The Tomb kicks off the Repairman Jack series that Stephen King calls "one of the best all-out adventure stories I've read in years." Much to the chagrin of his girlfriend, Gia, Repairman Jack doesn't deal with appliances. He fixes situations—situations that too often land him in deadly danger. His latest fix is finding a stolen necklace which, unknown to him, is more than a simple piece of jewelry. Some might say it's cursed, others might call it blessed. The quest leads Jack to a rusty freighter on Manhattan's West Side docks. What he finds in its hold threatens his sanity and the city around him. But worst of all, it threatens Gia's daughter Vicky, the last surviving member of a bloodline marked for extinction. "One of the all-time great characters in one of the all-time great series." --Lee Child At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

New York, 1882. A dark, forbidding city, and no place for a girl with unexplainable powers. Deborah Schaumberg’s gripping debut takes readers on a breathless trip across a teeming turn-of-the-century New York and asks the question: Where can you hide in a city that wants you buried? Sixteen-year-old Avery Kohl pines for the life she had before her mother was taken. She fears the mysterious men in crow masks who locked her mother in the Tombs asylum for being able to see what others couldn’t. Avery denies the signs in herself, focusing instead on her shifts at the ironworks factory and keeping her inventor father out of trouble. Other than listening to secondhand tales of adventure from her best friend, Khan, an ex-slave, and caring for her falcon, Seraphine, Avery spends her days struggling to survive. Like her mother’s, Avery’s powers refuse to be contained. When she causes a bizarre explosion at the factory, she has no choice but to run from her lies, straight into the darkest corners of the city. Avery must embrace her abilities and learn to wield their power—or join her mother in the cavernous horrors of the Tombs. And the Tombs has secrets of its own: strange experiments are being performed on “patients”...and no one knows why.

S. A. Bodeen delivers yet another heart-pounding YA thriller in The Tomb, where Kiva and Seth must fight to save what remains of human civilization even as they fight their feelings for each other. Nothing is as it seems. These are the first words Kiva's best friend Seth says, after three years of silence. Kiva thought she was growing up in ancient Alexandria. That's what she and all her classmates had been led to believe by their parents. It turns out she was living in virtual reality, in a sleep chamber in deep space, and three years ago, Seth woke up. Now it's her turn to join him. Together, Kiva and Seth must take an escape shuttle to search for the engine part their home ship needs to keep running. But it's been a long time since the Krakatoa has communicated with any of the other three ships harboring human civilization. Kiva and Seth are not sure what they'll find if and when they finally make contact. Danger, romance and twists you'll never see coming abound in this high-stakes science fiction adventure.

Mummies, grave-robbing ghouls, hopping vampires, and evil monks beset a young archaeologist, in this fast-paced Indiana Jones-style adventure Saqqara, Egypt, 1888, and in the booby-trapped tomb of an ancient sorcerer, Rom, a young Egyptologist, makes the discovery of a lifetime: five coffins and an eerie, oversized sarcophagus. But the expedition seems cursed, for after unearthing the mummies, all but Rom die horribly. He faithfully returns to America with his disturbing cargo, continuing by train to Los Angeles, home of his reclusive sponsor. When the train is hijacked by murderous banditos in the Arizona desert, who steal the mummies and flee over the border, Rom – with his benefactor’s rebellious daughter, an orphaned Chinese busboy, and a cold-blooded gunslinger – must ride into Mexico to bring the malevolent mummies back. If only mummies were their biggest problem… File Under: Fantasy

A kaleidoscopic novel set in Cairo during the 1920s. The narrator tells tales of the street -- of separated lovers, childhood games, workers, neighbors, loneliness.

In this captivating retelling of a classic biblical story, Jesus shocks the town of Bethany with Lazarus’s resurrection from the dead, leading Martha—a seemingly perfect woman trapped by the secrets of her past—to hope and a new life. Everyone in Bethany admires Martha—the perfect Jewish woman. She feeds and clothes her loved ones, looks after the family farm, and meticulously follows every precept of the Pharisees’ strict laws. But Martha is hiding a secret. At her sister’s marriage feast, she gave her heart and her innocence to a young musician who promised to return and marry her, but instead betrayed her love and abandoned her. Seven years later, only two people in Bethany know of Martha’s secret sin: her brother, Lazarus, and Simon, the righteous Pharisee to whom Martha is betrothed. When Lazarus falls ill, Martha is faced with a choice: send for Jesus to save her dying brother—risking the wrath of Simon who threatens to betray her—or deny Jesus’ healing power and remain trapped in her tomb of secrecy and lies. Meanwhile, on the shores of Galilee, Isa roams the wilderness, tortured by demons and knowing only that someone is waiting for him. When he is healed by Jesus, he finds that seven years have passed since his descent into madness. Isa journeys home to Bethany only to find he is too late to win back Martha’s love. When Martha risks all to heal Lazarus, will Jesus arrive in time, or will he—like Isa—come too late?

An incandescent new voice from Mexico, for readers of Ben Lerner and Rachel Cusk Sitting at the bedside of his mother as she is dying from leukemia in a hospital in northern Mexico, the narrator of Tomb Song is immersed in memories of his unstable boyhood and youth. His mother, Guadalupe, was a prostitute, and Julián spent his childhood with his half brothers and sisters, each from a different father, moving from city to city and from one tough neighborhood to the next. Swinging from the present to the past and back again, Tomb Song is not only an affecting coming-of-age story but also a searching and sometimes frenetic portrait of the artist. As he wanders the hospital, from its buzzing upper floors to the haunted depths of the morgue, Julián tells fevered stories of his life as a writer, from a trip with his pregnant wife to a poetry festival in Berlin to a drug-fueled and possibly completely imagined trip to another festival in Cuba. Throughout, he portrays the margins of Mexican society as well as the attitudes, prejudices, contradictions, and occasionally absurd history of a country ravaged by corruption, violence, and dysfunction. Inhabiting the fertile ground between fiction, memoir, and essay, Tomb Song is an electric prose performance, a kaleidoscopic, tender, and often darkly funny exploration of sex, love, and death. Julián Herbert’s English-language debut establishes him as one of the most audacious voices in contemporary letters.

It's not easy being Apollo, especially when you've been turned into a human and banished from Olympus. On his path to restoring five ancient oracles and reclaiming his godly powers, Apollo (aka Lester Papadopoulos) has faced both triumphs and tragedies. Now his journey takes him to Camp Jupiter in the San Francisco Bay Area, where the Roman demigods are preparing for a desperate last stand against the evil Triumvirate of Roman emperors. Hazel, Reyna, Frank, Tyson, Ella, and many other old friends will need Apollo's aid to survive the onslaught. Unfortunately, the answer to their salvation lies in the forgotten tomb of a Roman ruler . . . someone even worse than the emperors Apollo has already faced.