Called to the end of time by a being they knew only as The Face of Ea, four adventurers from the twentieth century faced a power that not even the super-science of that era could meet - the nekron, negative matter, negative force, ultimate destruction for everything it touched. It seemed hopeless to expect them to win this battle for the fate of the universe - but between them they had a power they themselves could not suspect.

Called to the end of time by a being known as The Face of Ea, four adventurers face a power that not even the science of that era could meet -- the nekron, negative matter, negative force, ultimate destruction for everything it touched!

The sequel to the Hugo Award-winning SF epic Spin

In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.

Don't simply show your data—tell a story with it! Storytelling with Data teaches you the fundamentals of data visualization and how to communicate effectively with data. You'll discover the power of storytelling and the way to make data a pivotal point in your story. The lessons in this illuminative text are grounded in theory, but made accessible through numerous real-world examples—ready for immediate application to your next graph or presentation. Storytelling is not an inherent skill, especially when it comes to data visualization, and the tools at our disposal don't make it any easier. This book demonstrates how to go beyond conventional tools to reach the root of your data, and how to use your data to create an engaging, informative, compelling story. Specifically, you'll learn how to: Understand the importance of context and audience Determine the appropriate type of graph for your situation Recognize and eliminate the clutter clouding your information Direct your audience's attention to the most important parts of your data Think like a designer and utilize concepts of design in data visualization Leverage the power of storytelling to help your message resonate with your audience Together, the lessons in this book will help you turn your data into high impact visual stories that stick with your audience. Rid your world of ineffective graphs, one exploding 3D pie chart at a time. There is a story in your data—Storytelling with Data will give you the skills and power to tell it!

The Second World War was turned on its head at the moment Admiral Kolhammer’s ultra-modern stealth warships were hurled back through time from 2021. But no one could have predicted just how much of a nightmare would ensue . . . Only months after the Transition, the great powers scramble to develop the weapons of tomorrow. The year 1942 is now a world of crude jet fighters, monstrous attack helicopters, and unholy dirty bombs — a mongrel technology, born decades prematurely. Then, in a radical rewriting of history, Japanese forces sweep into Australia, foreign agents begin a campaign of terror in the USA, and Germany prepares for an all-out attack on Britain. The twenty-first-century forces must resort to the most extreme measures yet and face a future rife with possibilities — all of them apocalyptic . . . Picking up from where he left off with Weapons of Choice, John Birmingham shocks and awes us with this gripping second instalment in the Axis of Time trilogy.

"Practical recipes for visualizing data"--Cover.

Explore different perspectives and approaches to create more effective visualizations #MakeoverMonday offers inspiration and a giant dose of perspective for those who communicate data. Originally a small project in the data visualization community, #MakeoverMonday features a weekly chart or graph and a dataset that community members reimagine in order to make it more effective. The results have been astounding; hundreds of people have contributed thousands of makeovers, perfectly illustrating the highly variable nature of data visualization. Different takes on the same data showed a wide variation of theme, focus, content, and design, with side-by-side comparisons throwing more- and less-effective techniques into sharp relief. This book is an extension of that project, featuring a variety of makeovers that showcase various approaches to data communication and a focus on the analytical, design and storytelling skills that have been developed through #MakeoverMonday. Paging through the makeovers ignites immediate inspiration for your own work, provides insight into different perspectives, and highlights the techniques that truly make an impact. Explore the many approaches to visual data communication Think beyond the data and consider audience, stakeholders, and message Design your graphs to be intuitive and more communicative Assess the impact of layout, color, font, chart type, and other design choices Creating visual representation of complex datasets is tricky. There’s the mandate to include all relevant data in a clean, readable format that best illustrates what the data is saying—but there is also the designer’s impetus to showcase a command of the complexity and create multidimensional visualizations that “look cool.” #MakeoverMonday shows you the many ways to walk the line between simple reporting and design artistry to create exactly the visualization the situation requires.

Preliminary Material /John P. Kimball --Possible and Must /Lauri Karttunen --The Modality of Conditionals-A Discussion of “Possible and Must” /John P. Kimball --Forward Implications, Backward Presuppositions, and the Time Axis of Verbs /Talmy Givón --Temporally Restrictive Adjectives /David Dowty --Cyclic and Linear Grammars /John P. Kimball --On the Cycle in Syntax /John Grinder --Discussion /George Lakoff --Action and Result: Two Aspects of Predication in English /Michael B. Kac --Three Reasons for Not Deriving 'Kill' from 'Cause to Die' in Japanese /Masayoshi Shibatani --Kac and Shibatani on the Grammar of Killing /James D. Mc Cawley --Reply to McCawley /Michael B. Kac --Doubl-ing /John Robert Ross --Where Do Relative Clauses Come From? /Judith Aissen --On the Nonexistence of Mirror Image Rules in Syntax /Jorge Hankamer --The VP-Constituent of SVO Languages /Arthur Schwartz --Lahu Nominalization, Relativization, and Genitivization /James A. Matisoff --Navaho Object Markers and the Great Chain of Being /Nancy Frishberg --The Crossover Constraint and Ozark English /Suzette Haden Elgin --Author Index /John P. Kimball --Subject Index /John P. Kimball.

The theory of Matrix series of books offers the exiting developments in cosmological theory. ‘Matrix of the Universe’ is the 6th book of the series. In this book, we discuss the structure of the Universe, certain aspects of its evolution, energy, matter, space, and time. We combine elements of psychology, cosmology, and astrophysics to discover secrets hidden deep in the Universe. ‘Can we picture to ourselves a three-dimensional universe which is finite, yet unbounded? The usual answer to this question is “No,” but that is not the right answer.’ Albert Einstein ‘Geometry and Experience’ (1922) Stay well, and enjoy your reading. Yours sincerely, Audrey Elizabeth Randles DECEMBER 28, 2020