When Greg Dillon is assigned to a federal fugitive task force in Connecticut, he inadvertently uncovers a pattern of misconduct and falsified affidavits. After reporting his concerns to the politically connected but incompetent chief state’s attorney, the whistleblower finds himself a target of reprisal. Investigated, transferred, demoted, and threatened, Dillon hires an attorney, and—with the assistance of legendary whistleblower Frank Serpico—takes on both the state of Connecticut and the Department of Justice in federal court, resulting in an explosive verdict and a significant court ruling. 10 percent of the author’s profits will be donated to Shepherds.

A wide-ranging investigation of how supposedly transformative technologies adopted by law enforcement have actually made policing worse—lazier, more reckless, and more discriminatory American law enforcement is a system in crisis. After explosive protests responding to police brutality and discrimination in Baltimore, Ferguson, and a long list of other cities, the vexing question of how to reform the police and curb misconduct stokes tempers and fears on both the right and left. In the midst of this fierce debate, however, most of us have taken for granted that innovative new technologies can only help. During the early 90s, in the wake of the infamous Rodney King beating, police leaders began looking to corporations and new technologies for help. In the decades since, these technologies have—in theory—given police powerful, previously unthinkable faculties: the ability to incapacitate a suspect without firing a bullet (Tasers); the capacity to more efficiently assign officers to high-crime areas using computers (Compstat); and, with body cameras, a means of defending against accusations of misconduct. But in this vivid, deeply-reported book, Matt Stroud shows that these tools are overhyped and, in many cases, ineffective. Instead of wrestling with tough fundamental questions about their work, police leaders have looked to technology as a silver bullet and stood by as corporate interests have insinuated themselves ever deeper into the public institution of law enforcement. With a sweeping history of these changes, Thin Blue Lie is a must-read for anyone seeking to understand how policing became what it is today.

For the past thirty years, the Los Angeles Police Department has been accused of endless charges of brutality and corruption. From the highly public and polarizing Rodney King beating, to the shocking Rampart Scandal, many have viewed the department as a brutal, yet effective, crime fight force. To this end, many blame the more controversial acts of the department on a "few bad apples." Covering the time from Chief Gates' tenure until the end of the Rampart Scandal, The Thin Blue Line brings forgotten and startling events from the last thirty years of the L.A.P.D.'s shocking history to life. Attempting to view brutality and corruption through a critical lens, this book uses extensive research to investigate the various charges police corruption as a result of the different policing styles implemented by the department throughout the years, and not the result of a "few bad apples."

The Truth Behind The Lie is Sara Lövestam’s award-winning and gripping novel about blurred lines, second chances, and the lengths one will go to for the truth. When a six-year-old girl disappears and calling the police isn’t an option, her desperate mother Pernilla turns to an unlikely source for help. She finds a cryptic ad online for a private investigator: “Need help, but can’t contact the police?” That’s where Kouplan comes in. He’s an Iranian refugee living in hiding. He was forced to leave Iran after news of his and his brother's involvement with a radical newspaper hated by the regime was discovered. Kouplan’s brother disappeared, and he hasn’t seen him in four years. He makes a living as a P.I. working under the radar, waiting for the day he can legally apply for asylum. Pernilla’s daughter has vanished without a trace, and Kouplan is an expert at living and working off the grid. He’s the perfect PI to help... but something in Pernilla’s story doesn’t add up. She might need help that he can’t offer...and a little girl’s life hangs in the balance.

“Relationships and their dynamics play themselves out naturally and with satisfying complexity” (Kirkus Reviews) in this dramatic and powerful novel that explores the gray space between truth and perception. Cheater. Traitor. Slut. Quinn’s done the unthinkable: she kissed a guy who is not Carey, her boyfriend. And she got caught. Shunned by everyone she knows, Quinn loses her friends, her reputation, and her identity. Because Carey’s not just any guy—he’s a Marine who’s serving overseas, and beloved by everyone in their small, military town. But Quinn didn’t cheat. She could clear her name, but that would mean revealing secrets she’s vowed to keep—secrets that aren’t hers to share. So she stays silent, and she waits for Carey to come home. Then Carey goes MIA, and Quinn must decide how far she’ll go to protect her boyfriend…and her promise.

A wide-ranging investigation of how supposedly transformative technologies adopted by law enforcement have actually made policing worse—lazier, more reckless, and more discriminatory American law enforcement is a system in crisis. After explosive protests responding to police brutality and discrimination in Baltimore, Ferguson, and a long list of other cities, the vexing question of how to reform the police and curb misconduct stokes tempers and fears on both the right and left. In the midst of this fierce debate, however, most of us have taken for granted that innovative new technologies can only help. During the early 90s, in the wake of the infamous Rodney King beating, police leaders began looking to corporations and new technologies for help. In the decades since, these technologies have—in theory—given police powerful, previously unthinkable faculties: the ability to incapacitate a suspect without firing a bullet (Tasers); the capacity to more efficiently assign officers to high-crime areas using computers (Compstat); and, with body cameras, a means of defending against accusations of misconduct. But in this vivid, deeply-reported book, Matt Stroud shows that these tools are overhyped and, in many cases, ineffective. Instead of wrestling with tough fundamental questions about their work, police leaders have looked to technology as a silver bullet and stood by as corporate interests have insinuated themselves ever deeper into the public institution of law enforcement. With a sweeping history of these changes, Thin Blue Lie is a must-read for anyone seeking to understand how policing became what it is today.

From All the President’s Men to Zodiac, some of the most compelling films of the last century have featured depictions of journalists in action. While print journalism struggles to survive, the emergence of news from social media outlets continues to expand, allowing the world to be kept informed on a second-bysecond basis. Despite attacks on journalists—both verbal and physical—a free press remains a crucial bastion for civilized society. And just as the daily news reflects the current state of affairs, films about journalism represent how reporting has evolved over the last few centuries. In Encyclopedia of Journalists on Film, Richard R. Ness provides a comprehensive examination of the fourth estate in cinema—from newspaper reporters to today’s cyber journalists. In this volume, Ness provides in-depth descriptions and analyses of more than five hundred significant films, from the silent era to the present, including international productions and made-for-television movies. The entries focus on the image of the press on screen and ethical issues or concerns raised about the practices of the profession. Collectively, the entries demonstrate that there is a recognizable genre of journalism films with definable plot patterns and iconography. Each entry features: Major credits including directors, writers, and producers List of characters and the actors who portray them Running time Plot synopsis Analysis of the role of journalism Many of the entries feature critical reviews as well as cogent selections of dialogue. Films discussed here include comedies such as His Girl Friday (1940), nail-biting thrillers like Foreign Correspondent (1940) and The Parallax View (1974), social commentaries like Network (1976) and The China Syndrome (1979), dramas like Citizen Kane (1941) and The Post (2017), and of course, Academy Award winners All the President’s Men (1976) and Spotlight (2015). A definitive study of a film genre, Encyclopedia of Journalists on Film will be of interest to film scholars, researchers, journalists, and students of popular culture.

Every police officer faces the likely possibility of confronting a violent, resisting suspect that will require the officer to use force. The failure to accurately and comprehensively document such an incident could end an officers career. Force Reporting for Every Cop provides police officers with the tools they need to prepare comprehensive use-of-force reports that will stand up in court and internal investigations. This book includes detailed background information that will increase the level and quality of an officers reporting, as well as a thorough explanation of the documentation required to prove proper field conduct.

From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.

This is the absolutely indispensable guide to worthwhile cinema. It includes over 10,000 entries on the best of film and video that a real film lover might actually want to see.