the Civil War. This book examines antebellum kidnapping, delving into why and how it occurred, and illustrating the active role the U.S. government played in allowing it to continue. It presents case studies of dozens of victims' experiences that illustrate a grim and little-remembered chapter in American history. David Fiske's Solomon Northup's Kindred reveals the abhorrent conditions and greed that resulted in the kidnapping of American citizens. Factors like early fugitive slave laws, the invention of the cotton gin, the 1808 ban on importing slaves into the United States, and the Supreme Court's Dred Scott decision made these crimes highly profitable. Fiske sheds much-needed light on the practice of kidnapping, explaining how it was carried out, identifying conditions that allowed kidnappers to operate, and describing methods for combating the crime. He offers dozens of case studies along with documentation from across historical newspaper reports, anti-slavery literature, local history books, and academic publications to provide an accurate account of kidnapping crimes of the time.