A merchant of the marvelous -- A Batavian in Paris -- Essaying chymistry -- A new chymical light -- Chrysopoeia at the AcadeÌ1mie and the Palais Royal -- Chymistry in Homberg's later years : practices, promises, poisons, and prisons -- Homberg's legacy -- Epilogue: Homberg and the transmutations of chymistry at the AcadeÌ1mie.

This book reevaluates the changes to chymistry that took place from 1660 to 1730 through a close study of the chymist Wilhelm Homberg (1653–1715) and the changing fortunes of his discipline at the Académie Royale des Sciences, France’s official scientific body. By charting Homberg’s remarkable life from Java to France’s royal court, and his endeavor to create a comprehensive theory of chymistry (including alchemical transmutation), Lawrence M. Principe reveals the period’s significance and reassesses its place in the broader sweep of the history of science. Principe, the leading authority on the subject, recounts how Homberg’s radical vision promoted chymistry as the most powerful and reliable means of understanding the natural world. Homberg’s work at the Académie and in collaboration with the future regent, Philippe II d’Orléans, as revealed by a wealth of newly uncovered documents, provides surprising new insights into the broader changes chymistry underwent during, and immediately after, Homberg. A human, disciplinary, and institutional biography, The Transmutations of Chymistry significantly revises what was previously known about the contours of chymistry and scientific institutions in the early eighteenth century.

Alchemy is one of the most evocative subjects in the history of science. Alchemy made important contributions to the development of modern science while firing popular imagination so strongly that portrayals of the alchemist at work pervaded the arts. The more celebrated goals of alchemy, like transmutation of base metals into gold, still tease and tantalize. Transmutations offers a thoughtful look at the role of the alchemist in the 17th and 18th centuries, as depicted in a selection of paintings from the Eddleman and Fisher Collections housed at the Chemical Heritage Foundation. This beautiful full-color book reveals much about the beginnings of chemistry as a profession.

A 400-year history of the development of alchemy in England that brings to light the evolution of the practice. In medieval and early modern Europe, the practice of alchemy promised extraordinary physical transformations. Who would not be amazed to see base metals turned into silver and gold, hard iron into soft water, and deadly poison into elixirs that could heal the human body? To defend such claims, alchemists turned to the past, scouring ancient books for evidence of a lost alchemical heritage and seeking to translate their secret language and obscure imagery into replicable, practical effects. Tracing the development of alchemy in England over four hundred years, from the beginning of the fourteenth century to the end of the seventeenth, Jennifer M. Rampling illuminates the role of alchemical reading and experimental practice in the broader context of national and scientific history. Using new manuscript sources, she shows how practitioners like George Ripley, John Dee, and Edward Kelley, as well as many previously unknown alchemists, devised new practical approaches to alchemy while seeking the support of English monarchs. By reconstructing their alchemical ideas, practices, and disputes, Rampling reveals how English alchemy was continually reinvented over the space of four centuries, resulting in changes to the science itself. In so doing, The Experimental Fire bridges the intellectual history of chemistry and the wider worlds of early modern patronage, medicine, and science.

Harold C. Urey (1893–1981), whose discoveries lie at the foundation of modern science, was one of the most famous American scientists of the twentieth century. Born in rural Indiana, his evolution from small-town farm boy to scientific celebrity made him a symbol and spokesman for American scientific authority. Because he rose to fame alongside the prestige of American science, the story of his life reflects broader changes in the social and intellectual landscape of twentieth-century America. In this, the first ever biography of the chemist, Matthew Shindell shines new light on Urey’s struggles and achievements in a thoughtful exploration of the science, politics, and society of the Cold War era. From Urey’s orthodox religious upbringing to his death in 1981, Shindell follows the scientist through nearly a century of American history: his discovery of deuterium and heavy water earned him the Nobel Prize in 1934, his work on the Manhattan Project helped usher in the atomic age, he initiated a generation of American scientists into the world of quantum physics and chemistry, and he took on the origin of the Moon in NASA’s lunar exploration program. Despite his success, however, Urey had difficulty navigating the nuclear age. In later years he lived in the shadow of the bomb he helped create, plagued by the uncertainties unleashed by the rise of American science and unable to reconcile the consequences of scientific progress with the morality of religion. Tracing Urey’s life through two world wars and the Cold War not only conveys the complex historical relationship between science and religion in the twentieth century, but it also illustrates how these complexities spilled over into the early days of space science. More than a life story, this book immerses readers in the trials and triumphs of an extraordinary man and his extraordinary times.

William Newman and Lawrence Principe reveal the hitherto hidden laboratory experiments of a famous alchemist and argue that many of the principles and practices characteristic of modern chemistry derive from alchemy.

From water, air, and fire to tennessine and oganesson, celebrated science writer Philip Ball leads us through the full sweep of the field of chemistry in this exquisitely illustrated history of the elements. The Elements is a stunning visual journey through the discovery of the chemical building blocks of our universe. By piecing together the history of the periodic table, Ball explores not only how we have come to understand what everything is made of, but also how chemistry developed into a modern science. Ball groups the elements into chronological eras of discovery, covering seven millennia from the first known to the last named. As he moves from prehistory and classical antiquity to the age of atomic bombs and particle accelerators, Ball highlights images and stories from around the world and sheds needed light on those who struggled for their ideas to gain inclusion. By also featuring some elements that aren’t true elements but were long thought to be—from the foundational prote hyle and heavenly aetherof the ancient Greeks to more recent false elements like phlogiston and caloric—The Elements boldly tells the full history of the central science of chemistry.

What did it mean to be a scientist before the profession itself existed? Jan Golinski finds an answer in the remarkable career of Humphry Davy, the foremost chemist of his day and one of the most distinguished British men of science of the nineteenth century. Originally a country boy from a modest background, Davy was propelled by his scientific accomplishments to a knighthood and the presidency of the Royal Society. An enigmatic figure to his contemporaries, Davy has continued to elude the efforts of biographers to classify him: poet, friend to Coleridge and Wordsworth, author of travel narratives and a book on fishing, chemist and inventor of the miners’ safety lamp. What are we to make of such a man? In The Experimental Self, Golinski argues that Davy’s life is best understood as a prolonged process of self-experimentation. He follows Davy from his youthful enthusiasm for physiological experiment through his self-fashioning as a man of science in a period when the path to a scientific career was not as well-trodden as it is today. What emerges is a portrait of Davy as a creative fashioner of his own identity through a lifelong series of experiments in selfhood.

This unconventional biography of Marie Curie explores the emergence of the "Curie persona," the information culture of the period that shaped its development, and the strategies Curie herself used to manage and exploit her intellectual property.--Adapted from publisher description.

Alchemy, the Noble Art, conjures up scenes of mysterious, dimly lit laboratories populated with bearded old men stirring cauldrons. Though the history of alchemy is intricately linked to the history of chemistry, alchemy has nonetheless often been dismissed as the realm of myth and magic, or fraud and pseudoscience. And while its themes and ideas persist in some expected and unexpected places, from the Philosopher's (or Sorcerer's) Stone of Harry Potter to the self-help mantra of transformation, there has not been a serious, accessible, and up-to-date look at the complete history and influence of alchemy until now.