All the richness of the wild is seen through the poet's eye. Here are poems from Hawk in the Rain, Wodwo, Wolfwatching, Lupercal and River as well as from Adam and the Sacred Nine, their juxtaposition highlighting the variety of the natural world and of Hughes's poetry about it.

The Iron Wolf, the Iron WolfStands on the world with jagged fur.The rusty Moon rolls through the sky.The iron river cannot stir.The iron wind leaks out a cryAnimals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes. Part of Hughes's Collected Animal Poems, The Iron Wolf is for the youngest readers, both to listen to and explore themselves. Chris Riddell's delightful line illustrations add to the journey of discovery.

Explores various themes such as 'Capturing Animals', 'Wind and Weather' and 'Writing about People'. This book encourages children to think and write for themselves via a discussion of the poems.

This book is a radical re-appraisal of the poetry of Ted Hughes, placing him in the context of continental theorists such as Jacques Lacan, Jacques Derrida and Slavoj Zizek to address the traumas of his work. As an undergraduate, Hughes was visited in his sleep by a burnt fox/man who left a bloody handprint on his essay, warning him of the dangers of literary criticism. Hereafter, criticism became ‘burning the foxes’. This book offers a defence of literary criticism, drawing Hughes’ poetry and prose into the network of theoretical work he dismissed as ‘the tyrant’s whisper’ by demonstrating a shared concern with trauma. Covering a wide range of Hughes’ work, it explores the various traumas that define his writing. Whether it is comparing his idea of man as split from nature with that of Jacques Lacan, considering his challenging relationship with language in light of Roland Barthes and Jacques Derrida, seeing him in the art gallery and at the movies with Gilles Deleuze, or considering his troubled relationship with femininity in regard to Teresa Brennan and Slavoj Žižek, Burning the Foxes offers a fresh look at a familiar poet.

Wolfwatching was the fourteenth collection published by Ted Hughes (1930-98), England's former Poet Laureate. In it, we encounter several poems that feature his typically striking yet somber exactitude, a style of perception and depiction always unclouded by sentiment. Other poems find Hughes returning to the Yorkshire landscape of his childhood, recounting the tragic effects of World War I, or revisiting the dire plight of that region's coal miners and textile workers. Wolfwatching is an unflinching book about the struggles of this world, struggles both physical and spiritual, both in and out of nature.

Despite the differences between children around the world, there are similarities that join us together, such as pain, joy, and love. Inside they are the same.

Originally published in 1979, Moortown Diary is the updated version of Ted Hughes's acclaimed Devon farming sequence, written over a period of several years during which he was spending almost every day outside, either gardening or farming. The introduction and notes (added in 1989) sketch in the background from which these remarkable poems emerged as an improvised verse journal, sparely edited, coalescing spontaneously on the page. ' Moortown Diary keeps its eye firmly on the creatures behind the language. It's written in the style of Hughes's play translations: very swift and bright and urgent and speakable...Hughes strips away the protective layers - the soundproofed ears, the double-glazed eyes - that prevent us making contact with anything outside ourselves. Right now, I can't think of anything more important than that kind of poem. Because we're not just here to think about literature. We're here to try to wake up.' Alice Oswald, The Guardian 'It grips your heart, and your intestines, like a vice from the first page. He makes language as physical as a bruise, and in these poems beauty and tenderness blend with violence.' John Carey, Sunday Times 'The Moortown sequence includes some of Hughes's finest poems...They are like no other poems I have read, with a degree of intensity, sanity and grace that he has never equalled.' Anthony Thwaite, Times Literary Supplement

Fans of Aaron Becker’s Caldecott Honor winner Journey will love this utterly enchanting wordless picture book in which two friends follow a young fox deep into the woods and discover a wondrous and magical world. When a young girl brings her beloved stuffed fox to the playground, much to her astonishment, a real fox takes off with it! The girl chases the fox into the woods with her friend, the boy, following close behind, but soon the two children lose track of the fox. Wandering deeper and deeper into the forest, they come across a tall hedge with an archway. What do they find on the other side? A marvelous village of miniature stone cottages, tiny treehouses, and, most extraordinary of all, woodland creatures of every shape and size. But where is the little fox? And how will they find him? Stephanie Graegin’s oh-so-charming illustrations are simply irresistible, and readers young and old will want to pore over the pages of this delightful fantasy adventure again and again.

Animals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes. Part of Hughes's Collected Animal Poems, The Iron Wolf is for the youngest readers, both to listen to and explore themselves. Chris Riddell's delightful line illustrations add to the journey of discovery.

Originally the medieval bestiary or book of animals set out to establish safe distinctions - between them and us - but Hughes's poetry works always in a contrary direction: showing what man and beast have in common, the reservoir from which we all draw. Alice Oswald's selection is arranged chronologically, with an eye to different books and styles, but equally to those poems that embody animals, rather than just describe them. Some poems are here because, although not strictly speaking animal, they become so in the process of writing; and in keeping with the bestiary tradition there are plenty of imaginary animals - all concentratedly coming about their business. The resulting selection is subtly responsive to a central aspect of Hughes's achievement, while offering room to some wonderful overlooked poems, and to 'those that have the wildest tunes.'