This book is a translation of Aziz al-Azmeh's seminal work Al-'Ilmaniya min mandhur mukhtalif that was first published in Beirut in 1992. Both celebrated and criticised for its reflections on Arab secularisation and secularism in the modern history of the Arab World, it is the only study to date to approach its subject as a set of historical changes which affected the regulation of the social, political and cultural order, and which permeated the concrete workings of society, rather than as an ideological discussion framed from the outset by the assumed opposition between Islam and secularism. The author takes a comprehensive analytical perspective to show that an almost imperceptible yet real, multi-faceted and objective secularising process has been underway in the Arab world since the 1850s. The early onset was the result of adapting to systemic novelties introduced at the time and a reaction to the perceived European advance and local retardation. The need for meaningful reform, and the actions taken in order to put in place a new organisation of state and society based on modern organisational and educational criteria, rather than older, religious traditions, stemmed from the perceived weakness of Arab polities and from an internal drive to overcome this situation. The book follows these themes into the close of the 20th century, marked with the rise of Islamism. A preface to the English translation takes a retrospective look at the theme from the vantage point of social, political and intellectual issues of relevance today.

Inclusing a new introduction and conclusion, this revised second edition deals with a vital yet neglected ingredient in modern Arab culture. It is the only scholarly study of Arab historiography. It covers the periods 1820-1920 (Pioneers and Amateurs) and 1920 to today (Professional Historians: Managers of Legitimation). This work is a major contribution not only to the study of Arab historiography but to our understanding of modern Arab thought.

'Mediterraneans' offers an account of migration from Southern Europe to North Africa during the 19th century, especially to what became Tunisia.

The book examines Muslim-European interactions in the interwar period and provides original insights into the emergence of geopolitical and intellectual East–West networks that transcended national, cultural, and linguistic borders.

A reference for graduate and undergraduate students presenting the bibliographic details and sometimes describing and evaluating the content of over 5,000 books in English, most published since 1945 and many quite recently, but also some earlier works of enduring importance. A section of works on all three continents is followed by sections on each, which first consider the continent as a whole, then each country, usually by chronological periods and topics such as economics, politics, and society. Indexed only by author and editor, but the table of contents is detailed enough to provide adequate access. Distributed in the US by St. Martin's Press. Annotation copyright Book News, Inc. Portland, Or.

First published in 1984, Habib Bourguiba, Islam and the Creation of Tunisia is a study of Habib Bourguiba, the founder of independent Tunisia, that argues that Islam played a vital role in the development of the Tunisian nationalist movement. This book is therefore both a biography of the Tunisian leader and a discussion of the role of Islam as the key to legitimacy throughout the Arab world. The author argues that Islam was such a fundamental component in defining the specificity of the Tunisian nation that even Bourguiba, the most secular of Arab leaders, could not shed the Arab-Islamic heritage of Tunisia. Instead, he used Islam as a principle mode of communication to mobilise the Tunisian masses. This book will be of interest to students of African studies, history, political science and religion.

In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.

This multi-volume set of reissued classics brings together a collection of titles that touch on many key aspects of the history of the Middle East. From the early explorers of Arabia to the 1979 revolution in Iran, via histories of places as varied as the UAE and Zanzibar, the analysis of Nazi policies towards the Arab East, and a close reading of the territorial foundations of the Gulf states, the books collected here form a wide-ranging and eclectic study of the history of the region.