The Passion of Christ is observed by people all around the world as one of the more significant days on the Christian calendar. In certain parts of the world, such as the Philippines, the re-enactments of the crucifixion can go so far as to include actual nails driven through the hands of participants as they wail in pain. Is this the way we are to learn about the crucifixion? Will a re-enactment teach us the truth of the cross? The text of John 18 and 19 teaches us clearly the facts of the crucifixion and is surrounded by intrigue and mystery. For too long, Protestant Christianity has neglected the years of scholarship in pre-reformation and post-reformation Roman research. In The Trials and Passion of Christ, Michael Cannon brings together the best of Protestant and Roman scholasticism to uncover significant details surrounding the trials and the drama of the crucifixion on Golgotha. This book is a journey, reading nearly like an eye-witness report, through the trials, the suffering, and the passion of Christ.

The Trial and Crucifixion of Jesus is a comprehensive sourcebook for those looking to gain a more robust understanding of this event through the eyes of ancient writers. Featuring extrabiblical primary texts--along with a new translation and commentary by David W. Chapman and Eckhard J. Schnabel--this work is relevant for understanding Jesus' last days. The significance of Jesus' death is apparent from the space that Matthew, Mark, Luke, and John devote to the Passion narrative, from the emphasis of many speeches in the book of Acts, and from the missionary preaching and the theology of the apostle Paul. Exegetical discussions of Jesus' trial and death have employed biblical (Old Testament) and extrabiblical texts in order to understand the events during the Passover of AD 30 that led to Jesus' execution by crucifixion. The purpose of this book is to publish the primary texts that have been cited in the scholarly literature as relevant for understanding Jesus' trial and crucifixion. The texts in the first part deal with Jesus' trial and interrogation before the Sanhedrin, and the texts in the second part concern Jesus' trial before Pilate. The texts in part three represent crucifixion as a method of execution in antiquity. For each document, the authors provide the original text (Hebrew, Aramaic, Greek, or Latin), a translation, and commentary. The commentary describes the literary context and the purpose of each document in context before details are clarified, along with observations on the contribution of these texts to understanding Jesus' trial and crucifixion.

An exciting and engaging book that will appeal not only to academics but to the film-viewing public, educated lay-persons and students. Not only will the book aid this audience in a greater appreciation of the film 'The Passion of the Christ' but perhaps more importantly it will enable the reader to distinguish between both the contents of the film and the contents of the Gospels and between the contents of the film and what may be historically reconstructed about Jesus. Furthermore the book will aid the reader to appreciate the contributions that the study of the Gospels and the historical study of Jesus can make to the discussion of the film 'The Passion of the Christ'. Jesus and Mel Gibson's The Passion of the Christ is edited by Kathleen E. Corley, Oshkosh Northwestern Distinguished Professor and Professor of New Testament at the University of Wisconsin-Oshkosh, Wisconsin, and Robert L. Webb, an independent scholar living near Toronto, Ontario, Canada. The other contributors are: Dr. John Dominic Crossan, Professor Emeritus of religious Studies at DePaul University, Illinois. Dr. Helen K. Bond, Lecturer in New Testament Language, Literature and Theology at New College, University of Edinburgh, UK; Dr. Craig A. Evans, Payzant Distinguished Professor of New Testament at Acadia Divinity College, Nova Scotia, Canada; Dr Mark Goodacre, Senior Lecturer in New Testament at the Department of Theology, University of Birmingham, UK; Dr. Glenna S. Jackson, Associate Professor in the Department of Religion and Philosophy at Otterbein College, Westerville, Ohio; Dr. Scot McKnight, Karl A. Olsson Professor in Religious Studies at North Park University, Chicago, Illinois; Dr. Mark Allan Powell, Professor of New Testament at Trinity Lutheran Seminary in Columbus, Ohio; Alan F. Segal, Professor of Religion and Ingeborg Rennert Professor of Jewish Studies at Barnard College, Columbia University, New York; Dr. W. Barnes Tatum, Professor of Religion and Philosophy at Greensboro College, North Carolina; David J. Goa, Curator Emeritus at the Provincial Museum of Alberta and a Fellow of the M.V. Dimic Institute for the Study of Culture at the University of Alberta.

Some essays are from a symposium held Mar. 30, 2004 at Purdue University.

Engaging the Passion gathers an impressive array of scholars to survey how the death of Jesus has been portrayed and represented in Scripture, liturgy and music, literature, art and film, and theology and ethics—from the first to the twenty-first centuries. The contributors approach the passion from a variety of perspectives—diversely Christian, Jewish, Muslim, and secular. Their voices differ as well, from the challenging to the comforting and from the academic to the confessional. They address the faithful, the skeptical, and the curious.

In 1914, Luisa writes in a letter to the now Saint, Annibale M. di Francia: “I am finally sending you this handwritten copy of The Hours of the Passion of Our Lord Jesus Christ. May it all be for His greater Glory. I have also enclosed a few pages where I describe the effects and the beautiful promises that Jesus makes to everyone who meditates these Hours of the Passion. I believe that if whoever meditates on them is a sinner, he will convert; if he is imperfect, he will become perfect; if he is holy, he will become holier; if he is tempted, he will find victory; if suffering, he will find strength, medicine, and comfort in these Hours; if weak and poor, he will find a spiritual food and a mirror in which to look at himself continually and so become beautiful and similar to Jesus, our model”.

This book was the last that St. Thomas More wrote in the Tower of London before he was executed for standing firm in his Catholic faith. In it, he explores the Gospel passages that depict the agony of Our Lord in the Garden of Gethsemane. He depicts Christ as a model of virtue in the face of suffering and persecution. And along the way, he includes valuable and eternally relevant reflections on prayer, courage, friendship, statesmanship, and more. Here is an excellent resource for Lent or anytime!