Since a July night in 1881 when he was shot down at the age of 21, Billy the Kid has been a victim of the myths that surrounded and captured him. This vivid interpretation of the Kid's life and character will come as an exciting revelation to readers who may have been familiar only with the earlier fictionalized versions. For here is real, moving tragedy painted in broad brush strokes with the vivid hues of the stark American Southwestern landscape. Never before has there been brought into true focus the Lincoln County War, which broke out in 1878 in the then Territory of New Mexico, and which furnished the background and the period for the adventures of this extraordinary boy. The literature concerning both the desperate cattle war and the singular young outlaw have necessarily been constructed around a thin framework of fact with its papier maché façade of myth and legend. So persistent have been these legends that the true character of the Kid seemed almost beyond reach. Indeed, the Western poet, Arthur Chapman, once wrote that "Billy the Kid must remain wholly the most unaccountable figure in frontier history." Frazier Hunt (1885 - 1968) had the good fortune to have access to a great mass of fresh and unpublished source material which fully documents this thrilling history of the Kid and his times. It is a new and rather appealing boy who now comes to light-an alert, likeable yet tough youngster, adored by the native Mexicans no less for his fluency in Spanish than for his kindness and consideration, but no wanton killer. In place of the former distorted figure of legend, a young man of flesh and blood and heart emerges into clear perspective. So at last we have the real Billy the Kid-authentic, true-and completely accountable.

Since a July night in 1881 when he was shot down at the age of 21, Billy the Kid has been a victim of the myths that surrounded and captured him. This vivid interpretation of the Kid's life and character will come as an exciting revelation to readers who may have been familiar only with the earlier fictionalized versions. For here is real, moving tragedy painted in broad brush strokes with the vivid hues of the stark American Southwestern landscape. Never before has there been brought into true focus the Lincoln County War, which broke out in 1878 in the then Territory of New Mexico, and which furnished the background and the period for the adventures of this extraordinary boy. The literature concerning both the desperate cattle war and the singular young outlaw have necessarily been constructed around a thin framework of fact with its papier maché façade of myth and legend. So persistent have been these legends that the true character of the Kid seemed almost beyond reach. Indeed, the Western poet, Arthur Chapman, once wrote that "Billy the Kid must remain wholly the most unaccountable figure in frontier history." Frazier Hunt (1885 - 1968) had the good fortune to have access to a great mass of fresh and unpublished source material which fully documents this thrilling history of the Kid and his times. It is a new and rather appealing boy who now comes to light-an alert, likeable yet tough youngster, adored by the native Mexicans no less for his fluency in Spanish than for his kindness and consideration, but no wanton killer. In place of the former distorted figure of legend, a young man of flesh and blood and heart emerges into clear perspective. So at last we have the real Billy the Kid-authentic, true-and completely accountable.

Despite the countless books and films devoted to him, Billy the Kid remains one of the most elusive figures of the Old West. Now, award-winning western historian Frederick Nolan has scoured the published literature to offer this well-rounded compendium on the life and times of William H. Bonney. The Billy the Kid Reader contains some of the best articles on the Kid—including gems no longer in print. From the first dime novel that appeared shortly after his death to the research of today’s historians, these writings bring Bonney’s life into sharp focus. Nolan highlights two distinct schools of Billy the Kid studies: works of popularizers who tended to exaggerate his historical role, and the findings of grassroots researchers who have reassessed our perceptions of the Kid. Dozens of illustrations enhance the text, illuminating the Kid’s career and notoriety. This collection shows that the life of William H. Bonney is not yet a closed book—far from it. Many versions of his life remain little more than unchallenged tradition. The Billy the Kid Reader puts that lengthy body of work in perspective and will satisfy seasoned Kid aficionados as well as first-time readers eager to learn more about the man and the legend.

A central character in legends and histories of the Old West, Billy the Kid rivals such western icons as Jesse James and General George Armstrong Custer for the number of books and movies his brief, violent life inspired. Billy the Kid: A Reader’s Guide introduces readers to the most significant of these written and filmed works. Compiled and written by a respected historian of the Old West and author of a masterful new biography of Billy the Kid, this reader’s guide includes summaries and evaluations of biographies, histories, novels, and movies, as well as archival sources and research collections. Surveying newspaper articles, books, pamphlets, essays, and book chapters, Richard W. Etulain traces the shifting views of Billy the Kid from his own era to the present. Etulain’s discussion of novels and movies reveals a similar shift, even as it points out both the historical inaccuracies and the literary and cinematic achievements of these works. A brief section on the authentic and supposed photographs of the Kid demonstrates the difficulties specialists and collectors have encountered in locating dependable photographic sources. This discerning overview will guide readers through the plethora of words and images generated by Billy the Kid’s life and legend over more than a century. It will prove invaluable to those interested in the demigods of the Old West—and in the ever-changing cultural landscape in which they appear to us.

Historian Simmons compiles his prior writings on Billy the Kid into one volume, each section opening a small window on an aspect of his tumultuous life or casting light upon others whose fortunes intersected with his.

Examines the career of the young outlaw whose life and death were an expression of the violence prevalent on the American frontier.

"Identity is one of the central cultural narratives of the US on which both dominant and resistant discourses draw. This critical anthology honors the topic's diversity while concentrating on one central aspect, that of newness. Construction of identities, their invention, reinvention and reformulation are discussed within four thematic categories: New Concepts and Reconsiderations, Migration and Multiple Identities, Individuation and Privatized Identity Construction, and (Re-) Inventions and Virtual Identities. Written by European as well as U. S. scholars, ranging from the 19th century to the utopian future, from mainstream canonized figures to transgender performers, from a critique of individualism to a celebration of loneliness, the articles present a cross-section of current research on U.S. identities. "

Was Sheriff William Brady a willing pawn in the hands of a crooked political faction, or was he an honest man dedicated to law and order? After his extensive research, Lavash thinks Brady deserves a more realistic evaluation. Although Brady tried to stem the growing tide of anarchy, his efforts ended when he was ambushed by Billy the Kid and his gang.