This ground-breaking book helps us discover all the ways we are smart. Based on three decades of teaching and research, it shows that we have at least ten kinds of aptitude---emotional and behavioral as well as mental. Personal stories and simple exercises teach us to access all ten, including: Spatial intelligence to pre-visualize important new projects; Motivational intelligence to light your creative fire; Mood intelligence to grow despite adversity; Pattern intelligence to combat addictions and negative habits; Intuitive intelligence to gain in spiritual wisdom; Parameter intelligence to sustain what you love and live in harmony with the universe.

This study shows that the brain has at least ten intelligences, some emotional, and some behavioural. Using stories and simple exercises, it teaches how to access and orchestrate all ten intelligences, discovering new skills in the process.

To desire something is a condition familiar to everyone. It is uncontroversial that desiring has something to do with motivation, something to do with pleasure, and something to do with reward. Call these "the three faces of desire." The standard philosophical theory at present holds that the motivational face of desire presents its unique essence--to desire a state of affairs is to be disposed to act so as to bring it about. A familiar but less standard account holds the hedonic face of desire to reveal to true nature of desire. In this view, to desire something is to tend to pleasure if it seems that the desired state of affairs has been achieved, or displeasure if it seems otherwise, thus tying desire to feelings instead of actions. In Three Faces of Desire, Schroeder goes beyond actions and feelings to advance a novel and controversial theory of desire that puts the focus on desire's neglected face, reward. Informed by contemporary science as much as by the philosophical tradition, Three Faces of Desire discusses recent scientific discoveries that tell us much about the way that actions and feelings are produced in the brain. In particular, recent experiments reveal that a distinctive system is responsible for promoting action, on the one hand, and causing feelings of pleasure and displeasure, on the other. This system, the brain's reward system, is the causal origin of both action and feeling, and is the key to understanding the nature of desire.

In 1954 Drs. Thigpen adn Cleckley wrote a technical article, "A Case of Multiple Personality", for the Journal of Abnormal and Social Psychology. This appeared before they had completed the work on the case. The Three Faces of Eve is an extension of that collaboration - a complete account of this extraordinary case which is likely to engage the lay reader's interest as vividly as that of physicians and professional workers in psychology and sociology. Eve White was a shy, saintly housewife and mother. Eve Black was a coarse, seductive beauty with a passion for drinking, dancing and the company of strangers. Jane was the third Eve. She was a mature, poised woman - but her tormented soul held the key to Eve's deepest mystery. They were all one woman - and they were all unlike the Eve that finally emerged. --Google Books

This small volume comprises primarily papers presented in 2001 at the 32nd Annual Margaret S. Mahler Symposium on Child Development in Philadelphia, Pennsylvania. Mourning and the importance of the capacity to bear some helplessness, while still finding pleasure in life, are central to this tightly organized volume. The multi-faceted processes involved in mourning and adaptation are addressed. Expectably, Mahler's conceptual contributions are liberally referenced throughout the volume - separation individuation, libidinal object constancy, the unavoidable losses of developmental changes, and mourning of the loss of one-ness. In keeping with the design of the symposium, the book is organized around four primary chapters (presentations), each followed by a discussion chapter. The unifying theme is mourning of the loss of a primary object, either early in life or in adulthood.

“By learning more not only about China, but from China, America is more likely to sustain a constructive relationship with the rising China. Lampton insightfully provides us with the much-needed guidance.”–Zbigniew Brzezinski, Center for Strategic and International Studies "Professor Lampton's stimulating and well-researched book provides a comprehensive framework for intelligent thinking about the implications for the United States and the world of the rapid expansion of China's economic and military power. Serious students of world affairs and non-specialists concerned about the outlook for U.S.-China relations will all benefit from the historically-based insights and judgments that fill the pages of this thought-provoking volume."—J. Stapleton Roy, former United States ambassador to China

Dr. Ross provides a documented account of the exploitation of Chris Sizemore, the real Eve, by her psychiatrist, Dr. Corbett Thigpen.

NATIONAL BESTSELLER • From “the poet laureate of medicine" (The New York Times) and the author of the classic The Man Who Mistook his Wife for a Hat comes a fascinating exploration of the remarkable, unpredictable ways that our brains cope with the loss of sight by finding rich new forms of perception. “Elaborate and gorgeously detailed.... Again and again, Sacks invites readers to imagine their way into minds unlike their own, encouraging a radical form of empathy.” —Los Angeles Times With compassion and insight, Dr. Oliver Sacks again illuminates the mysteries of the brain by introducing us to some remarkable characters, including Pat, who remains a vivacious communicator despite the stroke that deprives her of speech, and Howard, a novelist who loses the ability to read. Sacks investigates those who can see perfectly well but are unable to recognize faces, even those of their own children. He describes totally blind people who navigate by touch and smell; and others who, ironically, become hyper-visual. Finally, he recounts his own battle with an eye tumor and the strange visual symptoms it caused. As he has done in classics like The Man Who Mistook his Wife for a Hat and Awakenings, Dr. Sacks shows us that medicine is both an art and a science, and that our ability to imagine what it is to see with another person's mind is what makes us truly human.

(Applause Books). Winner of Best Non-Fiction for 2002 Award from the Los Angeles Times Book Review! Samuel Fuller was one of the most prolific and independent writer-director-producers in Hollywood. His 29 tough, gritty films made from 1949 to 1989 set out to capture the truth of war, racism and human frailties, and incorporate some of his own experiences. His film Park Row was inspired by his years in the New York newspaper business, where his beat included murders, suicides, state executions and race riots. He writes about hitchhiking across the country at the height of the Great Depression. His years in the army in World War II are captured in his hugely successful pictures The Big Red One , The Steel Helmet and Merrill's Marauders . Fuller's other films include Pickup on South Street ; Underworld U.S.A. , a movie that shows how gangsters in the 1960s were seen as "respected" tax-paying executives; Shock Corridor , which exposed the conditions in mental institutions; and White Dog , written in collaboration with Curtis Hanson ( L.A. Confidential ), a film so controversial that Paramount's then studio heads Jeffrey Katzenberg and Michael Eisner refused to release it. In addition to his work in film, Samuel Fuller (1911-1997) wrote eleven novels. He lived in Los Angeles with his wife and their daughter. A Third Face was completed by Jerome Henry Rudes, Fuller's longtime friend, and his wife, Christa Lang Fuller. "Fuller wasn't one for tactful understatement and his hot-blooded, incident-packed autobiography is accordingly blunt ... A Third Face is a grand, lively, rambunctious memoir." Janet Maslin, The New York Times ; "Fuller's last work is a joy and an important addition to film and popular culture literature." Publishers Weekly ; "If you don't like the films of Sam Fuller, then you just don't like cinema." Martin Scorsese, from the book's introduction