In The Tribute of Blood Peter M. Beattie analyzes the transformation of army recruitment and service in Brazil between 1864 and 1945, using this history of common soldiers to examine nation building and the social history of Latin America’s largest nation. Tracing the army’s reliance on coercive recruitment to fill its lower ranks, Beattie shows how enlisted service became associated with criminality, perversion, and dishonor, as nineteenth- and early-twentieth-century Brazilian officials rounded up the “dishonorable” poor—including petty criminals, vagrants, and “sodomites”—and forced them to serve as soldiers. Beattie looks through sociological, anthropological, and historical lenses to analyze archival sources such as court-martial cases, parliamentary debates, published reports, and the memoirs and correspondence of soldiers and officers. Combining these materials with a colorful array of less traditional sources—such as song lyrics, slang, grammatical evidence, and tattoo analysis—he reveals how the need to reform military recruitment with a conscription lottery became increasingly apparent in the wake of the Paraguayan War of 1865–1870 and again during World War I. Because this crucial reform required more than changing the army’s institutional roles and the conditions of service, The Tribute of Blood is ultimately the story of how entrenched conceptions of manhood, honor, race, citizenship, and nation were transformed throughout Brazil. Those interested in social, military, and South American history, state building and national identity, and the sociology of the poor will be enriched by this pathbreaking study.

"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review

Think GG Allin was extreme? You don't know the half of it. GG Allin's exploits are legendary. The music, the shows, the violence, the bodily fluids. But GG Allin was confined to a world where he couldn't fulfill his potential. He punched and kicked at the boundaries, eager for something bigger, something crazier, something much more fucked up. But the real world refused to give him the adventures he needed. Now, thanks to underground fiction's most talented scumfucs, GG is cast in a series of adventures that truly befit his outlaw spirit. In these pages, GG Allin is a secret agent, engaging in cult-smashing missions in exchange for dirty sex with George and Barbara Bush. He's a shit-eating, spaceship-piloting and time-traveling savior of humanity. He's an orisha, called upon to save prisoners from 'roid rage mutant guards. He's one half of a deepfried onion ring ouroboros with his soulmate John Wayne Gacy. He's thousands of clones living inside your giant robot body. Get ready to see GG Allin like you've never seen him before!

Reprint of the original, first published in 1874.

The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

I've dedicated my life to slaying vampires. Now I'm about to offer up my blood. When my brother gets into some serious trouble with the Vampire Clan of Baltimore, there's only one thing I can do to save his ass. I decide to offer myself up as a blood tribute, infiltrate their underground palace, and find a way to get him out. But playing the part of a simpering blood bag is harder than I expected, especially when my first impulse is to put a stake through the heart of every vamp I meet. To make matters worse, I've somehow caught the eye of three dangerous vampire men: Bastian, an ancient prince with features as cold as ice and eyes that burn like fire. Rome, a darkly sexy rebel who just returned from a hundred-year banishment. And Connor, a newly turned vampire whose lopsided grin is so devastatingly human that I almost forget he's the enemy. Even though I want to hate them all, they keep getting under my skin in ways I can't explain. But if I let myself lose focus for even a second, it won't just be me who pays for it. My brother will suffer too. I've danced with the devil plenty of times... But this time, the dance might kill me. Blood Debt is the first book in the Kingdom of Blood series, a reverse harem vampire romance. The heroine is tough but flawed and the (anti)heroes are sexy and dangerous.