Poetry. "THE THREE EINSTEINS is the funniest book of poetry you may ever read. In it, Galvin proves she's Seattle's bright and ambling consciousness corporeal. She stands on top of its roofs and accidentally symbolizes things she doesn't understand. She eats the food its people leave behind on the streets. She makes poetry of its sex and violence, its glittering and dank districts. Not since Theodore Roethke has that city had so obvious a laureate." Rich Smith"

Somewhere in the Multiverse, in a lab distant from the Makers’ Planet, Tunnel Maker, Creator of Bridges, answers an alarm. His inter-universe probe is detecting signals from another bubble universe, indicating that some new high-intelligence alien species is doing high-energy physics and creating hyperdimensional signals. Tunnel Maker knows that, in another bubble universe, the predatory Hive Mind should be receiving the same signals. It is time to make a Bridge . . . George Griffin, experimental physicist working at the newly-operational Superconducting Super Collider (SSC), observes a proton-proton collision that doesn’t make sense. He chases it down and discovers a Bridgehead, a wormhole link to the Makers’ universe. With help from theorist Roger Coulton and writer Alice Lancaster, he establishes communication with the Makers, only to learn that a Hive invasion of Earth is imminent. As the Hive invasion is destroying humanity, by wormhole the Makers transport George and Roger back to 1987, where they must undertake the task of manipulating the Reagan, Bush, and Clinton administrations to change the future and prevent construction of the SSC. At the publisher's request, this title is sold without DRM (Digital Rights Management).

A Princeton astrophysicist explores whether journeying to the past or future is scientifically possible in this “intriguing” volume (Neil deGrasse Tyson). It was H. G. Wells who coined the term “time machine”—but the concept of time travel, both forward and backward, has always provoked fascination and yearning. It has mostly been dismissed as an impossibility in the world of physics; yet theories posited by Einstein, and advanced by scientists including Stephen Hawking and Kip Thorne, suggest that the phenomenon could actually occur. Building on these ideas, J. Richard Gott, a professor who has written on the subject for Scientific American, Time, and other publications, describes how travel to the future is not only possible but has already happened—and contemplates whether travel to the past is also conceivable. This look at the surprising facts behind the science fiction of time travel “deserves the attention of anyone wanting wider intellectual horizons” (Booklist). “Impressively clear language. Practical tips for chrononauts on their options for travel and the contingencies to prepare for make everything sound bizarrely plausible. Gott clearly enjoys his subject and his excitement and humor are contagious; this book is a delight to read.” —Publishers Weekly

This book provides an introduction to the theory of relativity and the mathematics used in its processes. Three elements of the book make it stand apart from previously published books on the theory of relativity. First, the book starts at a lower mathematical level than standard books with tensor calculus of sufficient maturity to make it possible to give detailed calculations of relativistic predictions of practical experiments. Self-contained introductions are given, for example vector calculus, differential calculus and integrations. Second, in-between calculations have been included, making it possible for the non-technical reader to follow step-by-step calculations. Thirdly, the conceptual development is gradual and rigorous in order to provide the inexperienced reader with a philosophically satisfying understanding of the theory. The goal of this book is to provide the reader with a sound conceptual understanding of both the special and general theories of relativity, and gain an insight into how the mathematics of the theory can be utilized to calculate relativistic effects.

Franz Kafka, Martha Graham, Michelangelo s David, Marian Anderson, and Bertrand Russell all play a role in this novella. Einstein s Rabbi: A Tale of Science and the Soul tells the story of a young man s search for transcendant meaning in his life. His guide is Rabbi Asher Ternfka, Einstein s rabbi. In a series of wonderfully crafted conversations, all based on actual quotations of Albert Einstein, the rabbi shares his experiences with Einstein s life and thoughts, and those glowing dialogues become a mirror for Joseph s own spiritual journey. The book is rich with insight on the human condition and a compelling model for all spiritual searchers no matter what their religious orientation.

"In Galison's telling of science, the meters and wires and epoxy and solder come alive as characters, along with physicists, engineers, technicians and others . . . Galison has unearthed fascinating material." ("New York Times").

Blending science, history, and biography, this book reveals the mysteries of mathematics, focusing on the life and work of three of Albert Einstein's heroes: Isaac Newton, Michael Faraday, and James Clerk Maxwell.

NATIONAL BESTSELLER • A modern classic explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence. “A magical, metaphysical realm ... Captivating, enchanting, delightful.” —The New York Times Einstein’s Dreams is a fictional collage of stories dreamed by Albert Einstein in 1905, about time, relativity and physics. As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar. Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

In a book that is both biography and the most exciting form of history, here are eighteen years in the life of a man, Albert Einstein, and a city, Berlin, that were in many ways the defining years of the twentieth century. Einstein in Berlin In the spring of 1913 two of the giants of modern science traveled to Zurich. Their mission: to offer the most prestigious position in the very center of European scientific life to a man who had just six years before been a mere patent clerk. Albert Einstein accepted, arriving in Berlin in March 1914 to take up his new post. In December 1932 he left Berlin forever. “Take a good look,” he said to his wife as they walked away from their house. “You will never see it again.” In between, Einstein’s Berlin years capture in microcosm the odyssey of the twentieth century. It is a century that opens with extravagant hopes--and climaxes in unparalleled calamity. These are tumultuous times, seen through the life of one man who is at once witness to and architect of his day--and ours. He is present at the events that will shape the journey from the commencement of the Great War to the rumblings of the next one. We begin with the eminent scientist, already widely recognized for his special theory of relativity. His personal life is in turmoil, with his marriage collapsing, an affair under way. Within two years of his arrival in Berlin he makes one of the landmark discoveries of all time: a new theory of gravity--and before long is transformed into the first international pop star of science. He flourishes during a war he hates, and serves as an instrument of reconciliation in the early months of the peace; he becomes first a symbol of the hope of reason, then a focus for the rage and madness of the right. And throughout these years Berlin is an equal character, with its astonishing eruption of revolutionary pathways in art and architecture, in music, theater, and literature. Its wild street life and sexual excesses are notorious. But with the debacle of the depression and Hitler’s growing power, Berlin will be transformed, until by the end of 1932 it is no longer a safe home for Einstein. Once a hero, now vilified not only as the perpetrator of “Jewish physics” but as the preeminent symbol of all that the Nazis loathe, he knows it is time to leave.