Johnny Wendt is the sole survivor of an ill-fated expedition to Mars. He doesn't know why he survived or why the mission was so deadly. He has no clue that he has may have brought the reason back to Earth with him!

Looking ahead to the future face of the consumer society, this text provides a vision of a world radically different to our own and argues that such a world will require radically different tools and techniques for work, rest and play.

Susan Greenfield explores how the human nature of future generations could be on course for a dramatic alteration, arguing that the current revolution in biomedical science and information technologies will have a huge impact on our brains and central nervous system. She believes that the society in which future generations will live and the way they view themselves will be like nothing our species has yet experienced in the tens of thousands of years to date. makeover far more cataclysmic than anything that has happened before. As we appreciate the dynamism and sensitivity of our brain circuitry, so the prospect of directly tampering with the essence of our individuality becomes a possibility.

A novelization of a story from the television series featuring the Tomorrow People, who have the powers of telepathy and teleportation, and constantly struggle against evil. In this story Adam discovers the hidden powers of an ancient Egyptian tomb.

Changes is a novel set in the universe of The Tomorrow People, and is written by Andy Davidson, with Roger Price - the creator and writer of the original series. A decade has passed since teen pop sensation Gabriel burst onto the scene. Rescued from the shattered ruins of a city devastated by alien invaders, the plight of the golden-haired orphan with the face - and voice - of an angel burned brightly for a decade, winning legions of devoted fans across the world. Though Gabriel has grown tired. Not with the wealth or the adulation, but with the constant struggle to undo the terrible consequences his single moment's hesitation unleashed upon the people of Earth many years ago. But tonight, the Tomorrow People of every generation are coming to join the struggle for humanity's future... ...By trying to change its past. "When Andy sent me the manuscript, which he wrote from my detailed treatment, my response was that I was humbled; I could never have written anything this good!" - Roger Price

From its inaugural Black Plaque in honour of Witchfinder General director Michael Reeves, this unique collection follows a veridical trajectory to the frontiers of belief. Reeves' film becomes a conspiratorial cauldron drawing in a host of tragic players in the end game of the Sixties. The Cornwall of Du Maurier's The Birds is ploughed to reveal the hidden psychic codes of our Blitz spirit. In a powerfully relevant occult rendering of a bruised Island, the myth of Churchill is dissected and re-animalised. New maps of hell are drawn by colliding the forensic vision of JG Ballard and Lovecraftian magic. Actors, witches and psychopaths maraud across a nightmare terrain of murderous henges and abandoned military bases; conflating creative research into a surreal documentary, history as hallucination. Geography becomes an alchemical alembic, a vale of soul-making distilled by the lysergic psychobiology of Stanislav Grof, the alcoholic lyricism of Malcolm Lowry, and the convulsive travelogues of the Marquis de Sade. If history is revealed as paranoid ritual, how do we escape its time traps to wild new imaginative geographies? The English Heretic collection is a darkly comical, urgently lyrical, mental escape hatch from the hells of our own making.

Mark McCray wasn’t the only boy who loved Saturday morning cartoons, but he may have been the only one to call the networks and tell them what he liked and disliked about them. For instance, he was blown away by the direction Hanna-Barbera took with Josie and the Pussycats, the kids in the wrong place at the wrong time who rose to the occasion and saved the day. It wasn’t long before he was writing his own newsletter, titled The Best Saturdays of Our Lives, which he circulated to animation and television executives, networks, studios, and comic book publishers. The newsletters chronicle the origins of competitive Saturday morning programming—from the 1966–67 season straight through to the 1990s—and they’re compiled in one place for easy reference in this book. You’ll get an insider’s look at the inner workings of the cartoon and television industries, competition between broadcast networks, and how the industry has changed over the years. Mark’s curiosity, probing insights and love of television, come together to create The Best Saturdays of Our Lives.

The Classic British Telefantasy Guide is derived from the second edition of The Guinness Book of Classic British TV with various corrections and a revised introduction to bring it up to date. It was written when the Internet barely existed, and at a time when few books had been published on the subject. This is, however, by no means a new or completely revised version of the original material - too much time has passed, and if we were to start reworking and correcting the text now, it would probably never be finished! Instead, Classic British Telefantasy is an electronic reprint of some of the authors' earliest work, repacked for a new format and, perhaps, a new age.